Tag Archives: Guns ‘N Roses

Guns N’ Roses At Mile High Stadium 08/02/2017

I want to start this post by stating the following: I’m a lame, hipster. I’m not a real fan.  Nothing ever at any time in my entire life has made me happy. I am taking out my own personal frustrations on a millionaire rock star. I am jealous of Axl Rose. I am a terrible writer and this post is full of typos. I am a derogatory term for a homosexual. I am ugly, stupid, bad, dumb, full of shit, hopeless, worthless, and a talentless hack.

There. Now that I’ve already pre-insulted myself, the Guns N’ Roses kooks that come out of the woodwork to complain about this post are going to have a (slightly) harder time thinking of something original to say. I’m not going to beat around the bush kids, I saw Guns N’ Roses live in concert earlier this week and if kinda sucked. But maybe I’m getting ahead of myself. Let’s do the whole concert-wrap-up-post.

 

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The view of Mile High from the neighboorhood where I currently work.

 

The concert was held at Denver’s beloved Mile High Stadium, where I saw Metallica earlier this summer (more on that in a moment). I was a little wiser from my experience at that show, so while the evening played out roughly the same way, I was able to refine my strategy. Once again, I walked from my (current soon-to-be-former) office just outside downtown Denver and took a popular urban walking/bike trail to the Stadium. I arrived shortly after 5:00 pm and immediately went to Little Machine Beer for my pre-show libations and tacos from True West Tacos. This beer and those tacos are the real-deal people, I strongly urge you check them out if you are in the Denver area.

 

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Ordered the exact same thing. 10/10 would eat again.

 

Little Machine sits at the very edge of the far parking lot of the Stadium, so just like before the Metallica show, it was filled with concert goers. But there was a real difference. People tend to think of metalheads as “scary” and “dangerous” but the crowd waiting for the GNR show was much rowdier. They were also less…what’s the most delicate way to put this? Sprinkled with hate. I sat on an outside patio next to a bunch of biker dudes, one of whom had a patch on his vest shaped like the continental United States which was emblazoned with the slogan “We’re full…FUCK OFF!” While I’m sure there were some shitty dudes/dudettes at the Metallica show (after all there were way more people) the shitheads seemed to gather in larger groups and were thus more prominent.

 

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An empty-ish parking lot 2 hours before show time.

 

I finished my dinner and drinks spending around $30 and was then 100% completely done spending money for the evening. I did not, as with Metallica, buy any beers at the show and while I checked out the merch booth, I did not buy anything. Why? Well, I had an early morning appointment the next day (so I stopped drinking) and the merch was crappy, stupid looking, and over priced. The shirts were mostly $45, which isn’t too bad, but $500 for a jacket? Who is buying that? Anyway, I was/am very broke so I saved my (non-existent) money and made my way to my seat. I was four rows from the field/pit area, directly center to the stage. When I arrived at my seat, there were only three people in my row, of course, one of them was sitting next to my seat. He was a pale, very thin, young rocker-kid who was constantly coughing (because he was hitting a vape pen, naturally). Two rows in front of me, a burly biker dude was already throwing up. That’s right, the opening act was only halfway done with his set (Sturgill Simpson, a kinda flat/boring alt-country blues guy) and this guy was already in the puking phase of his evening. This gentleman, whose girlfriend sat stoically next to him, threw up three more times. Near as I could tell, he was just throwing up on the ground next to his seat. Eventually, a pair of stadium employees (poor kids, who were probably making $7 an hour) came a silently mopped up his vomit. The dude didn’t even acknowledge them or say he was sorry. As soon as they were gone he started hitting a vape pen. I expected him to vanish during the show, either dragged off by the staff because he was staggering/falling over, but he was there the entire show.

 

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My vantage point. 

 

Once Sturgill Simpson was finished, we were treated to the best music of the evening: a mixtape of kick ass Ramones songs played over the stadium PA. Getting to hear The Ramones played at maximum volume in Mile High Stadium was so rad, it made me sad that we weren’t going to get to see them rather than GNR. Those songs play like gangbuster whilst sitting in a sticky plastic chair watching a biker try not heave while hitting a vape pen. Highlights included “Danny Says” and “Swallow My Pride” two songs that are definitely in my Top 20 favorite songs of all time. Eventually, The Ramones faded out and Guns N’ Roses took to the stage. This is where the evening started to fall apart. The band opened with “It’s So Easy” and from jump-street, Axl sounded like shit. I’ve been trying to put my finger on exactly what was so crappy about it and all I can think is that he had no spark, no enthusiasm. He also screeched way more than sang throughout most of the night. And it’s a damn shame because Axl once had the greatest range of any pop singer. But time and drugs/hard living have ravaged the voice that was Guns N’ Roses.

 

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The first of many dumb looking hats.

 

When I was a kid, I used to think that there were two people singing Axl’s parts, a dude with a really high voice and another with a deep, low voice. I actually thought that Slash was the dude with the really deep voice. But it was just Axl and his amazing range. Earlier this week, I flipped through the “Fat Axl” memes online, kinda dreading how bad Axl might look. I didn’t think he looked any fatter than any rich dude his age. However, Axl looked fucking ridiculous all night long. He always wore a bandana (which is okay, because he always did that) but atop that, he wore a series of stupid hats. Now look, I like hats too. My friend in St. Louis, Jake, has sold me many a dumb hat at the hat store where he works. The dumber a hat is, the more I want to wear it…in public. These giant leather monstrosities looked incredibly stupid and swapping them out between songs only emphasized just how desperate Axl is these days to keep his head covered. What are you hiding, Axl? I get that losing one’s hair (allegedly) is terrible for men, but here’s the thing: Axl is rich enough that he doesn’t have to get up and perform on stage these days. If you’re that paranoid about your hair, don’t do these shows. Or just wear the bandana. The vest/jacket that Axl wore throughout the night also changed, and while most of these were just terrible, the brown leather with fringe number he wore near the end of the night was truly egregious.

 

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Slash keeping it Slash-y.

 

For the most part, the song selections were about what you would expect from a reunited Guns N’ Roses in 2017. Mostly selections from their debut album (all the hits you can name) with selections from the USE YOUR ILLUSION albums sprinkled throughout. There were, however, more covers than I was expecting and that’s where the band exceeded (somewhat) my expectations. Of course they were going to cover the Wings/Paul McCartney classic “Live and Let Die,” but I wasn’t expected the touching Chris Cornell tribute cover of “Black Hole Sun” (which, if I’m being honest, fucking rocked) and brilliant instrumental cover of Pink Floyd’s “Wish You Were Here.” Speaking of instruments, Slash and bass player Duff McKagan were both aces. Despite having lived just as rough a life (or even rougher?) than Axl, these two are still able to hold their own on stage. And Slash looked even better than when I saw him open a few years ago for Aerosmith. Dude looks like he’s been hitting the gym, good for him. And speaking of McKagen, before I forget, I want to mention the single coolest part of this concert: every time the cameras focused on McKagen’s bass playing we got to see the Prince symbol. Yes, McKagen has the Purple One’s symbol proudly displayed on his guitar. I know that most of the people at the show probably didn’t like Prince, but the shout-out to a legit guitar hero, gone too soon, was awesome. This was the best thing that GNR did on stage that night–they had a small piece of Prince with them.

There were, predictably, only two songs from CHINESE DEMOCRACY: the titular track and the song “Better.” I really like “Better” so I was glad to hear them play it…until they started playing it. The overwrought production of Axl’s infamous album just isn’t replicable live on stage.  They did have a (very young) woman playing keyboards with them who provided occasional backing vocals, which she did on this song, that was also pretty cool. Hearing “Sweet Child O’ Mine” live with Axl singing the vocals (I saw Slash do this song with Myles Kennedy) was noteworthy, but really it sounded like someone else doing a cover. Axl sitting down at the piano for “November Rain” was a legit moment of badassery. At the tail-end of the Slash instrumental cover of “Wish You Were Here,” Axl launched into the ending piano riff of “Layla.” I forgot that Axl was a decent piano player, and the sappy MTV ballad actually sounded decent once he launched into “November Rain.” This was the closest we came to hearing old-school GNR.  Then the band went into the Chris Cornell cover and I started to think, “Maybe this concert was worth it after all.” The band finished that cover and immediately followed it up with the Dylan cover “Knockin’ On Heavens Door.” Despite the ridiculous cowboy getup, Axl did this song justice, too. But then they finished the night’s set with an ear-splittingly bad version of “Nightrain.”

I left while the crowd clapped and stamped their feet in order to demand an encore. Partly because I’d seen enough and partly because, like Axl, I too was getting old and couldn’t stay out all night. I told my wife the next day that seeing Guns N’ Roses live made me wish I’d died at 25, but after careful consideration, I don’t think that’s right. No, I don’t think it’s better to burn out than fade away or whatever other rock cliches you can conjure. I think that it is better to keep living, get old, and give up on staying young forever. Sure, an old man can be goofy compared to a virile young man, but a young man pretending to be young still is even goofier. I can’t be certain, but I don’t think “goofy” is what Axl is going for these days. To all the young bands playing out there today: grow, change, morph into something mature and when you’re 55+ don’t try to be 25.

 

 

Aside: If you’d told me at the start of the summer that the best show of Summer 2017 was going to be Metallica, I wouldn’t have believed you. But boy did Metallica beat GNR in every way. From the live performance, stage presence, pyrotechnics, hell…even the weird stuff they projected behind the better was better produced/not laughable (the GNR material was crappy 2000-era CGI guns and rose petals). 

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Where Have I Been? & 2017 Concert Updates

 

Hello Everyone,

It’s been three months since I’ve been active here at Defending Axl Rose, though I’m trying to get “back on the horse” as they say. I’ve been busy working…like a lot of working. I didn’t mean for so much time to pass, but here we are with so much time having passed since my last substantial update. Last year I didn’t attend very many concerts, but already 2017 is shaping up to be a HUGE concert-going year for me. On the horizon: I’m attending a Metallica show in June and a Guns ‘N Roses show in August. I kinda gave up on seeing GnR for a little while, but after the initial rush of ticket sales, the prices for decent seats at the Denver show dropped to where I was comfortable plunking down my hard earned coinage. I know that for a guy running an Axl Rose-themed blog this will sound like heresy: but I’m more excited to see Metallica at this point.

I have a couple of albums that dropped over the past few months that I want to review, I also have a book I need to finish and review on Jellyfish, and I have a couple of classic albums I want to revisit. There are things we have to do, and then there are important things we should do but don’t always have the time–and this website has always been in the second category, but sometimes life gets in the way.

Lastly, I didn’t write it up, but last month I attended an Against Me! concert up in Fort Collins and was totally blown away by them! If you happen to live in a city where they’re rolling through I highly recommend you check them out, they are so good live. Also, it’s not music-related, but I would like to take a moment to plug my friend’s blog Trope & Dagger where I sometimes write about pop culture stuff that doesn’t fit with DAR’s mission statement. I plan on writing something over there really soon, too.
I still check my email for this website, but it’s been a while since anybody has sent me anything cool. If you have a band or know a band that you want me to check out shoot me an email: defendingaxlrose@gmail.com. And if you want a positive review I can tell you where to send the check…

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I Might Actually, Maybe, Possibly, Perhaps, Get to See GnR Live!

I’m still smarting from the whole Kanye West concert debacle, but news came a few days ago that Guns N’ Roses were going to hit-up a bunch of US cities not on the original leg of their Not In This Lifetime reunion tour. I remain cautiously optimistic about my chances of seeing the band, even though my native St. Louis and current home Denver are on the list of cities blessed with a tour stop. I mean, Axl Rose is no Kanye West, but he does have a reputation…if I buy a ticket for one of these shows will I be dooming my fellow concert goers?

I missed the first leg of the tour, though my parents (of all people) saw the band in Kansas City and apparently had a good time. This year has been on of many crushing defeats and moments of terrible disappointment…but I’m going to tempt fate one more time and buy a ticket to the Denver show this Friday when they go on sale.

The new tour dates are:

gnr-tour

 

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Will Axl Put the “A” in AC/DC?

From the files of “Too Strange For Fiction” comes the rumor that W. Axl Rose, your friend and mine, is going to step-in as lead singer and finish AC/DC’s current tour. Excuse me, what? Seriously, this is without a doubt the weirdest story I can personally recall involving modern rock music. But let’s take a step back to see just how we got to this (really freaking weird) place.

The former-current lead singer, Brian Johnson, announced on March 7th that he would be unable to finish the last 10 dates of the band’s tour. The reason? His doctor told him that continuing to perform would cost him his hearing. Let that sink in for a moment. Brian Johnson no doubt has access to the best healthcare available to human-kind (dude is in one of the biggest rock bands in history). I’m sure there was much “are you sure?” and second-opinioning made before such a lucrative tour was essentially placed on pause. When this story first broke, I thought “damn that sucks, but that’s the price you pay for being in a rock band.” Then it came out that Johnson lost his hearing as a result of driving race cars. Could there be anything crazier than losing your hearing from race car driving? Not being in one of the biggest, hardest rocking bands of all time…no driving a really loud car did his ears in.

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Like most people (I think) yours truly thought that this was finally the end of AC/DC. I remember thinking “Damn, first they lose Malcolm Young to dementia…then kick Phil Rudd out for going bananas/plotting murder…losing their lead singer is the end of this band.” Of course, I should have known better. AC/DC is the band that deified the death of their original (and best) lead singer Bon Scott. A true hellraiser, Scott was AC/DC and yet…after his death in 1980 after basically drinking himself into a stupor. Brian Johnson joined the band, and AC/DC released BACK IN BLACK. You know, the band’s most popular album, the one that even non-fans know entirely by heart. Besides being such a huge smash and a cultural milestone, BACK IN BLACK proved that it was possible for a band to not only move on after the loss of a frontman, said band could thrive. So why wouldn’t guitarist Angus Young want the show to go on and for AC/DC to get a new lead singer?

But this is where the story starts getting…strange. On March 15th comedian Jim Breuer (yes, the stoner-ish dude from SNL) stated that his friend Brian Johnson hadn’t quit the band for health reasons: he was kicked out. Breuer claimed that Johnson was planning on defying his doctor’s orders and finishing the tour. Before he had a chance to work out plans with the band, Breuer claimed Johnson was kicked out of the band.

Brian Johnson is 8 years older than Angus, whom Breuer claims wants to continue the band “for at least another 10 years.” So a much younger lead singer would certainly help AC/DC to solider on and make that sweet, sweet touring money. But who would be cast into the role of frontman? Speculation swirled online, with several people throwing their names into the hat for consideration. My favorite of these was Howlin’ Pelle Almqvist the lead singer from The Hives (whom apparently toured with AC/DC in the past as an opening act). Another interesting person in the running (maybe?) is the Marc Storace, the lead singer of Krokus. This choice seems more likely, as he was asked to audition for AC/DC to replace Bon Scott back in the 80’s, which he famously turned down.

I’ve been trying to figure out where the rumors of Axl Rose joining AC/DC originated from, and it’s a bit tricky. Apparently, both Rose and AC/DC where in Atlanta, Georgia (of all places) at the same time…and this geographical proximity launched the rumor. At least, I thought it was just a rumor. Then late this week, Malcolm Young’s son posted twice on social media that Rose was going to take over singing duties for the band. These posts were quickly pulled down, adding further fuel the the fire that this was serious and that there are negotiations happening right now for Rose to front the band.

Would Axl be a good choice for AC/DC? From a financial and marketing perspective I would say: hell yes. Both AC/DC and Axl could use the bump in promotion. AC/DC are as popular as ever, but having the lead singer from another legendary rock band would do wonders for their bottom line. Axl Rose also stands to reap the benefit$ as well. With the Guns N’ Roses reunion looming on the horizon, anything that Axl can do to increase his visibility and prove that he’s still a great frontman will only help put asses in seats and make him money. A Guns N’ Roses reunion is a certain money maker, but promotion costs money but joining AC/DC would be one helluva marketing campaign. And it wouldn’t cost Rose anything. Hell, if this all turns out to be an elaborate hoax, the reason neither side is coming out and squashing it is no doubt due to the tremendous interest this story has caused.

But that’s not really the question is it? Would Axl be a good fit for AC/DC in a musical sense? No, as much as I love Axl, I don’t think he’s the right guy to sing AC/DC’s songs. He’s not gruff and bluecollar enough to pull that off. Oh sure, one or two songs would be cool, but I can’t imagine he’d be able to pull of an entire setlist of songs from the band in any sort of believable way. And are they going to toss in a GNR song or two? I think that people would expect that and I don’t see Angus wanting to play any of those songs.

I feel really grateful that I had the chance to see AC/DC on the BLACK ICE tour in 2008. I’m also really grateful that I run an Axl Rose-themed blog in a year where we’re going to see a GNR reunion and a possible Rose-fronted AC/DC. Can you imagine what this is going to do to my page views?

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Lemmy is dead and GnR Lives?

It’s been a crazy week in the world of rock and more than one person has asked me if/when I was going to write a post. I wish I had a good excuse for posting so infrequently, but I don’t really have one. I’m just a lazy bastard. But there were two really big news items this week, so here I am.

First, the legendary lead singer of Motorhead, Lemmy Kilmister, died this week. I wasn’t surprised by this as Motorhead had cancelled a couple of tour dates earlier this year due to Lemmy not feeling well. Like most Motorhead fans, when I heard the news I assumed Lemmy had succumbed to his addictions. Besides being a first rate hellraiser, Lemmy was what can only be described as a “power drinker.” The fact that the dude made it to 70 is really a miracle, if you ask me. When I learned it was cancer and not excess that claimed Lemmy, I was genuinely shocked. Now, did Lemmy’s boozing ways contribute to or even cause his cancer? Perhaps, but the fact remains he didn’t die of liver failure which was what I was expecting.

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Rest In Power, Lemmy.

I saw Motorhead once in the middle 2000’s in St. Louis. They played a killer show with Valient Thorr that to this day ranks in my top 10 concerts. Lemmy’s voice was gravelly and unmistakable; there was never any mistaking him for someone else. I’m not the biggest metal-head, but the metal bands I do like tend to have vocalists that sound unique. Lemmy sure was unique. He also looked like a rock ‘n roll warthog from hell. One of my favorite Lemmy memories was his cameo in 1990’s comedy AIRHEADS where he proclaims that he was “editor of the school magazine.”

His brief cameo is a fun moment made extra-meta because earlier in the movie Lemmy is mentioned by name in a pretty funny exchange with Harold Ramis:

I’ll also never forget the time in 2002 when it was reported that Lemmy was considering having his famous facial warts removed in order to sell them online. I’m not even sure how true that rumor was, but I distinctly remember it being in the news. Anyway, Motorhead is truly an excellent band and Lemmy was one of the last remaining metal gods, he will be missed.

Also this week, it was announced that the rumors were true: the original line-up of Guns N’ Roses were reuniting next year.  Although the only gig that’s been confirmed is a headlining gig at this year’s Coachella Festival in April, the word on the (proverbial) street is that GnR will be also be launching a massive 25 date stadium tour in 2016. This is a huge deal because as we all know, GnR has been steadily touring for the past 20 years but with only Axl Rose as the sole original member of the band.

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Coming to a town near you? 

Does it excite me that Axl and Slash have buried the hatchet and are going to tour? Of course it does! Now the big question: will I be interested in going to see the band play live? I saw Slash earlier this year open for Aerosmith and it was kinda…sad. Slash was perfectly fine, but it was obvious that he was yearning to return to the glory of Guns N’ Roses. The lead singer he’d recruited for his band was an obvious Axl-clone. And while it was an audience who’d shown up to see Steven Tyler and Company, the only reactions the band really got was from the GnR songs they played.

I liken a reunited Guns N’ Roses to the most recent STAR WARS movie. People are only excited about this because of the nostalgic feelings it creates inside them. Nobody really wants to see an older, bloated, graying rock band get up on stage and embarrass themselves. Well, maybe some people do, but I don’t. A reunited GnR would be a time warp to an earlier era in all GnR fans lives. An era that should probably be left in the past, if we were all being honest. I’m sure Slash and Axl could whip themselves into fine-ish form but the real question everyone should be asking is: to what end? Will this be a greatest hits cash-grab-mega-tour? I’d rather they get together and write new music and release an album than just travel across the country using Pro-Tools to mask the ravages of time and sell a couple thousand T-shirts. But that’s just me.

There a many reason I’m not going to Coachella–I’m about to be a father for the first time being just one of them–but I’d consider seeing them on tour if they came to my town. And the tickets were reasonable. And that’s the rub with reunions like this, isn’t it? These tickets are going to be insanely expensive so many long time fans are probably going to be shut out (another reason I’d prefer we just get another album).

Everyone seems to be lusting for the past everywhere I look (again, STAR WARS) and this GnR reunion just seems like another example of that trend. I’m really torn between stoked to potentially have the chance to see Guns N’ Roses live and a little disgusted that the only concerts people get excited about anymore are these Dinosaurs of Rock Reunion Showz. Don’t get me wrong, I am 100% a classic rock fan, but I wish there was a new band grabbing headlines (and dollars) like a reformed GnR.

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UPDATE: CHINESE DEMOCRACY (Possibly) Worth More Than In 2013 & 2012

Back in December of 2013 I noticed that the price of Guns ‘n Roses latest album CHINESE DEMOCRACY had gone up. Comparing the list price against a (super depressing) tweet from 2012, I saw that the album has increased in price by $1.22. The price rose, like a phoenix from the flames, from a paltry $3.66 to a robust $4.88. This was terrible-ish news for people who had not yet purchased the CD (and have very limited budgets). I, on the other hand, saw this as great news because the thought of CHINESE DEMOCRACY costing less than $4.00 feels just wrong.

Go ahead and check-out that first album-price post, it’s much better written. In that post I point out that prices on Amazon are always in flux so this might not actually mean anything. I also noticed (when I was halfway through writing that post) that I wasn’t comparing the price of the album at the same time of the year (October 2012 vs. December 2013). I even think I suggested that I check on the price of the CD in December 2014 to try and be more scientific about studying this trend. Of course I forgot.

I was checking on the status of a separate non-GNR related order this morning and decided to check-in and see what the price of CHINESE DEMOCRACY was currently. To my utter chagrin, the price has skyrocketed from $4.88 to $4.92. That’s an increase of $0.04! If you’d have taken my advice and purchased 100,000 copies of CHINESE DEMOCRACY back in December of 2013 you’d have made a profit of $4,000! Holy cow, I feel like the next Warren Buffet.

So for reasons that are absolutely beyond me, the price of CHINESE DEMOCRACY has continued to slowly climb. Perhaps this current jump in price is related to the “Only 8 left in stock-order soon” note, which was absent from the listing the last time I checked on the price of this album. Could it be a low supply that is driving the price up? I guess. Maybe. Sure.

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$$$

If you don’t own a copy of this masterpiece now is the time to hop to it and buy this sucker. You don’t want to have to pay $5.00 for this thing, do you?

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All I Want For X-Mas: 9 Terrible, Weird, Strange Rock ‘n Roll Gifts

As we approach the “silly” season, my thoughts turn to shameless consumerism. I’m not a “reason for the season” kinda guy, but the older I get the more gift giving turns my stomach. A once proud element of fringe culture, rock ‘n roll has long be co-opted by “Big Gift.”

Earlier this week I fell down the rabbit-hole of tacky/puzzling/bizarre rock gifts. Here are my favorites.  And please, if I’m on your shopping list this holiday season…take notes.

1. Rolling Stone Brand Wine: I don’t know about you, but The Grateful Dead I always make me think of red wine. Rolling Stone, the purveyors of cool since before I was born, must have thought the same thing because they now have a line of classic rock-themed red wines that includes the famous jam band. There’s also a SYNCHRONICITY wine featuring the artwork from the Police album. And a DARK SIDE OF THE MOON-themed wine called, naturally, The Dark Side of The Merlot. The Rolling Stones wine, FORTY LICKS, feels like a cash grab too late (that compilation came out 12 years ago!!!).  The wine is red but could this be any whiter? If you’re a rock band and you want to put your name on a beverage (please don’t) at least make it a beer or whiskey.

Because when you think Jerry Garcia you think wine.

Because when you think Jerry Garcia you think wine.

2. Holiday Sweaters: Nothing says the holidays like cold nights and warm sweaters. I personally own two: a way-too-big designer sweater I bought at a thrift store a number of years back and a nice charcoal-colored Hemingway I bought because I wanted to feel masculine. For the longest time I thought two sweaters was enough, but these music-themed sweaters have changed my mind. Can you believe there’s a MASTER OF PUPPETS-themed sweater?

Nothing says "Let's celebrate the birth of Jesus" like an upside-down cross.

Nothing says “Let’s celebrate the birth of Jesus” like an upside-down cross.

My friend Bianca is partial to the Wu-Tang Clan sweater, which admittedly does kick major ass:

This sweater ain't nothing to fuck with.

This sweater ain’t nothing to fuck with.

The Slayer sweater is probably the blackest, heaviest sweater of the bunch though.

Is that snow outside? No, it's RAINING BLOOD!!!

Is that snow outside? No, it’s RAINING BLOOD!!!

I hope they’re using wool from only the evilest, most brutal sheep they can find.

3. Merry Kissmas Blanket: We all knew that Kiss was going to be somewhere on this list, right? Kiss is without a doubt the most over-merchandised band in all of rock. In fact, the ratio of merch to music is probably so high kids today probably don’t even know that Kiss started as a band and not a brand of condom. I waded through a metric ton of crappy Kiss products and the one that made me laugh the most was this “Merry Kissmas” blanket. Can you imagine snuggling up beneath this thing on a cold Christmas Eve?  Gene Simmons is Jewish which makes this even more ridiculous. And “Kissmas” are you kidding? That’s some ballsy branding.

No phallic imagery here...

No phallic imagery here…

4. Daft Punk Action Figures: Kids today have it made. When I was a kid, I had to use my Chewbacca action figure as a stand-in for Worf (the STAR TREK character). When I played with my X-Men toys, Wolverine sliced through coathangers because they didn’t make toy Sentinels. The point I’m trying to make? Growing up in the late 80’s/early 90’s action figures were very protagonist-centric, meaning my Laura Dern JURASSIC PARK figure did a lot of double-duty (that is not a sexual pun or is it?). Anyway, kids today have access to action figure toy lines featuring thousands of characters. Every extra lurking in the background from the MATRIX sequels has his own figure.

The first rock band action figures I ever encountered was, of course, Kiss. I rolled my eyes and thought the notion of rock band action figures was stupid. But then I saw some really cool SGT.PEPPER-themed Beatles figures and changed my mind. I came close to buying those once, but I didn’t because I can never decide if I’m going to take them out of the packaging or leave them sealed up.  Anyway, the Kiss and Beatles figures sorta make sense…but Daft Punk action figures are too weird for me. On one hand I get it, with their trademark black helmets Daft Punk is the musical equivalent of Cobra Commander, so why not have an action figure? But Daft Punk’s funky club music makes me think of designer drugs and flashing lights…two things I don’t associate with toys.

These toys are out to get lucky.

These toys are out to get lucky.

5. Incubus longboard: Do people associate Incubus with skateboarding? I don’t. I associate it with crappy Junior High School dances and Smirnoff Ice. Anyway, if you want your…skateboard chums…to think you’re cool stay the hell away from this this board. I mean, check out the super-exaggerated poses of the members of the band. You got one guy about to take flight Superman-style. Another guy appears to be slipping on a banana peel. Then there’s the dred-head dude who’s hair appears to be attacking his bandmate. And don’t get me started on the frogman with his hands held over his head. What the fuck Incubus? This product is anything but “Stellar.”

Those dreds look like alien tentacles, right?

Those dreds look like alien tentacles, right?

6. Muse “booty” shorts: I look at Muse and wonder “who likes this band?” I’ve never met a Muse fan, let alone a Muse superfan that would want Muse-themed underwear. Seeing these underoos on a lady would be a total mood killer for me. At a certain point fandom stops being cute and becomes scary, I think band-themed underwear is that demarcation line.

Not sure if you want to associate your band with "ass."

Not sure if you want to associate your band with “ass.”

7. Green Day Coasters: First, let me make the obvious joke: who needs TRE drink coasters when you can just use the CD’s? Look, I’m going to be honest and admit I only listened to part of UNO, so maybe DOS and TRE aren’t that bad. Maybe Green Day really is still making good music. Maybe I’m actually getting more hair, rather than losing it. Maybe.

Now that I got that out of the way let’s explore punk and drink coasters. Is there anything more un-punk than worrying about those wet circles on your coffee table? Is there anything less punk than owning a fucking coffee table? At this point, music nerds will point out that Green Day stopped being punk back when Bill Clinton was president. Fair point, nerds. The notion that Green Day has entered the extreme merchandising phase of their career makes me feel old and sad.

Whatever happened to living without warning?                                     Coasters are not risky.

Whatever happened to living without warning? Coasters are not risky.

8. Guns N’ Roses Poker Chips N’ Cards: This is perplexing. Elvis themed cards and poker chips would make sense, after all he has a really famous song about Las Vegas. GNR? Not so much. I only associate GNR with Vegas these days because that’s the only place in North America where Axl seems to want to play live. Why not a Guns ‘N Roses handgun? Surely such a thing exists. Just don’t give one to Axl.

Insert joke here.

Insert joke here.

9. Nickelback Shot Glass: Now this product actually makes a lot of sense! The only way I’m going to listen to Nickelback is in a state of extreme inebriation. Really the only thing wrong with this shot glass is that it’s too small.  I think that they should have made this a 2oz. glass rather than a traditional 1oz. glass. Not that 2oz. of booze is going to be enough to get me in the mood to hear Nickelback, mind you. The website where I found this product was also selling “Official 2012 Tour Booty Shorts.” What is it with shitty bands and booty shorts? I opted to not display these here because the notion of women debasing themselves with Nickelback underwear is too much, even for a joke-post like this one. Please do yourself and favor and never Google “Nickelback merchandise.”

If somebody wants to buy me this shot glass I’ll totally use it though.

Their music sounds tolerable when you're black-out drunk.

Their music sounds tolerable when you’re black-out drunk.

So how about it? Which one of these things do YOU want Santa to bring you this year? Chime-in below in the comments section.

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DEFENDING AXL ROSE: Part 2 “Shackler’s Revenge”

Welcome to part two of a fourteen part series in which I go track-by-track through CHINESE DEMOCRACY. It’s been over two years since I did the first installment on the first song…but I’m back defending Axl Rose!

I’d heard several songs off CHINESE DEMOCRACY prior to the album’s official November 2008 release, but “Shackler’s Revenge” was the first officially-Axl-sanctioned track I heard. The song was previewed in the Harmonix rhythm game Rock Band 2, which came out a month before CHINESE DEMOCRACY was released. I remember playing the game for hours the day it came out trying to unlock the song. When I finally got a chance to play “Shackler’s Revenge” I was pretty disappointed. Unlike the rough leaked tracks I’d heard, “Shackler’s Revenge” had a gritty industrial feel. I was also taken aback by the song’s production, which was busier than most hard rock songs. This negative reaction was repeated when I bought the album a month later.

For the record: not my score, not my Xbox ID, and not screen cap.

For the record: not my score, not my Xbox ID, and not screen cap.

Five years and many listens later, I like “Shackler’s Revenge” much more than I did when I first heard it in Rock Band. That said, this track is probably the most over-stuffed/produced track on the album. Everything about “Shackler’s Revenge” is big. The song has the most credited writers of any song on the album (five in case you were wondering). The song has multiple guitar solos and multiple guitarists. And despite this largeness, the song is the second shortest track on the record, clocking in at three and a half-minutes in length.

The track is an epic, aggressive romp through burning fields of an apocalyptic hard rock landscape. The song might not have struck me as very Guns N’ Roses-like the first time I heard it, but “Shackler’s Revenge” actually has all the main ingredients of a great GNR song. The song features lead and backing vocals from Axl, where are layered on multiple tracks creating a creepy Axl-choir. “Shackler’s Revenge” is angry and defiant with an absolute killer chorus that seems to wag a finger at all of Axl’s doubters.

GNR’s songs are also known for their guitar and “Shackler’s Revenge” does not disappoint on this end. The song features interesting guitar work from the avant-garde guitarist Buckethead and the band’s other guitarist Bumblefoot. I’m not 100% sure which one of these guitarists did the solos, but they’re fantastically explosive. I also really like the dying Galaga machine-like quality of the guitar tone.

The song’s dark, apocalyptic nature recalls the band’s previous “Oh My God.” That track, which came out on the END OF DAYS soundtrack in 1999, almost seems like a proto-“Shackler’s Revenge.” Axl has publically stated that “Oh My God” was released unfinished due to time constraints relating to the release of the film End of Days. A comparison of the two tracks is a fascinating: both have an aggressive, industrial metal feel but whereas “Oh My God” seems to be an endless gushing rant, “Shackler’s Revenge” has a methodical, demonic groove. The more refined “Shackler’s Revenge” is a testament to Axl’s tireless perfectionism. I’m not a big fan of sub-genre that the song mines, but the song has grown on me over the years. That said, releasing “Shackler’s Revenge” as the album’s first single was probably a mistake. From a business perspective, it makes sense to release the shorter more dynamic track but for my money the album’s third track “Better” would have made a better single (pun intended.

But I’ll write more about that when in the next installment of my track-by-track review of CHINESE DEMOCRACY.

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CHINESE DEMOCRACY (Possibly) Worth More Than In 2012

Last night, while mining the depths of Amazon.com’s music section, I decided to check-in and see how much a brand-new copy of CHINESE DEMOCRACY was going for these days.  The last time I did this two years ago, I was horrified to see that the album was going for less than $4.00 a copy.  That was back on October 25 2012, would the album be selling for less than $2.00?

As you can see, the value of CHINESE DEMOCRACY was low in October of 2012.  This would have been the prime opportunity to "buy low"

As you can see, the value of CHINESE DEMOCRACY was low in October of 2012. This would have been the prime opportunity to “buy low”

Thankfully for Axl, the album’s value has…increased!?

$1.22 increase! A thousand shares of CHINESE DEMOCRACY could have netted you $1220 profit! That's simple rock 'n roll investing, folks

$1.22 increase! A thousand shares of CHINESE DEMOCRACY could have netted you $1220 profit! That’s simple rock ‘n roll investing, folks

I’m kicking myself for not checking the price last year and this year on October 25–not that doing that would provide a reliable barometer of the album’s value.  As most of you serious online shoppers know, the prices on Amazon.com are in a constant state of flux.

And even taking Amazon’s pricing system out of the equation, CHINESE DEMOCRACY has a couple of things working against it in terms of it’s price/value.  Firstly, the album was sadly panned by many critics and ignored by the public.  But bad reviews and a lack of singles doesn’t necessarily make a cut-out-bin record.  Even after all these years the name Guns N’ Roses as a brand still has remarkable value.

Secondly, and the biggest reason CHINESE DEMOCRACY’s value is so low is the fact that Axl twisted Best Buy’s arm and made them buy a bajillion copies in advance so they would have exclusive rights to the infamous album’s initial release.  It’s a smart move on his part, because the albums Best Buy bought to sell were counted as “sold” albums, thus making the album appear to be a bigger hit than it was.  AC/DC did a similar deal with Wal-Mart when they released BLACK ICE back in 2008.  But there’s a downside, much the same way a Chevy Impala don’t have much re-sale value because they’re used so much as fleet cars–Axl prematurely saturated the market with albums. Thus, an abundance of unsold albums means the price is gonna drop.  I can understand why bands do these store-exclusive releases, but I really dislike them.  CHINESE DEMOCRACY was probably one of the last new CD’s I bought at Best Buy because I dislike the store so much.

The album’s going for just under $5.00, which isn’t great but it is higher.  Of course, beyond the Amazon price-fluxing, this higher price could be due to inflation or some other over-reaching economic force I’m too stupid to understand.  I’m going to definitely try to keep an eye on the album’s price for future music-geek research.

That said, at less than $5.00 there’s no excuse for you to not own this album.  I’m going to pick-up where I left off on my track-by-track review of CHINESE DEMOCRACY soon-ish because I really do feel like it’s an amazing, underrated album. The merger of Industrial rock and tender piano ballads is just too incredible.

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The GnR Poster Too Risqué For Las Vegas

The Hard Rock Hotel & Casino has yanked down a city-wide ad for the historic (sorta) Guns ‘N Roses concerts taking place in Las Vegas this month after a bunch of anger/complaints from the citizens of Las Vegas.  The poster, which incorporates artwork from painter Robert Williams* bizarre sci-fi painting titled “Appetite for Destruction,” has a lecherous robot in a compromising position with a defenseless, splayed woman.  Oh, and her shirt is ripped open and her panties are around her ankles.  You know, typical Disney stuff.

This is not the first time that the band’s use of this painting has caused controversy.  Back in 1987, retailers refused to stock GNR’s debut album APPETITE FOR DESTRUCTION because Axl & Company wanted to use it as the cover art.  In the end, the band fell to label pressure and alternate artwork was used.  The painting is more batshit-stupid than rocking.  At least, that’s my opinion.  I don’t understand GNR’s continued insistence on using it to represent themselves, to be honest.

I’m astounded that the bean counters over at the Hard Rock actually agreed to run the ads.  What better way to convince people that your brand is fun for the whole family than a leering, rape-y robot?  To be clear, I hate this painting and I wish GNR/Axl would get over their massive hard-on for it...however Las Vegas is known the world-over as “Sin City.”  We’re not talking about Orlando, Florida or Branson, Missouri.  We’re talking about the smutty-ist, gambling capital of the country. A place where shady looking dudes hand out flyers of chicks you can legally pay to know (like in the Biblical sense).

I can’t imagine the ad was the most misogynistic thing the fanny-pack wearing masses of Las Vegas are being subjected to in a city where selling women is mostly legal.  I was recently in Times Square and that place was stuffed to the gills with super-porny clothing ads.  I know it’s not the same because none of the Gap ads were violent, but as we all know sex sells and this shit is everywhere these days.  Again, I’m not saying I think this ad should be plastered at the airport, welcoming families to Las Vegas (which it was), but I think Las Vegas needs to check itself.  I mean, this is Las Vegas we’re talking about.  And this poster is a drawing.  It doesn’t depict actual human beings, unlike the prostitute ads.

In the end, I can’t help but think that this is just a publicity stunt.  This controversy was not only foreseen  but wanted, I suppose to generate interest in the concerts and get us all talking–in which case: mission accomplished. Las Vegas should take a long look in the mirror and GNR should put “Appetite for Destruction” (the painting) to rest.

Lovely.

*Not that Robert Williams

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