Tag Archives: Live shows

Guns N’ Roses At Mile High Stadium 08/02/2017

I want to start this post by stating the following: I’m a lame, hipster. I’m not a real fan.  Nothing ever at any time in my entire life has made me happy. I am taking out my own personal frustrations on a millionaire rock star. I am jealous of Axl Rose. I am a terrible writer and this post is full of typos. I am a derogatory term for a homosexual. I am ugly, stupid, bad, dumb, full of shit, hopeless, worthless, and a talentless hack.

There. Now that I’ve already pre-insulted myself, the Guns N’ Roses kooks that come out of the woodwork to complain about this post are going to have a (slightly) harder time thinking of something original to say. I’m not going to beat around the bush kids, I saw Guns N’ Roses live in concert earlier this week and if kinda sucked. But maybe I’m getting ahead of myself. Let’s do the whole concert-wrap-up-post.

 

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The view of Mile High from the neighboorhood where I currently work.

 

The concert was held at Denver’s beloved Mile High Stadium, where I saw Metallica earlier this summer (more on that in a moment). I was a little wiser from my experience at that show, so while the evening played out roughly the same way, I was able to refine my strategy. Once again, I walked from my (current soon-to-be-former) office just outside downtown Denver and took a popular urban walking/bike trail to the Stadium. I arrived shortly after 5:00 pm and immediately went to Little Machine Beer for my pre-show libations and tacos from True West Tacos. This beer and those tacos are the real-deal people, I strongly urge you check them out if you are in the Denver area.

 

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Ordered the exact same thing. 10/10 would eat again.

 

Little Machine sits at the very edge of the far parking lot of the Stadium, so just like before the Metallica show, it was filled with concert goers. But there was a real difference. People tend to think of metalheads as “scary” and “dangerous” but the crowd waiting for the GNR show was much rowdier. They were also less…what’s the most delicate way to put this? Sprinkled with hate. I sat on an outside patio next to a bunch of biker dudes, one of whom had a patch on his vest shaped like the continental United States which was emblazoned with the slogan “We’re full…FUCK OFF!” While I’m sure there were some shitty dudes/dudettes at the Metallica show (after all there were way more people) the shitheads seemed to gather in larger groups and were thus more prominent.

 

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An empty-ish parking lot 2 hours before show time.

 

I finished my dinner and drinks spending around $30 and was then 100% completely done spending money for the evening. I did not, as with Metallica, buy any beers at the show and while I checked out the merch booth, I did not buy anything. Why? Well, I had an early morning appointment the next day (so I stopped drinking) and the merch was crappy, stupid looking, and over priced. The shirts were mostly $45, which isn’t too bad, but $500 for a jacket? Who is buying that? Anyway, I was/am very broke so I saved my (non-existent) money and made my way to my seat. I was four rows from the field/pit area, directly center to the stage. When I arrived at my seat, there were only three people in my row, of course, one of them was sitting next to my seat. He was a pale, very thin, young rocker-kid who was constantly coughing (because he was hitting a vape pen, naturally). Two rows in front of me, a burly biker dude was already throwing up. That’s right, the opening act was only halfway done with his set (Sturgill Simpson, a kinda flat/boring alt-country blues guy) and this guy was already in the puking phase of his evening. This gentleman, whose girlfriend sat stoically next to him, threw up three more times. Near as I could tell, he was just throwing up on the ground next to his seat. Eventually, a pair of stadium employees (poor kids, who were probably making $7 an hour) came a silently mopped up his vomit. The dude didn’t even acknowledge them or say he was sorry. As soon as they were gone he started hitting a vape pen. I expected him to vanish during the show, either dragged off by the staff because he was staggering/falling over, but he was there the entire show.

 

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My vantage point. 

 

Once Sturgill Simpson was finished, we were treated to the best music of the evening: a mixtape of kick ass Ramones songs played over the stadium PA. Getting to hear The Ramones played at maximum volume in Mile High Stadium was so rad, it made me sad that we weren’t going to get to see them rather than GNR. Those songs play like gangbuster whilst sitting in a sticky plastic chair watching a biker try not heave while hitting a vape pen. Highlights included “Danny Says” and “Swallow My Pride” two songs that are definitely in my Top 20 favorite songs of all time. Eventually, The Ramones faded out and Guns N’ Roses took to the stage. This is where the evening started to fall apart. The band opened with “It’s So Easy” and from jump-street, Axl sounded like shit. I’ve been trying to put my finger on exactly what was so crappy about it and all I can think is that he had no spark, no enthusiasm. He also screeched way more than sang throughout most of the night. And it’s a damn shame because Axl once had the greatest range of any pop singer. But time and drugs/hard living have ravaged the voice that was Guns N’ Roses.

 

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The first of many dumb looking hats.

 

When I was a kid, I used to think that there were two people singing Axl’s parts, a dude with a really high voice and another with a deep, low voice. I actually thought that Slash was the dude with the really deep voice. But it was just Axl and his amazing range. Earlier this week, I flipped through the “Fat Axl” memes online, kinda dreading how bad Axl might look. I didn’t think he looked any fatter than any rich dude his age. However, Axl looked fucking ridiculous all night long. He always wore a bandana (which is okay, because he always did that) but atop that, he wore a series of stupid hats. Now look, I like hats too. My friend in St. Louis, Jake, has sold me many a dumb hat at the hat store where he works. The dumber a hat is, the more I want to wear it…in public. These giant leather monstrosities looked incredibly stupid and swapping them out between songs only emphasized just how desperate Axl is these days to keep his head covered. What are you hiding, Axl? I get that losing one’s hair (allegedly) is terrible for men, but here’s the thing: Axl is rich enough that he doesn’t have to get up and perform on stage these days. If you’re that paranoid about your hair, don’t do these shows. Or just wear the bandana. The vest/jacket that Axl wore throughout the night also changed, and while most of these were just terrible, the brown leather with fringe number he wore near the end of the night was truly egregious.

 

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Slash keeping it Slash-y.

 

For the most part, the song selections were about what you would expect from a reunited Guns N’ Roses in 2017. Mostly selections from their debut album (all the hits you can name) with selections from the USE YOUR ILLUSION albums sprinkled throughout. There were, however, more covers than I was expecting and that’s where the band exceeded (somewhat) my expectations. Of course they were going to cover the Wings/Paul McCartney classic “Live and Let Die,” but I wasn’t expected the touching Chris Cornell tribute cover of “Black Hole Sun” (which, if I’m being honest, fucking rocked) and brilliant instrumental cover of Pink Floyd’s “Wish You Were Here.” Speaking of instruments, Slash and bass player Duff McKagan were both aces. Despite having lived just as rough a life (or even rougher?) than Axl, these two are still able to hold their own on stage. And Slash looked even better than when I saw him open a few years ago for Aerosmith. Dude looks like he’s been hitting the gym, good for him. And speaking of McKagen, before I forget, I want to mention the single coolest part of this concert: every time the cameras focused on McKagen’s bass playing we got to see the Prince symbol. Yes, McKagen has the Purple One’s symbol proudly displayed on his guitar. I know that most of the people at the show probably didn’t like Prince, but the shout-out to a legit guitar hero, gone too soon, was awesome. This was the best thing that GNR did on stage that night–they had a small piece of Prince with them.

There were, predictably, only two songs from CHINESE DEMOCRACY: the titular track and the song “Better.” I really like “Better” so I was glad to hear them play it…until they started playing it. The overwrought production of Axl’s infamous album just isn’t replicable live on stage.  They did have a (very young) woman playing keyboards with them who provided occasional backing vocals, which she did on this song, that was also pretty cool. Hearing “Sweet Child O’ Mine” live with Axl singing the vocals (I saw Slash do this song with Myles Kennedy) was noteworthy, but really it sounded like someone else doing a cover. Axl sitting down at the piano for “November Rain” was a legit moment of badassery. At the tail-end of the Slash instrumental cover of “Wish You Were Here,” Axl launched into the ending piano riff of “Layla.” I forgot that Axl was a decent piano player, and the sappy MTV ballad actually sounded decent once he launched into “November Rain.” This was the closest we came to hearing old-school GNR.  Then the band went into the Chris Cornell cover and I started to think, “Maybe this concert was worth it after all.” The band finished that cover and immediately followed it up with the Dylan cover “Knockin’ On Heavens Door.” Despite the ridiculous cowboy getup, Axl did this song justice, too. But then they finished the night’s set with an ear-splittingly bad version of “Nightrain.”

I left while the crowd clapped and stamped their feet in order to demand an encore. Partly because I’d seen enough and partly because, like Axl, I too was getting old and couldn’t stay out all night. I told my wife the next day that seeing Guns N’ Roses live made me wish I’d died at 25, but after careful consideration, I don’t think that’s right. No, I don’t think it’s better to burn out than fade away or whatever other rock cliches you can conjure. I think that it is better to keep living, get old, and give up on staying young forever. Sure, an old man can be goofy compared to a virile young man, but a young man pretending to be young still is even goofier. I can’t be certain, but I don’t think “goofy” is what Axl is going for these days. To all the young bands playing out there today: grow, change, morph into something mature and when you’re 55+ don’t try to be 25.

 

 

Aside: If you’d told me at the start of the summer that the best show of Summer 2017 was going to be Metallica, I wouldn’t have believed you. But boy did Metallica beat GNR in every way. From the live performance, stage presence, pyrotechnics, hell…even the weird stuff they projected behind the better was better produced/not laughable (the GNR material was crappy 2000-era CGI guns and rose petals). 

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12 Days Until I See GnR Live, And I Still Haven’t Fully Reviewed CHINESE DEMOCRACY

I’m not going to start his post with the question, “Does anyone still read this blog?” Even though I really want to, I’m going to avoid the question, mostly because I think I know the answer (and does it really matter?). I’m less than two weeks out from seeing Axl and Slash play together on their Endless Money For All Eternity Tour and I thought it would be a good idea to write something before my emotionally charged concert review (summation?) post that will be coming post-GnR concert.

It’s a little bit funny (this feeling inside?) that my last post was on a Natalie Imbruglia covers album. I feel like many of the people who follow/randomly stumble upon this website don’t get that I’m not exactly the world’s biggest Guns N’ Roses fan and that the title of this website is a bit tongue in cheek. I’m also pretty sure that some of the people on Facebook that follow the Defending Axl Rose Facebook Page think I’m Axl. God bless, ’em, each and every one of them.

Anyway, I have tons of things that I’d like to write about: songs, albums, concerts, the like…but I’ve been mostly unable to get any writing done due to some life changes and the fact that my toddler doesn’t allow me to use my home computer (which I need to write these posts). I am pretty stoked to see GnR and wonder if they will be able to compete with the awesome spectacle that was Metallica. Time will tell. Part of me wants to look up setlists from previous shows on this tour, but I kinda want to be surprised. I do want to hear “Rocket Queen” and “My Michelle.” If you’ve seen them and they don’t play those, please don’t post a comment below telling me they don’t, let my disappointment come naturally.

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This is super mean, but I can’t help but laugh each and every time I see it.

So that’s it for now, just a quick check-in. I’d like to review this country album and maybe talk about the latest Cheap Trick record. I don’t know exactly when I will get to those, but you can definitely count on a post-GnR concert write-up. I learned my lesson with Metallica and will consume less alcohol, so my notes/memory of the event should be better, thus resulting in a better post.

If you’re going to the Denver show, hit me up on Facebook or leave a comment and maybe we can meet up.

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Pre-Metallica Concert Thoughts

In a few hours, I’m going to be seeing Metallica here in sunny Denver, Colorado. This morning my son and I listened to the band’s “Top Hits” on Spotify, and I must admit it got me jazzed for this concert. Growing up, all my friends listened to the local hard rock radio station, while I stuck to the classic rock station my parents liked. This meant that I missed out on Metallica at their late 80’s-early 90’s peak. Before I could form an opinion on the band, the whole Napster thing happened, and I found myself unwilling to give the band a shot. In hindsight, Metallica’s argument against Napster/illegal downloading of music isn’t as terrible as it seemed to me at the time. Now that I exist in a world where music is all but free, I can see that there were serious consequences. Small, up-and-coming bands went from making very, very, very, very little money to none at all. The Jay-Z’s and Beyonce’s of the world make a staggering amount of money, but nobody else in the music business does. Well, Metallica continues to do alright, too.

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My affection for Metallica was further cemented by the 2009 Guitar Hero video game; if I’m honest, as pathetic as it will probably sound, most of my exposure to Metallica came from this game. Now with Spotify, I’ve gone back and listened to all their albums in their entirety (except for that awful 2011 Lou Reed collaboration album LULU). I enjoy their 1983 debut album KILL ‘EM ALL, mostly because it sounds like a band full of enthusiasm and intensity. But their super-popular 1991 ‘Black Album’ is also really good. Honestly, all their albums are solid which is rare in the world of metal and the world of music in general.

I’m excited to see how well the band is live, I’ve heard they are amazing. I will document what happens in a couple of days. I’m also really interested to see what the crowd will be like. I’m picturing a lot of gray hairs (mine included). For one thing, the tickets were a bit steep, and as a younger colleague pointed out to me today, “Metallica are old men.” But metal is a weird genre, one that is very fixated on the past, so I imagine there will also be plenty of younger metalheads in attendance as well.

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Where Have I Been? & 2017 Concert Updates

 

Hello Everyone,

It’s been three months since I’ve been active here at Defending Axl Rose, though I’m trying to get “back on the horse” as they say. I’ve been busy working…like a lot of working. I didn’t mean for so much time to pass, but here we are with so much time having passed since my last substantial update. Last year I didn’t attend very many concerts, but already 2017 is shaping up to be a HUGE concert-going year for me. On the horizon: I’m attending a Metallica show in June and a Guns ‘N Roses show in August. I kinda gave up on seeing GnR for a little while, but after the initial rush of ticket sales, the prices for decent seats at the Denver show dropped to where I was comfortable plunking down my hard earned coinage. I know that for a guy running an Axl Rose-themed blog this will sound like heresy: but I’m more excited to see Metallica at this point.

I have a couple of albums that dropped over the past few months that I want to review, I also have a book I need to finish and review on Jellyfish, and I have a couple of classic albums I want to revisit. There are things we have to do, and then there are important things we should do but don’t always have the time–and this website has always been in the second category, but sometimes life gets in the way.

Lastly, I didn’t write it up, but last month I attended an Against Me! concert up in Fort Collins and was totally blown away by them! If you happen to live in a city where they’re rolling through I highly recommend you check them out, they are so good live. Also, it’s not music-related, but I would like to take a moment to plug my friend’s blog Trope & Dagger where I sometimes write about pop culture stuff that doesn’t fit with DAR’s mission statement. I plan on writing something over there really soon, too.
I still check my email for this website, but it’s been a while since anybody has sent me anything cool. If you have a band or know a band that you want me to check out shoot me an email: defendingaxlrose@gmail.com. And if you want a positive review I can tell you where to send the check…

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Countdown to YEEZUS: Ticket Secured, MY BEAUTIFUL DARK TWISTED FANTASY Re-visited, and Thoughts on a Live Kanye Performace

As promised, I’m going to write a few posts about my impending Kanye West concert. When I last wrote about this concert, I explained that a Denver show had been announced and that I was dusting off my credit card  so I could attend. Luckily for me, I didn’t really need to use the Defending Axl Rose Master Card! I was able to get a pretty good seat for $69. Since that time, I’ve kept an eye on the tickets and for the most part, the prices have remained stable and as of this posting tickets are still available.

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As long as there’s Kanye, there is hope.

During the fantastic World Series, which I watch every year, I muted my TV and revisited MY BEAUTIFUL DARK TWISTED FANTASY. Mr. West’s 2010 album has been severely underplayed in my household, which made me decide to revisit it. I was pleasantly surprised to find that the album holds up 6 years later. The singles “Power” and “Runaway” remain solid classics, but I was really blown away by the John Legend track “Blame Game.” I’m not sure why this poignant song failed to connect with me in previous listening sessions, but man is this an almost perfect song (the closing outro with comedian Chris Rock is probably the most cringe-inducing K. West album skit). The star-studded “Monster” also still holds up really well, though I must say the star-making performance from Niki Minaj bums me out when I hear now. Who could have guessed that her fierce performance on “Monster” would be an almost one-off thing and she’d become one of the most disappointing new rap artists of the 2010’s?

Listening to “Monster” got me thinking about what a Kanye West concert would be like. Despite being well-known as an egomaniac, Kanye’s albums are so brilliant because he doesn’t hog the spotlight on his releases. In fact, Kanye the album maker is generous with the limelight and often appears as second banana on the best tracks. How do I know that Kanye isn’t his troubling, problematic public persona? I listen to his albums and hear him give the best moments away to other, usually up-and-coming artists. The first time I heard Chance the Rapper was this summer when he stole the show on the opening track of THE LIFE OF PABLO. With so many of his best songs featuring A-list and AAA-list artists, how does a live Kanye performance work? Obviously a track like “Monster” doesn’t work unless Jay-Z, Rick Ross, Niki Manaj, and Bon Iver are in attendance and thus doesn’t get performed. But because so many of Kanye’s songs feature really great artists that I’m not sure Kanye can avoid doing a solo-only concert. I’m guessing that the verses done by guest rappers are just omitted, but as someone that’s never been to a rap concert before, I’m interested to see how it’s handled.

 

Look for a few more Kanye-centric posts to appear before my November 28th concert. I’m still trying to decide the best way to document the concert itself, so if you have any thoughts on the best way to do that chime-in below in the comments section.

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Campaign to Send Me to See Kanye West Official Over

You might recall a few months ago when I started a Go Fund Me campaign in order to send me to Las Vegas to see Kanye West perform live. Don’t remember that? Well, it happened. Fueled by the  desperation to see the man perform LIFE OF PABLO live in person and a lack of funds in order to travel outside of Denver, I emulated my musical hero and took to the Internet in order to (essentially) beg for money. So how did I do? Well, I made $6 more than Kanye made when he infamously sought money from Internet Zillionaire/Facebook Mogul Mark Zuckerberg…of course, that means I only raised $6. Well short of the $900 I was asking for. Now, let me admit now that that figure was pretty high, but consider the fact that I need airfare, a hotel, and a ticket to Yeezus’s show. I only guestimated, so $900 might have been on the low side…who knows?

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The campaign is over, I’m no longer accepting donations, mostly because it’s too late for me to raise money to attend the Vegas show. But don’t shed any tears for this middle-aged rock blogger, for every time Yeezus closes one door he immediately opens another (and then tweets about it). This week it was announced the second leg of Kanye’s tour would come to my beloved Denver, Colorado! Huzzah! So this Friday at 10:00am I’m dusting off my credit card and paying whatever number fate demands I pay in order to see Mr. West. I wish the show wasn’t on the Monday after Thanksgiving, but we do what we can with what we are given, right?

I’m going to document the shit out of this concert, so stay tuned for updates!

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LIVE AT THE HOLLYWOOD BOWL by The Beatles

I can’t think of a band I associate less with live performance than The Beatles. That’s partly because the group was long disbanded by the time I was born in the early 1980’s (thus no chance of me ever seeing them live). But for the most part, it’s because The Beatles so famously turned their back on touring and became the quintessential studio band. Over the years I’ve heard a handful of live Beatle recordings, mostly from the LIVE AT THE BBC double-album. I remember getting my hands on that set way back in my early Beatle-years and promptly tossing it aside. It’s not that the band was bad in concert, it’s just that live recordings from the era in which the Beatles performed live are spotty at best. So when it was announced that LIVE AT THE HOLLYWOOD BOWL would be coming out in conjunction with Ron Howard’s Beatle documentary THE BEATLES: EIGHT DAYS A WEEK, I bookmarked the release date but didn’t hurry to get around to listening to it until recently.

LIVE AT THE HOLLYWOOD BOWL documents several concerts from August of 1965, near the very end of the groups touring life. Released originally in 1977, LIVE AT THE HOLLYWOOD BOWL has been remastered and remixed. I was pleasantly surprised at how good these recordings sound. I would say that this album is 100% absolutely the best live recordings of The Beatles I’ve ever heard. That said, the performances are solid but ultimately pale comparisons of their studio counterparts. It’s been argued that George Martin is the so-called fifth Beatle, these recordings help make that argument in my opinion. It’s not that the band is terrible live, it’s just that the songs are so damn good on the studio recordings.

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I may be a bit biased, as live albums really aren’t my thing. The only way a live recording can move beyond the good and into the essential is when they capture the intensity of their performance and bring something new to the table. Many songs recorded live differ from their studio versions, either because of technical limitations (no string section? no problem!) or because playing the same song over and over  gets boring for bands and they do something a little different. These live embellishments separate the hacks from the great artists. A decent song can become sublime when stretched out into an intense extended jam. Guitar heroics/wankery can also take a live recording to the next level.  Sadly, LIVE AT THE HOLLYWOOD BOWL was recorded before the 1970’s, arguably the heyday of the live album. Thus, The Beatles are just performing their songs as best as they can like they appear on the albums.

What LIVE AT THE HOLLYWOOD BOWL is missing is between-the-songs banter. The few times Lennon announces the next song with a goofy voice is a real treat. It’s a shame that there isn’t more of this sort of stuff on the album because it’s something the studio albums don’t have. What there is plenty of, however, is screaming girls. Famously one of the reasons the band quit touring, the girls are screaming on LIVE AT THE HOLLYWOOD BOWL. And. They. Don’t. Stop. It almost feels like a parody there’s so much crowd noise on the recording. Though it never goes away, the audience never really gets in the way, either. I chalk this up to an expert remastering. Ironically, those who’ve listened to LIVE AT THE HOLLYWOOD BOWL have probably heard the concert better than those who attended the show. One of the Beatles (I think it’s Lennon if I recall correctly) even asks the crowd at one point, “Can you hear us?”

Overall, LIVE AT THE HOLLYWOOD BOWL is a fantastic musical artifact. The album is a bubble of amber perfectly preserving a fly (or Beatle) for all time. I’ve listened to it all the way through three times and frankly can’t imagine putting it on again. I’d much rather listen to the albums. LIVE AT THE HOLLYWOOD BOWL is really just for completist and band scholars (such as myself) and not an essential recording. The album has made me want to see Howard’s documentary, which apparently a Hulu-exclusive (which bums me out because now I have to wrangle a Hulu account in order to see it).

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Gonna be in the USA in 2017? Wanna see Metallica? I got good news for you!

I guess for the remainder of 2016/early 2017 I may have to change the name of my website to Defending Metallica. Since last week’s brand-spanking track release, I’ve anticipated more Metallica news. Well, today Rolling Stone reported that the band is planning a fairly extensive tour starting in January. No specific dates have been announced, but I’ll wager that Metallica is coming to a city near you, regardless of which city you live.

 

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Coming soon to a town near you. And you. And you. And you. And you. And you. And you. And you. And you. And you. And you. And you. And me

 

How can I be so sure? The article quotes Lars Ulrich as saying “It’s time to come back and do some proper penetration of America.” Wow, that almost sounds like a threat, doesn’t it? I’ve yet to see Metallica perform live, but I have a feeling that’s about to change in a big way. Besides a list of actual cities, the thing I’m most eager to see are the bands that will open for Metallica. I’m hoping they pick some fairly obscure, up-and-coming metal outfit to feature.

Bottom line: start rolling those pennies, you’re gonna be buying tickets.

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Send Defending Axl Rose To See Kanye West

Hello. Well this is awkward. A few weeks ago I found out that Kanye West would be touring in support of his latest album/magnum opus THE LIFE OF PABLO. Normally, this would be great news except he wasn’t coming to the city I live in. I was pretty bummed out. Then, a few days after my birthday, my parents got to see Guns N’ Roses in Kansas City. While very happy for them, this also really bummed me out. I should have gone to that show, but unfortunately a new job and a new baby (plus lack of money) meant that I’d have to skip seeing GNR. I’m barely able to live with myself, people. I swore that the next time a “Holy Fuck!” artist went on tour I’d do everything in my power to go and see them.

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Which leads me to Kanye. I was once offered free tickets to see Kanye open for U2, but I had already made unbreakable plans was was forced to pass up the opportunity. My relationship with Kanye started in the fall of 2005. I was living in the dorms at the University of St.Louis-Missouri when hurricane Katrina hit. The kids studying in New Orleans were distributed to colleges all across the nation. I remember sitting on the front porch of my dorm building, smoking Camel cigarettes, when a van pulled up and deposited two such refugees. The school representative helped them with their luggage, gave them vouchers for food, and then basically said “good luck” and drove off. I could tell that these kids were shell-shocked and in need of help. I didn’t really know anyone in St. Louis at the time, having just moved there myself, so I sympathized with them. I took them out for lunch and we became friends. They introduced me to Budweiser (up until that point I did not know there was any variety other than Bud Light), Tyler Perry movies, and Kanye West. LATE REGISTRATION had just dropped and they insisted that I hear it. That was my gateway to rap music, a gift that continues to enrich my life over ten years later.

This year’s LIFE OF PABLO is my number one favorite album. It’s the album I listen to when I run and when I speed to fast on the highway. In short, I need to see this man, but I can’t afford a trip and concert without help. Please take a moment to consider donating to my Go Fund Me campaign.  It feels weird asking for this money, but at the same time you’ll be getting something out of this, too. For starters, I plan on writing extensively about both the lead-up to the concert, the concert, and my post-concert thoughts/feelings. Maybe some of you would pay to NOT get my thoughts on a Kanye West concert, to those people I say: “Why are you still reading this post?” I’m going to reward my top donors with a thank you package and wear the names of everyone who donated to the fund on a special t-shirt when (if?) I attend the show.

I promise not to be annoying about this and post about it ad nauseam. I also won’t make this a “thing” that I do for every concert I go to. I can afford a $35 ticket to see Weezer in the city where I live, I don’t expect people to pick up the tab on that sort of thing. I do feel like I’ve turned my readers onto good albums and songs over the years. And I know I’ve made you laugh (at least once) even it was at me and not necessarily with me…that has to be worth a buck or two, right?

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Van Halen Announce 2015 North American Tour–They’re Playing Where You Live

I’ve been out of it lately and I’ve been meaning to do some writing…well today Van Halen announced a pretty big North American tour and shook me from my malaise. I missed the band the last time they reunited and toured–so this news has me pretty stoked. Sure, Michael Anthony is still out of the band and he-who-shall-not-named is still playing bass (and fat), but this announcement has me reaching for my Visa card.

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Sure, I’m still trying to recover financially from buying a pair of Replacements tickets, but this is Van Halen. Van fucking Halen. One of THE last truly great, truly massive rock bands. I’m sure this won’t be their last tour, but this will probably be the last chance I’ll ever get to see them.

And look at all the chances Van Halen is giving me (and you) to see them this summer:

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And the dates keeps going! Too many dates for one screen grab!!!

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That’s pretty much every American city worth a damn, and then some. Hell, the band is even playing my hometown of Kansas City, Missouri and they only have one horse! Since moving to Denver a year ago, I’ve yearned for seeing a concert at Red Rocks (Morrison, Colorado) and this might be my chance to finally pull the trigger and visit that epic outdoor venue. But who will accompany me? Mrs. Defending Axl Rose ain’t the biggest Van Halen fan, and these tickets are gonna be expensive. I hate dragging her to stuff, but I really hate dragging her to concerts that cost $100 a pop. My fantasy list of people I’d like to see this show with would be: my Dad, Robin Renee, Gandhi, and maybe my 8th Grade Science lab partner who liked to scribble “Van Halen” on his trapper keeper (sorry dude, I have forgotten your name).

Alas, I’m broke as hell but I’m gonna fill out a home equity loan application tomorrow so I can buy tickets for this tour. I’ll keep you all posted. In the meantime, how about a little mood music?

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