Music streaming has been in the headlines this week in a big, big way. I’m sure you’re all aware that Apple threw their proverbial hat into the music streaming business this week with the launch of their new Apple Music service. Everything that I’ve heard about this service sounds a bit underwhelming. I’ve been with Spotify for so long now that Apple really needed something speculator to get my business. And despite what many pre-teens might think, Taylor Swift isn’t that spectacular thing. I get that Swift is the biggest thing in music right now (or whatever) and that she is one of the few acts still selling records, but her exclusivity on Apple’s Music service isn’t what I needed to sway me into changing.
I’m an Apple fan, but I don’t like how restrictive they are when it comes to the music you buy from them. On top of that, I think the iTunes store is way overpriced, so I’m very reluctant to hop into bed with an Apple Music streaming service. I hope that Spotify can weather the storm and remain competitive. I’m glad that the music streaming field is widening, however I worry about splintering. The thought of many artists only being on one exclusive service is worrisome–how long will it be before fans will need several paid subscriptions just to have access to the bands they want?
I also worry about songs and/or bands vanishing overnight without notice. This has happened a few times with a couple of smaller bands that I like on Spotify, but this week there were two major cataclysms in the Spotify music library. The Music Streaming Gods giveth and then taketh away! On Tuesday AC/DC showed up on Spotify! I love AC/DC and was luck enough to see them on their last tour a few years ago (when they were supporting BLACK ICE). Sadly, I’ve never really delved too far into their catalog–mostly because it was so hard to find electronically. I’ve been binge-listening to the older, Bon Scott-era albums that I’m not as familiar with as I should be (it’s all really great).
Of course, to maintain balance in the streaming universe, Prince decided to pull all of his music from every streaming service imaginable. This hit me much harder than you might expect. Last year, after he performed on Saturday Night Live, I fell head-over-heels in love with his latest album ART OFFICIAL AGE. Believe it or not, this was probably my most-played record from last year. It’s a big hit in my household, with even the musically fickle Mrs. Defending Axl Rose enjoying the hell out of the Purple One’s most recent album.
I’d been toying with the idea of writing a review of ART OFFICIAL AGE for several months, but something always seemed to get in the way. I’ve purchased exactly one CD this year, The Darkness’ latest album THE LAST OF OUR KIND, but I‘m seriously considering heading down to my local record shop and picking up ART OFFICIAL AGE just because it bums me out that I no longer have access to it. Is that part of Prince’s plan? Tease us all with his music and then take it away so we all rush out to buy it? Maybe. Is he perhaps jealous of Taylor Swift, who’s decision to leave Spotify was (weirdly) a huge news-making event? I certainly hope he isn’t waiting for Apple to cut him a similar exclusive-deal. Prince has gone to war against the Internet in the past, last year he wiped all of his music from YouTube (a pretty impressive feat if you think about it). I hope these shenanigans are making Prince a shit-ton of money, because I think it may end up costing him most (all?) of his cultural relevance. By disappearing from the Internet, Prince could end up vanishing from history. Think about it, if kids today can’t watch his videos on YouTube or stream his music…does Prince exist for them? I don’t think he does.