Category Archives: I Read The News Today Oh Boy

RIP Chris Cornell

Today we woke up and learned that grunge pioneer Chris Cornell had died suddenly. Cornell died in Detroit (of all places), and it’s starting to sound like his death was possibly the result of suicide. Cornell is probably most famous for being the lead singer of Soundgarden. They were one of those 90’s bands that defined the grunge movement that sprang up in Seattle, along with bands like Pearl Jam and Nirvana. I’ll admit that for a long time I got Soundgarden mixed up with Pearl Jam. The bands are similar, but Cornell was always a little cooler than Eddie Vedder, who kinda comes across as a bit of a wanker. “Black Hole Sun” is probably being played in a thousand record stores today and all over the radio, and with good reason: that song rules. No fooling-no bullshit, “Black Hole Sun” is a fantastic song. Although my personal favorite Soundgarden song has to be “Spoonman,” which is apparently about a Seattle street musician who played…spoons. This song came out in 1994 when I was in my Beatles-only phase, so I came to this song via the popular late 2000’s video game ROCK BAND. There were so many nights of beer and ROCK BAND where someone would warble out the bizarre (but awesome) lyrics.800

For me, Cornell will always be remembered as the guy who put out the best modern James Bond theme song (pre-Adele). His song for the first Daniel Craig Bond flick, CASINO ROYALE, was a real corker. I remember not digging it the first time I heard it, but when the lights when down in the theater and the song was accompanied by the weird opening credits I thought, “this is a damn good song.” The song was called “You Know My Name, ” and it appeared on Cornell’s 2007 solo album CARRY ON. Hard to believe that that was a decade ago.

I have a friend who is a big Audioslave fan, I think she likes Audioslave more than Soundgarden, but I’ve never really given the band much of a listen. It feels kinda shitty to say this, but now that Cornell’s gone, I guess I’ll go back and spend a little time with both band’s back catalog. Of all the 90’s grunge bands, I think that Soundgarden probably holds up the best, after Pearl Jam. But maybe I’m wrong about this; it’s been awhile since I’ve done a deep-dive into that era of music. We’re used to losing heroes from the 1960’s and 1970’s music scene, but the death of Chris Cornell is truly shocking. I’m still in this weird mindset that 1990 was only ten years ago, but of course, that’s not true.

They’ll be playing “Black Hole Sun” all over today, take the time to check out “Spoonman” or better yet, “You Know My Name.” Goodbye Mr. Cornell, rest in power.

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Empathic Vibrations: How Music Allows Us to Understand One Another

This post is part of a series of daily blog posts written during the month of May as a form of artistic protest. This Blog March was organized by writer/musician Robin Renée. You can learn more about Robin and the Blog March by visiting her website.

A few years ago, I had a co-worker who was really into music. When he found out that I enjoyed many of the classic rock bands that he liked, he’d come by my desk to have long, meandering conversations about music. One day he and I were discussing Hendrix, and he said that he didn’t like Jimi Hendrix and thought he was overrated. I told him that I tended to agree, that the cult of personality surrounding Hendrix had gotten a bit out-of-hand. Then in another conversation, we were having about guitarists we thought were overlooked, I suggested Prince and his reaction was one of disgust. “Prince? Prince? Surely you are joking…” I thought that was an odd reaction for such a big music fan to have, but I didn’t think too much about it. Then there was the time the subject of blues music came up, and he emphatically told me that he couldn’t stand it and that it held little artistic merit (or some such thing). I thought that was a pretty odd perspective to have, especially considering his favorite band was The Rolling Stones. I called him out on this, and he shrugged me off.

Imagine my surprise, however, when his hero Keith Richards released an album of all blues covers. There was no way that this guy was going to like that, right? Wrong, he loved it. I called him out on his inconsistent stance on blues. Then I asked him if he listened to any music made by a black artist and he told me frankly: “I don’t listen to black music…it just doesn’t speak to me. I can’t relate to it at all.” I laughed, not because the statement was funny (though it was) but because I thought this guy was joking. He was not. It turned out this guy avoided “black music” and only listened to bands/singers who were white, like him. Now, whether or not this guy was racists is neither here nor there–the point is, I think it’s pretty common for people to enjoy music made by people who most resemble themselves. As I’ve said many times, I didn’t seriously listen to female bands/singers until I was in my early 20’s when radio host/E-Street Band member Little Steve told me that Tegan & Sara were “cool.”

Now, if you think about it, it doesn’t make sense for this guy to think he has more in common with Keith Richards than he does with someone like Robert Johnson. This guy was a teacher so economically, Johnson and his day-to-day life were much more “relatable” than Richards (who is a millionaire-vampire).

As I’ve matured and expanded my sphere of listening, I’ve come to realize how valuable it is to hear music created by people vastly different from myself. About a year or so ago, I was listening to a rap song, I wish I could remember what song or who the artist was (I think it was Run The Jewels), but I remember taking my headphones off and thinking: Oh, my God…”Black Lives Matter” means “All Lives Matter.” I had never taken issue with the sentiment of BLM, but like a lot of middle-class white people, I also thought it should be “All Lives Matter.” But through exploring both classic and modern rap/hip-hop, it became apparent to me that the way I experienced the world was fundamentally different than the way people of color experience it. Listening to rap provided a window of insight into how other people see and feel about things. I no longer have a problem with “Black Lives Matter,” because I can see now how they currently don’t matter (in this country and elsewhere in the world) and it was music that allowed me to begin the process of understanding. And right now what the world needs more than anything right now is more understanding.

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Run the Jewels.

100+ days ago, I would say this revelation would be pretty important, but now in May of 2017, I think it’s probably the most important thing music is. No matter who you are, take the time to explore the art of people who are different from you. Art is where we exalt our joy and preserve our pain. That old saying about not knowing someone until you walk a mile in their shoes? Well, one way you can do that is to experience their films, books, and music. I love Keith Richards to death, but it blows my mind that a person could enjoy his work and have zero interest in his mentor Chuck Berry. Don’t you dare be that narrowminded.

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The master and the apprentice.

Our Hater-In-Chief and those like him can only see divisions, but the truth is that our world is overflowing with art that can link us together. We’re all floating islands of isolation, but art tethers us not just to this world but to one another. Stop reading this post and listen to music made by someone who doesn’t look like you.

And if you want a suggestion:

 

Check out the next Blog March blog, by David Jamison here: https://davidjamison.wordpress.com/

 

 

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I Might Actually, Maybe, Possibly, Perhaps, Get to See GnR Live!

I’m still smarting from the whole Kanye West concert debacle, but news came a few days ago that Guns N’ Roses were going to hit-up a bunch of US cities not on the original leg of their Not In This Lifetime reunion tour. I remain cautiously optimistic about my chances of seeing the band, even though my native St. Louis and current home Denver are on the list of cities blessed with a tour stop. I mean, Axl Rose is no Kanye West, but he does have a reputation…if I buy a ticket for one of these shows will I be dooming my fellow concert goers?

I missed the first leg of the tour, though my parents (of all people) saw the band in Kansas City and apparently had a good time. This year has been on of many crushing defeats and moments of terrible disappointment…but I’m going to tempt fate one more time and buy a ticket to the Denver show this Friday when they go on sale.

The new tour dates are:

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Campaign to Send Me to See Kanye West Official Over

You might recall a few months ago when I started a Go Fund Me campaign in order to send me to Las Vegas to see Kanye West perform live. Don’t remember that? Well, it happened. Fueled by the  desperation to see the man perform LIFE OF PABLO live in person and a lack of funds in order to travel outside of Denver, I emulated my musical hero and took to the Internet in order to (essentially) beg for money. So how did I do? Well, I made $6 more than Kanye made when he infamously sought money from Internet Zillionaire/Facebook Mogul Mark Zuckerberg…of course, that means I only raised $6. Well short of the $900 I was asking for. Now, let me admit now that that figure was pretty high, but consider the fact that I need airfare, a hotel, and a ticket to Yeezus’s show. I only guestimated, so $900 might have been on the low side…who knows?

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The campaign is over, I’m no longer accepting donations, mostly because it’s too late for me to raise money to attend the Vegas show. But don’t shed any tears for this middle-aged rock blogger, for every time Yeezus closes one door he immediately opens another (and then tweets about it). This week it was announced the second leg of Kanye’s tour would come to my beloved Denver, Colorado! Huzzah! So this Friday at 10:00am I’m dusting off my credit card and paying whatever number fate demands I pay in order to see Mr. West. I wish the show wasn’t on the Monday after Thanksgiving, but we do what we can with what we are given, right?

I’m going to document the shit out of this concert, so stay tuned for updates!

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Metallica’s New Song “Hardwired” is really, really…

Boy did this catch me off guard today, but Metallica released a brand-spanking new track today. We’ve known for some time now that Metallica was working on a new album (their tenth) but I honestly didn’t have it on my radar. Turns out that was a mistake! It’s coming out this November. I’m not sure what was so special about today, after all, the music industry switched the day new releases come out from Tuesday to Fridays, but I’m not complaining. A band like Metallica are legendary enough to drop new stuff whenever they please.

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Alright, enough preamble, let’s get down to brass tacks! The real question here isn’t “why wasn’t this song on your radar?” nor is it “why did they choose to put it out on a Thursday?” No, the real question is: is “Hardwire” any good?

Let me first come clean and say that I am far from the world’s biggest Metallica fan. A few years ago, however, I got into the band’s first few albums particularly their 1983 debut KILL ‘EM ALL (which I am exactly one month and two days older than). The later stuff is, as I think most sane people will agree, a bit hit or miss for me. I actually kinda dug 2008’s DEATH MAGNETIC and the hyper-homoerotic (trust me on this) BEYOND MAGNETIC EP the band put out in 2011. So that’s me, I’m a guy that likes the first album and the last batch of material the band released (LULU does not exist in this dojo). I mention this because put my opinion into perspective.

I’ve stalled long enough, I a proud to say that “Hardwired” is great! The first thing that struck me about it is how well it was recorded. The biggest complaint lodged against the modern Metallica records is how shitty the production has been. ST ANGER had problems with the drum sounds and DEATH MAGNETIC was criticized for being overly compressed (i.e. they both sounded shitty). Well, “Hardwired” sounds crisp and clear, there’s no murky or computerized quality to the tracks’ sound. What we have here is a brilliantly simple thrash-metal song, you know the kind of song that originally made the band so famous. The new album is called HARDWIRED…TO SELF-DESTRUCT and that’s basically the hook of “Hardwired.” It’s fast and furious and without any pretension–there’s no overly-indulgent opening or anything lame like that. The song thunders along for a brisk 3 minutes and 11 seconds, there’s no fat on this track, it’s lean and mean. And I love that about it.

Metallica has really grabbed my attention with “Hardwired.” I can’t believe I’m going to write this in 2016: but I am super-excited about a new Metallica album.

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Train Hilariously Cover All of LED ZEPPELIN II

“Dear God, why?” That’s what I thought when I logged into Spotify last week and spotted Train’s new album DOES LED ZEPPELIN II. I’m still not 100% sure why the album appeared in my feed. I know it’s not because I’m a huge Train fan…maybe it’s because I love Zeppelin? Just so we’re all clear, the Train in question (who just released a top-to-bottom cover of the second Led Zeppelin album) is the San Francisco alt-rockers best known for their 2001 album DROPS OF JUPITER.

I can’t believe that I’m writing a post about this band. Train is one of those incredibly forgettable bands that came and went without anyone really noticing because of how bland they are.  “Drops of Jupiter” is one of those obnoxious ear-worms that infect you and cause you to embarrass yourself in the grocery check-out line when you start quietly singing it under your breath. The only thing more vanilla-boring than Train are The Fray (don’t get me started). The more I think about it, the more I realize how the late 1990’s/early 2000’s were a truly dismal time for Top 40 pop-rock.

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The album artwork is just as inspired as the music.

Anyway, this complete cover album is totally baffling to me on two levels. The first is: why does this exist? I don’t think I’m being (too) cheeky when I pose this question. What does it serve to make an album that covers a legendary album like LED ZEPPELIN II? This ties into my second “why?” in regards to this album: why would you release an album of covers that sounds exactly like the original? If I want to hear the second Zeppelin album, I can go and listen to it anytime I want. It still stands up today as one of the finest blues-inspired hard rock albums. If I want to hear another artist cover songs that love, I usually want said artist to bring something to the table. DOES LED ZEPPELIN II is so ridiculously slavish to the original (fantastic) recording, that it literally does not need to exist. There is no point. Sure, the production is a little cleaner, the guitar playing not quiet as tight, and the vocals a pale imitation of Robert Plants legendary performance…but the whole package sounds so much like Zeppelin that most casual listeners might actually mistake it for the original album.

I think that most of us would agree that an ideal cover presents a familiar (or unfamiliar) song in a new light. The best covers are more interpretive than mimicry. That’s why something like Gary Jules’ cover of the Tears For Fears song “Mad World” is so outstanding. Rather than reproduce the song verbatim, Jules took a great track and slowed it down turning a sad song into a wonderfully somber dirge. The same goes for Johnny Cash’s cover of the Nine Inch Nails song “Hurt.” When I think of both of those songs I almost never think about the original versions–that’s how good those two covers are.

Train had to have known that the kind of Gus Van Sant-devotion they were exhibiting on the Zeppelin project could only be viewed as an exercise in complete wankery. Surely the point of such a stunt is to show off that it could be done. I guess it is impressive that such a lame, mediocre band could record such an album…but the fact that they chose to record DOES LED ZEPPELIN II just goes to underscore why I find them so hilariously irrelevant. Hey Train, want to show smarmy bloggers like me that you’re not lame? Take the skill you used to create DOES LED ZEPPELIN II and make your own epic record.

 

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Axl Rose’s Debut with AC/DC: Defensible Dreck?

Let there be…Axl? This weekend Axl Rose officially hit the stage as the fill-in lead singer of AC/DC. The band resumed their ROCK OR BUST tour in Lisbon, Portugal (I bet you think I had to look up where Lisbon was…you are correct) Saturday with a skeptical world ready to rip the band apart. I was surprised to see so many positive reviews for the show online. The general reaction online from fans has either been a resounding “meh” or a frothing “how dare they!” So when a bunch of major publications praised both the band and the new singer, I was stunned. I think that for the most part, people want Axl to succeed in “coming back.” The sad part, of course, is that Axl never really went anywhere. But with the recent announcement that Guns ‘N Roses would be getting back together it does seem like Rose has come back from the dead in terms of the popular culture.

Curious as to what this mash-up of rock titans would sound like, I was pleased to learn that the band had released some official video of the weekend’s show in Lisbon. The two clips that I saw, one of the classic “Shoot to Thrill” and the newer song “Rock or Bust,” were interesting to say the least. Axl fractured his foot (can you believe the luck?) and was forced to his awkwardly in a rock throne for the performance. It should be noted that this throne was NOT the one used by legendary rocker Dave Grohl when he hurt himself on the last Foo Fighters tour. Watching Axl bob his good leg up and down while his injured foot was propped up came off way less cool than when Grohl sat though shows. Worse, seeing the geriatric members of AC/DC run around the stage like adolescent school boys was strange. People are always saying that the younger generation just isn’t as good/tough/whatever and this visual kinda made it difficult to argue with that sentiment. Axl should have been the Spring chicken injecting life into the band…but instead he seemed older than Angus.

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Oh man, there is no beating around the bush…this sure doesn’t look very cool. 

But all this cosmetic stuff isn’t important if the band sounds great, right? The videos released didn’t have the best sound quality, but it doesn’t seem like Axl sounds right. He’s doing his usual screaming thing, which these days sounds a bit less-than-stellar if I’m honest. Also, he’s doing this weird thing where he’s singing like he’s in GNR sometimes and then at other moments kinda doing a Brian Johnson impression. I don’t think he’s succeeding in walking the fine line between honoring the sound of AC/DC while at the same time coming at these classic songs from his own unique voice. I’d love to know what exactly he’s going for with these performances. As far as these official recordings go, I think he’s generating a sloppy mess that doesn’t tickle my fancy as an Axl Rose fan nor as an AC/DC fan. That said, if I had to see AC/DC without Brian Johnson, I guess I’d want to see them with the absolutely most famous signer available. And, if I’m being honest, if a live album of this material was/is released I’d most certainly give it a careful listen (or three). This isn’t unlistenable dreck, just not as impressive or cohesive as it could be. I’m stunned that so many people are writing about how great this show was and the what a stellar job Rose did. My guess is by not totally sucking,  people are impressed. My expectations were higher than most, which is why I’m not super impressed with what’s appeared officially online.

Also, and I feel bad writing this…but if I paid a ton of money to see Guns ‘N Roses and had to watch Axl flop around in a chair I’d be pretty disappointed. This stint with AC/DC is such a train wreck that the bum foot adds an extra dimension of WTF-ness to the whole proceeding. I feel bad every time I say or write this if I were AC/DC, I think I’d finish up the tour and call it a day. There certainly is no way they are going to be able to top a seated Axl Rose. I feel like there is going to be a really interesting book or documentary about all of this one day…that interests me more than anything else about this whole situation.

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Can We Talk About Michael Stipe’s Beard?

Recently I was listening to a podcast and someone was talking about a benefit concert held on March 31st for the late (great) David Bowie at Carnegie Hall in New York. Among the many stars who came out to pay tribute to the Thin White Duke, was former R.E.M. frontman Michael Stipe. Stipe pretty much fell off my radar in 2011 when R.E.M. called it a day and ended their storied career. Growing up, my parents were really into mid-period R.E.M. going so far as to take me to see them play live in 1995 when the band was touring in support of their album MONSTER. Some of the later albums like UP and ACCELERATE were actually pretty good, even though most people probably didn’t take the time to listen to them.

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Winter is coming! Stipe is totes ready for Movember.

Anyway, Stipe’s bizarre rendition of Bowie’s “Ashes to Ashes” was a hot topic on this podcast, so I decided to pull up a video of it online. I found a clip very easily, and while the sound isn’t great, everyone who wasn’t there needs to watch it. Is the cover that great? It’s okay, I suppose (it’s a bit talky for my taste). But that’s not what I’m here to discuss today…no, I’m more interested in that beard Stipe is rocking.

When and where did he get that thing? My wife saw him and said he looks like fantasy writer/procrastinator George R.R. Martin (though not fat). Me? I think Stipe is slowly turning into a Jack Skellington version of Santa Claus. The beard/facial hair is all the rage these days, so I get why Stipe would sport a little growth now that he’s out of the spotlight…but the beard he’s rocking these days is epic. Believe me, as a guy who sometimes has a beard, it takes serious commitment to have a beard that full and bushy. Known for his shiny-happy-chromedome, hair is not the first thing one thinks of when thinking about Michael Stipe. This beard changes everything though. From now on, when I hear FABLES OF THE RECONSTRUCTION I’m going to think about Stipe’s bouffant, salt-and-pepper beard swaying back and forth to the rhythm.

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RIP Prince

Just when I thought the high-profile rock star deaths of 2016 were slowing down, Prince died. He was only 57 years old and apparently died due to complications relating to the flu. I’d heard that he’d taken ill following a recent concert and had been rushed to the hospital, but I never imagined that the Purple One would die. I only recently (the last 2 years or so) got into Prince. I can’t exactly recall what spurred my interest in him, but my wife and I really dug into his second-to-last album, the bizarre rock opera ART OFFICIAL AGE, which came out in 2014. Both of us falling in love with a record top-to-bottom is an extremely rare event in my household, which should tell you something about Prince and his appeal.

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Kids today probably don’t know very much about Prince, and I blame that on him. In recent years, Prince’s militancy regarding the online presence of music essentially resulted in wiping him from history for most young music fans. Hell, I grew up in the early 1980s and prior to 2014 I really only thought of him when watching re-runs of Chappelle Show. Scrubbing his music from the web resulted in him being half-remembered as a joke and as the guy who single-handedly ruined Tim Burton’s 1989 BATMAN film. I guess this strategy made him some money, because ART OFFICIAL AGE was the last album I purchased in an actual record store last year after Prince removed all of his music from Spotify.

I’m sad that Prince is gone and that his legacy is kinda screwed up, because Prince was simply amazing. Like a weird fusion of Hendrix and Michael Jackson, Prince was a genuine  guitar hero. I think that’s the biggest thing young people today don’t know about Prince: he was a legitimate shredder. There is an outstanding song on ART OFFICIAL AGE called “Clouds” where at the very end Prince does this amazing guitar solo. It’s a brief burst of virtuosity that’s probably the most sublime (yet tasteful) bit of music I’ve heard in the last ten years. There’s something really rad about a guy that talented being so restrained. If I could play guitar like Prince, I’d have a double-album of nothing but obnoxious solos.

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The best artists evolve and shift over time and boy did Prince do that…and then some. From his early days a downright dirty talking pop star to a quasi-religious (or not?) fanatic who shunned his early success. He spent much of his later years holed up in his house studio recording whole albums that he never bothered to release (that’s if filmmaker Kevin Smith is to be believed). If there’s anything positive to come from his untimely passing, I hope that it’s we get access to some of that music. I’ll bet that much of it is fucking amazing and all of it is super weird.

Rest In Power, dear sweet Prince.

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Will Axl Put the “A” in AC/DC?

From the files of “Too Strange For Fiction” comes the rumor that W. Axl Rose, your friend and mine, is going to step-in as lead singer and finish AC/DC’s current tour. Excuse me, what? Seriously, this is without a doubt the weirdest story I can personally recall involving modern rock music. But let’s take a step back to see just how we got to this (really freaking weird) place.

The former-current lead singer, Brian Johnson, announced on March 7th that he would be unable to finish the last 10 dates of the band’s tour. The reason? His doctor told him that continuing to perform would cost him his hearing. Let that sink in for a moment. Brian Johnson no doubt has access to the best healthcare available to human-kind (dude is in one of the biggest rock bands in history). I’m sure there was much “are you sure?” and second-opinioning made before such a lucrative tour was essentially placed on pause. When this story first broke, I thought “damn that sucks, but that’s the price you pay for being in a rock band.” Then it came out that Johnson lost his hearing as a result of driving race cars. Could there be anything crazier than losing your hearing from race car driving? Not being in one of the biggest, hardest rocking bands of all time…no driving a really loud car did his ears in.

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Like most people (I think) yours truly thought that this was finally the end of AC/DC. I remember thinking “Damn, first they lose Malcolm Young to dementia…then kick Phil Rudd out for going bananas/plotting murder…losing their lead singer is the end of this band.” Of course, I should have known better. AC/DC is the band that deified the death of their original (and best) lead singer Bon Scott. A true hellraiser, Scott was AC/DC and yet…after his death in 1980 after basically drinking himself into a stupor. Brian Johnson joined the band, and AC/DC released BACK IN BLACK. You know, the band’s most popular album, the one that even non-fans know entirely by heart. Besides being such a huge smash and a cultural milestone, BACK IN BLACK proved that it was possible for a band to not only move on after the loss of a frontman, said band could thrive. So why wouldn’t guitarist Angus Young want the show to go on and for AC/DC to get a new lead singer?

But this is where the story starts getting…strange. On March 15th comedian Jim Breuer (yes, the stoner-ish dude from SNL) stated that his friend Brian Johnson hadn’t quit the band for health reasons: he was kicked out. Breuer claimed that Johnson was planning on defying his doctor’s orders and finishing the tour. Before he had a chance to work out plans with the band, Breuer claimed Johnson was kicked out of the band.

Brian Johnson is 8 years older than Angus, whom Breuer claims wants to continue the band “for at least another 10 years.” So a much younger lead singer would certainly help AC/DC to solider on and make that sweet, sweet touring money. But who would be cast into the role of frontman? Speculation swirled online, with several people throwing their names into the hat for consideration. My favorite of these was Howlin’ Pelle Almqvist the lead singer from The Hives (whom apparently toured with AC/DC in the past as an opening act). Another interesting person in the running (maybe?) is the Marc Storace, the lead singer of Krokus. This choice seems more likely, as he was asked to audition for AC/DC to replace Bon Scott back in the 80’s, which he famously turned down.

I’ve been trying to figure out where the rumors of Axl Rose joining AC/DC originated from, and it’s a bit tricky. Apparently, both Rose and AC/DC where in Atlanta, Georgia (of all places) at the same time…and this geographical proximity launched the rumor. At least, I thought it was just a rumor. Then late this week, Malcolm Young’s son posted twice on social media that Rose was going to take over singing duties for the band. These posts were quickly pulled down, adding further fuel the the fire that this was serious and that there are negotiations happening right now for Rose to front the band.

Would Axl be a good choice for AC/DC? From a financial and marketing perspective I would say: hell yes. Both AC/DC and Axl could use the bump in promotion. AC/DC are as popular as ever, but having the lead singer from another legendary rock band would do wonders for their bottom line. Axl Rose also stands to reap the benefit$ as well. With the Guns N’ Roses reunion looming on the horizon, anything that Axl can do to increase his visibility and prove that he’s still a great frontman will only help put asses in seats and make him money. A Guns N’ Roses reunion is a certain money maker, but promotion costs money but joining AC/DC would be one helluva marketing campaign. And it wouldn’t cost Rose anything. Hell, if this all turns out to be an elaborate hoax, the reason neither side is coming out and squashing it is no doubt due to the tremendous interest this story has caused.

But that’s not really the question is it? Would Axl be a good fit for AC/DC in a musical sense? No, as much as I love Axl, I don’t think he’s the right guy to sing AC/DC’s songs. He’s not gruff and bluecollar enough to pull that off. Oh sure, one or two songs would be cool, but I can’t imagine he’d be able to pull of an entire setlist of songs from the band in any sort of believable way. And are they going to toss in a GNR song or two? I think that people would expect that and I don’t see Angus wanting to play any of those songs.

I feel really grateful that I had the chance to see AC/DC on the BLACK ICE tour in 2008. I’m also really grateful that I run an Axl Rose-themed blog in a year where we’re going to see a GNR reunion and a possible Rose-fronted AC/DC. Can you imagine what this is going to do to my page views?

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