Category Archives: CHINESE DEMOCRACY

Guns N’ Roses At Mile High Stadium 08/02/2017

I want to start this post by stating the following: I’m a lame, hipster. I’m not a real fan.  Nothing ever at any time in my entire life has made me happy. I am taking out my own personal frustrations on a millionaire rock star. I am jealous of Axl Rose. I am a terrible writer and this post is full of typos. I am a derogatory term for a homosexual. I am ugly, stupid, bad, dumb, full of shit, hopeless, worthless, and a talentless hack.

There. Now that I’ve already pre-insulted myself, the Guns N’ Roses kooks that come out of the woodwork to complain about this post are going to have a (slightly) harder time thinking of something original to say. I’m not going to beat around the bush kids, I saw Guns N’ Roses live in concert earlier this week and if kinda sucked. But maybe I’m getting ahead of myself. Let’s do the whole concert-wrap-up-post.

 

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The view of Mile High from the neighboorhood where I currently work.

 

The concert was held at Denver’s beloved Mile High Stadium, where I saw Metallica earlier this summer (more on that in a moment). I was a little wiser from my experience at that show, so while the evening played out roughly the same way, I was able to refine my strategy. Once again, I walked from my (current soon-to-be-former) office just outside downtown Denver and took a popular urban walking/bike trail to the Stadium. I arrived shortly after 5:00 pm and immediately went to Little Machine Beer for my pre-show libations and tacos from True West Tacos. This beer and those tacos are the real-deal people, I strongly urge you check them out if you are in the Denver area.

 

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Ordered the exact same thing. 10/10 would eat again.

 

Little Machine sits at the very edge of the far parking lot of the Stadium, so just like before the Metallica show, it was filled with concert goers. But there was a real difference. People tend to think of metalheads as “scary” and “dangerous” but the crowd waiting for the GNR show was much rowdier. They were also less…what’s the most delicate way to put this? Sprinkled with hate. I sat on an outside patio next to a bunch of biker dudes, one of whom had a patch on his vest shaped like the continental United States which was emblazoned with the slogan “We’re full…FUCK OFF!” While I’m sure there were some shitty dudes/dudettes at the Metallica show (after all there were way more people) the shitheads seemed to gather in larger groups and were thus more prominent.

 

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An empty-ish parking lot 2 hours before show time.

 

I finished my dinner and drinks spending around $30 and was then 100% completely done spending money for the evening. I did not, as with Metallica, buy any beers at the show and while I checked out the merch booth, I did not buy anything. Why? Well, I had an early morning appointment the next day (so I stopped drinking) and the merch was crappy, stupid looking, and over priced. The shirts were mostly $45, which isn’t too bad, but $500 for a jacket? Who is buying that? Anyway, I was/am very broke so I saved my (non-existent) money and made my way to my seat. I was four rows from the field/pit area, directly center to the stage. When I arrived at my seat, there were only three people in my row, of course, one of them was sitting next to my seat. He was a pale, very thin, young rocker-kid who was constantly coughing (because he was hitting a vape pen, naturally). Two rows in front of me, a burly biker dude was already throwing up. That’s right, the opening act was only halfway done with his set (Sturgill Simpson, a kinda flat/boring alt-country blues guy) and this guy was already in the puking phase of his evening. This gentleman, whose girlfriend sat stoically next to him, threw up three more times. Near as I could tell, he was just throwing up on the ground next to his seat. Eventually, a pair of stadium employees (poor kids, who were probably making $7 an hour) came a silently mopped up his vomit. The dude didn’t even acknowledge them or say he was sorry. As soon as they were gone he started hitting a vape pen. I expected him to vanish during the show, either dragged off by the staff because he was staggering/falling over, but he was there the entire show.

 

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My vantage point. 

 

Once Sturgill Simpson was finished, we were treated to the best music of the evening: a mixtape of kick ass Ramones songs played over the stadium PA. Getting to hear The Ramones played at maximum volume in Mile High Stadium was so rad, it made me sad that we weren’t going to get to see them rather than GNR. Those songs play like gangbuster whilst sitting in a sticky plastic chair watching a biker try not heave while hitting a vape pen. Highlights included “Danny Says” and “Swallow My Pride” two songs that are definitely in my Top 20 favorite songs of all time. Eventually, The Ramones faded out and Guns N’ Roses took to the stage. This is where the evening started to fall apart. The band opened with “It’s So Easy” and from jump-street, Axl sounded like shit. I’ve been trying to put my finger on exactly what was so crappy about it and all I can think is that he had no spark, no enthusiasm. He also screeched way more than sang throughout most of the night. And it’s a damn shame because Axl once had the greatest range of any pop singer. But time and drugs/hard living have ravaged the voice that was Guns N’ Roses.

 

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The first of many dumb looking hats.

 

When I was a kid, I used to think that there were two people singing Axl’s parts, a dude with a really high voice and another with a deep, low voice. I actually thought that Slash was the dude with the really deep voice. But it was just Axl and his amazing range. Earlier this week, I flipped through the “Fat Axl” memes online, kinda dreading how bad Axl might look. I didn’t think he looked any fatter than any rich dude his age. However, Axl looked fucking ridiculous all night long. He always wore a bandana (which is okay, because he always did that) but atop that, he wore a series of stupid hats. Now look, I like hats too. My friend in St. Louis, Jake, has sold me many a dumb hat at the hat store where he works. The dumber a hat is, the more I want to wear it…in public. These giant leather monstrosities looked incredibly stupid and swapping them out between songs only emphasized just how desperate Axl is these days to keep his head covered. What are you hiding, Axl? I get that losing one’s hair (allegedly) is terrible for men, but here’s the thing: Axl is rich enough that he doesn’t have to get up and perform on stage these days. If you’re that paranoid about your hair, don’t do these shows. Or just wear the bandana. The vest/jacket that Axl wore throughout the night also changed, and while most of these were just terrible, the brown leather with fringe number he wore near the end of the night was truly egregious.

 

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Slash keeping it Slash-y.

 

For the most part, the song selections were about what you would expect from a reunited Guns N’ Roses in 2017. Mostly selections from their debut album (all the hits you can name) with selections from the USE YOUR ILLUSION albums sprinkled throughout. There were, however, more covers than I was expecting and that’s where the band exceeded (somewhat) my expectations. Of course they were going to cover the Wings/Paul McCartney classic “Live and Let Die,” but I wasn’t expected the touching Chris Cornell tribute cover of “Black Hole Sun” (which, if I’m being honest, fucking rocked) and brilliant instrumental cover of Pink Floyd’s “Wish You Were Here.” Speaking of instruments, Slash and bass player Duff McKagan were both aces. Despite having lived just as rough a life (or even rougher?) than Axl, these two are still able to hold their own on stage. And Slash looked even better than when I saw him open a few years ago for Aerosmith. Dude looks like he’s been hitting the gym, good for him. And speaking of McKagen, before I forget, I want to mention the single coolest part of this concert: every time the cameras focused on McKagen’s bass playing we got to see the Prince symbol. Yes, McKagen has the Purple One’s symbol proudly displayed on his guitar. I know that most of the people at the show probably didn’t like Prince, but the shout-out to a legit guitar hero, gone too soon, was awesome. This was the best thing that GNR did on stage that night–they had a small piece of Prince with them.

There were, predictably, only two songs from CHINESE DEMOCRACY: the titular track and the song “Better.” I really like “Better” so I was glad to hear them play it…until they started playing it. The overwrought production of Axl’s infamous album just isn’t replicable live on stage.  They did have a (very young) woman playing keyboards with them who provided occasional backing vocals, which she did on this song, that was also pretty cool. Hearing “Sweet Child O’ Mine” live with Axl singing the vocals (I saw Slash do this song with Myles Kennedy) was noteworthy, but really it sounded like someone else doing a cover. Axl sitting down at the piano for “November Rain” was a legit moment of badassery. At the tail-end of the Slash instrumental cover of “Wish You Were Here,” Axl launched into the ending piano riff of “Layla.” I forgot that Axl was a decent piano player, and the sappy MTV ballad actually sounded decent once he launched into “November Rain.” This was the closest we came to hearing old-school GNR.  Then the band went into the Chris Cornell cover and I started to think, “Maybe this concert was worth it after all.” The band finished that cover and immediately followed it up with the Dylan cover “Knockin’ On Heavens Door.” Despite the ridiculous cowboy getup, Axl did this song justice, too. But then they finished the night’s set with an ear-splittingly bad version of “Nightrain.”

I left while the crowd clapped and stamped their feet in order to demand an encore. Partly because I’d seen enough and partly because, like Axl, I too was getting old and couldn’t stay out all night. I told my wife the next day that seeing Guns N’ Roses live made me wish I’d died at 25, but after careful consideration, I don’t think that’s right. No, I don’t think it’s better to burn out than fade away or whatever other rock cliches you can conjure. I think that it is better to keep living, get old, and give up on staying young forever. Sure, an old man can be goofy compared to a virile young man, but a young man pretending to be young still is even goofier. I can’t be certain, but I don’t think “goofy” is what Axl is going for these days. To all the young bands playing out there today: grow, change, morph into something mature and when you’re 55+ don’t try to be 25.

 

 

Aside: If you’d told me at the start of the summer that the best show of Summer 2017 was going to be Metallica, I wouldn’t have believed you. But boy did Metallica beat GNR in every way. From the live performance, stage presence, pyrotechnics, hell…even the weird stuff they projected behind the better was better produced/not laughable (the GNR material was crappy 2000-era CGI guns and rose petals). 

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UPDATE: CHINESE DEMOCRACY (Possibly) Worth More Than In 2013 & 2012

Back in December of 2013 I noticed that the price of Guns ‘n Roses latest album CHINESE DEMOCRACY had gone up. Comparing the list price against a (super depressing) tweet from 2012, I saw that the album has increased in price by $1.22. The price rose, like a phoenix from the flames, from a paltry $3.66 to a robust $4.88. This was terrible-ish news for people who had not yet purchased the CD (and have very limited budgets). I, on the other hand, saw this as great news because the thought of CHINESE DEMOCRACY costing less than $4.00 feels just wrong.

Go ahead and check-out that first album-price post, it’s much better written. In that post I point out that prices on Amazon are always in flux so this might not actually mean anything. I also noticed (when I was halfway through writing that post) that I wasn’t comparing the price of the album at the same time of the year (October 2012 vs. December 2013). I even think I suggested that I check on the price of the CD in December 2014 to try and be more scientific about studying this trend. Of course I forgot.

I was checking on the status of a separate non-GNR related order this morning and decided to check-in and see what the price of CHINESE DEMOCRACY was currently. To my utter chagrin, the price has skyrocketed from $4.88 to $4.92. That’s an increase of $0.04! If you’d have taken my advice and purchased 100,000 copies of CHINESE DEMOCRACY back in December of 2013 you’d have made a profit of $4,000! Holy cow, I feel like the next Warren Buffet.

So for reasons that are absolutely beyond me, the price of CHINESE DEMOCRACY has continued to slowly climb. Perhaps this current jump in price is related to the “Only 8 left in stock-order soon” note, which was absent from the listing the last time I checked on the price of this album. Could it be a low supply that is driving the price up? I guess. Maybe. Sure.

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$$$

If you don’t own a copy of this masterpiece now is the time to hop to it and buy this sucker. You don’t want to have to pay $5.00 for this thing, do you?

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DEFENDING AXL ROSE: Part 2 “Shackler’s Revenge”

Welcome to part two of a fourteen part series in which I go track-by-track through CHINESE DEMOCRACY. It’s been over two years since I did the first installment on the first song…but I’m back defending Axl Rose!

I’d heard several songs off CHINESE DEMOCRACY prior to the album’s official November 2008 release, but “Shackler’s Revenge” was the first officially-Axl-sanctioned track I heard. The song was previewed in the Harmonix rhythm game Rock Band 2, which came out a month before CHINESE DEMOCRACY was released. I remember playing the game for hours the day it came out trying to unlock the song. When I finally got a chance to play “Shackler’s Revenge” I was pretty disappointed. Unlike the rough leaked tracks I’d heard, “Shackler’s Revenge” had a gritty industrial feel. I was also taken aback by the song’s production, which was busier than most hard rock songs. This negative reaction was repeated when I bought the album a month later.

For the record: not my score, not my Xbox ID, and not screen cap.

For the record: not my score, not my Xbox ID, and not screen cap.

Five years and many listens later, I like “Shackler’s Revenge” much more than I did when I first heard it in Rock Band. That said, this track is probably the most over-stuffed/produced track on the album. Everything about “Shackler’s Revenge” is big. The song has the most credited writers of any song on the album (five in case you were wondering). The song has multiple guitar solos and multiple guitarists. And despite this largeness, the song is the second shortest track on the record, clocking in at three and a half-minutes in length.

The track is an epic, aggressive romp through burning fields of an apocalyptic hard rock landscape. The song might not have struck me as very Guns N’ Roses-like the first time I heard it, but “Shackler’s Revenge” actually has all the main ingredients of a great GNR song. The song features lead and backing vocals from Axl, where are layered on multiple tracks creating a creepy Axl-choir. “Shackler’s Revenge” is angry and defiant with an absolute killer chorus that seems to wag a finger at all of Axl’s doubters.

GNR’s songs are also known for their guitar and “Shackler’s Revenge” does not disappoint on this end. The song features interesting guitar work from the avant-garde guitarist Buckethead and the band’s other guitarist Bumblefoot. I’m not 100% sure which one of these guitarists did the solos, but they’re fantastically explosive. I also really like the dying Galaga machine-like quality of the guitar tone.

The song’s dark, apocalyptic nature recalls the band’s previous “Oh My God.” That track, which came out on the END OF DAYS soundtrack in 1999, almost seems like a proto-“Shackler’s Revenge.” Axl has publically stated that “Oh My God” was released unfinished due to time constraints relating to the release of the film End of Days. A comparison of the two tracks is a fascinating: both have an aggressive, industrial metal feel but whereas “Oh My God” seems to be an endless gushing rant, “Shackler’s Revenge” has a methodical, demonic groove. The more refined “Shackler’s Revenge” is a testament to Axl’s tireless perfectionism. I’m not a big fan of sub-genre that the song mines, but the song has grown on me over the years. That said, releasing “Shackler’s Revenge” as the album’s first single was probably a mistake. From a business perspective, it makes sense to release the shorter more dynamic track but for my money the album’s third track “Better” would have made a better single (pun intended.

But I’ll write more about that when in the next installment of my track-by-track review of CHINESE DEMOCRACY.

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CHINESE DEMOCRACY (Possibly) Worth More Than In 2012

Last night, while mining the depths of Amazon.com’s music section, I decided to check-in and see how much a brand-new copy of CHINESE DEMOCRACY was going for these days.  The last time I did this two years ago, I was horrified to see that the album was going for less than $4.00 a copy.  That was back on October 25 2012, would the album be selling for less than $2.00?

As you can see, the value of CHINESE DEMOCRACY was low in October of 2012.  This would have been the prime opportunity to "buy low"

As you can see, the value of CHINESE DEMOCRACY was low in October of 2012. This would have been the prime opportunity to “buy low”

Thankfully for Axl, the album’s value has…increased!?

$1.22 increase! A thousand shares of CHINESE DEMOCRACY could have netted you $1220 profit! That's simple rock 'n roll investing, folks

$1.22 increase! A thousand shares of CHINESE DEMOCRACY could have netted you $1220 profit! That’s simple rock ‘n roll investing, folks

I’m kicking myself for not checking the price last year and this year on October 25–not that doing that would provide a reliable barometer of the album’s value.  As most of you serious online shoppers know, the prices on Amazon.com are in a constant state of flux.

And even taking Amazon’s pricing system out of the equation, CHINESE DEMOCRACY has a couple of things working against it in terms of it’s price/value.  Firstly, the album was sadly panned by many critics and ignored by the public.  But bad reviews and a lack of singles doesn’t necessarily make a cut-out-bin record.  Even after all these years the name Guns N’ Roses as a brand still has remarkable value.

Secondly, and the biggest reason CHINESE DEMOCRACY’s value is so low is the fact that Axl twisted Best Buy’s arm and made them buy a bajillion copies in advance so they would have exclusive rights to the infamous album’s initial release.  It’s a smart move on his part, because the albums Best Buy bought to sell were counted as “sold” albums, thus making the album appear to be a bigger hit than it was.  AC/DC did a similar deal with Wal-Mart when they released BLACK ICE back in 2008.  But there’s a downside, much the same way a Chevy Impala don’t have much re-sale value because they’re used so much as fleet cars–Axl prematurely saturated the market with albums. Thus, an abundance of unsold albums means the price is gonna drop.  I can understand why bands do these store-exclusive releases, but I really dislike them.  CHINESE DEMOCRACY was probably one of the last new CD’s I bought at Best Buy because I dislike the store so much.

The album’s going for just under $5.00, which isn’t great but it is higher.  Of course, beyond the Amazon price-fluxing, this higher price could be due to inflation or some other over-reaching economic force I’m too stupid to understand.  I’m going to definitely try to keep an eye on the album’s price for future music-geek research.

That said, at less than $5.00 there’s no excuse for you to not own this album.  I’m going to pick-up where I left off on my track-by-track review of CHINESE DEMOCRACY soon-ish because I really do feel like it’s an amazing, underrated album. The merger of Industrial rock and tender piano ballads is just too incredible.

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Guns N’ Roses: The Pinball Game

Last night I was at The Firebird (downtown St. Louis) seeing Nashville-rockers The Features with The Sun and The Sea.  I really like The Features and should probably do a write-up on them sometime…

Anyway, I looked over during The Sun and The Sea’s set, and what did my eyes spy? A Guns N’ Roses pinball machine!  Ignoring everything I made a bee-line for the machine to check it out, and boy was it cool!

The machine’s game board had a really nice/ludicrous theme of roses, guns, and snakes.  But what was really cool was that it had two plungers (the thing that releases the balls) one was the butt of a handgun and another that looked like a rose.

Awesome! My birthday’s in two weeks, you all now know what to get me.  

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Defending Axl Rose: PART #1 “Chinese Democracy”

Well it’s been a week, I guess it’s time I start defending Axl Rose.  Welcome to the first in a series of posts that will examine CHINESE DEMOCRACY, track-by-track.:

I’m not going to sit here and try to tell you that CHINESE DEMOCRACY is a perfect album or that it’s better than APPETITE FOR DESTRUCTION.  It is my belief, however, that people dismissed CHINESE DEMOCRACY too quickly.  For one thing, the long delay in it’s release did nothing but raise expectations to a ridiculously high, completely unattainable level.  Time was also an enemy for the album in that 15 years passed between GNR albums. That’s a long time and in the music industry that’s practically a lifetime.  Styles change.  Trends come and go.  When Axl Rose released “THE SPAGETTI INCIDENT?” in 1993 people were still listening to music on the radio and watching music videos on MTV.  I guess what I’m saying is: the world moved on.

I feel like a lot of the negative reaction to the album had to do with people expecting Axl to pick up right where GNR left off all those years ago.  But why did fans expect or want Axl to stay locked in 1993?  Anyway, I can’t really explain why it took 15 years to make CHINESE DEMOCRACY, and I certainly don’t think it “sounds” like it took 15 years to make. What did does sound like is an older, more mature rockers attempt at a comeback album.  It incorporates what was great about his old work and adds to it some modern touches.  I think it was those modern touches that turned off most listeners, especially the old GNR fans. People who expected or wanted the record to sound like “Welcome to the Jungle” are missing the point of art and artists. Wanna hear “Welcome to the Jungle”? Go put on APPETITE FOR DESTRUCTION.

The first track on CHINESE DEMOCRACY is, fittingly enough, “Chinese Democracy.”  Axl has stated publicly that the song is about the Chinese government and their poor treatment of the Dalai Lama.  It opens with a faint and ominous siren-like noise.  A chorus of quiet voices bleed over the sound of a guitar for a few seconds before we hear a louder, more highly processed guitar.  That was the first thing that suck out about both “Chinese Democracy” the song and the album-there are so many different guitar tones on this record it’s not even funny.  At first these crashing/clashing tones are pretty jaring. It sounds initially that these guitar sounds are just tossed around haphazardly, like Rose just threw the kitchen sink at CHINESE DEMOCRACY, but really what Axl does throughout the record is to create a lush, pulsing wall of sound.  It’s not out of control or random, the entire record is highly organized.  It reminds me of the symphonic work Brian Wilson did on PET SOUNDS.

I guess the Brian Wilson comparisons are easy, after all Wilson’s magnum opus SMILE (in it’s original form) was only just this past year  made available to the listening public. Both albums are the singular vision of musical geniuses, the only difference is that Rose seems to have lost the war with a lot of critics.  That said, I think that in 20 years it’ll be as highly regarded as SMILE.  Why do I think this? Well genius is very rarely recognized, at least initially.  And Axl doesn’t bend over backwards to make CHINESE DEMOCRACY likable or “easy.”

Axl lets us know right off the bat, ending his 15 year silence with this pronouncement:

“It don’t really matter/You’re gonna find out for yourself/No it don’t really matter/You’re gonna leave this thing somebody else.”

The song goes on to point a finger a China’s government and it’s use of an “iron fist” to subdue it’s people.  It’s accusatory and at the same time resigned in the fact that ultimately totalitarianism fails.  I find it ironic that Rose’s first album in 15 years is called CHINESE DEMOCRACY and seems to stab brutish dictators…the irony being that Rose is something of a brutish dictator himself.  A quick look at the personal of the album reads like a who’s-who of rock musicians (studio hands or otherwise).  So many people have credits on the damn thing it’s unreal.  And you know that for every person given proper credit there must be two people who aren’t.  Maybe I’m wrong about that, but it would seem that 15 years is an awful long time to remember whom to thank.  “Chinese Democracy” alone is credited as having five different guitarists (not counting two different bass players).   And then there are the people who started on the project and pissed Rose off and were booted off…

Regardless, “Chinese Democracy” is a fucking great rock song.  It’s rebellious, scary, and when you finish hearing it you are left with no doubts that Axl Rose has come screaming back like he’d never gone away.  Ignoring the fact that the song bookends a 15 year period of silence, I think “Chinese Democracy” is a great opener and a worthy addition to the GNR catalogue.

Next week I’ll continue my strange, track-by-track odyssee through CHINESE DEMOCRACY by looking at the second track “Shackler’s Revenge.” 

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