Tag Archives: Defending Axl Rose

Guns N’ Roses At Mile High Stadium 08/02/2017

I want to start this post by stating the following: I’m a lame, hipster. I’m not a real fan.  Nothing ever at any time in my entire life has made me happy. I am taking out my own personal frustrations on a millionaire rock star. I am jealous of Axl Rose. I am a terrible writer and this post is full of typos. I am a derogatory term for a homosexual. I am ugly, stupid, bad, dumb, full of shit, hopeless, worthless, and a talentless hack.

There. Now that I’ve already pre-insulted myself, the Guns N’ Roses kooks that come out of the woodwork to complain about this post are going to have a (slightly) harder time thinking of something original to say. I’m not going to beat around the bush kids, I saw Guns N’ Roses live in concert earlier this week and if kinda sucked. But maybe I’m getting ahead of myself. Let’s do the whole concert-wrap-up-post.

 

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The view of Mile High from the neighboorhood where I currently work.

 

The concert was held at Denver’s beloved Mile High Stadium, where I saw Metallica earlier this summer (more on that in a moment). I was a little wiser from my experience at that show, so while the evening played out roughly the same way, I was able to refine my strategy. Once again, I walked from my (current soon-to-be-former) office just outside downtown Denver and took a popular urban walking/bike trail to the Stadium. I arrived shortly after 5:00 pm and immediately went to Little Machine Beer for my pre-show libations and tacos from True West Tacos. This beer and those tacos are the real-deal people, I strongly urge you check them out if you are in the Denver area.

 

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Ordered the exact same thing. 10/10 would eat again.

 

Little Machine sits at the very edge of the far parking lot of the Stadium, so just like before the Metallica show, it was filled with concert goers. But there was a real difference. People tend to think of metalheads as “scary” and “dangerous” but the crowd waiting for the GNR show was much rowdier. They were also less…what’s the most delicate way to put this? Sprinkled with hate. I sat on an outside patio next to a bunch of biker dudes, one of whom had a patch on his vest shaped like the continental United States which was emblazoned with the slogan “We’re full…FUCK OFF!” While I’m sure there were some shitty dudes/dudettes at the Metallica show (after all there were way more people) the shitheads seemed to gather in larger groups and were thus more prominent.

 

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An empty-ish parking lot 2 hours before show time.

 

I finished my dinner and drinks spending around $30 and was then 100% completely done spending money for the evening. I did not, as with Metallica, buy any beers at the show and while I checked out the merch booth, I did not buy anything. Why? Well, I had an early morning appointment the next day (so I stopped drinking) and the merch was crappy, stupid looking, and over priced. The shirts were mostly $45, which isn’t too bad, but $500 for a jacket? Who is buying that? Anyway, I was/am very broke so I saved my (non-existent) money and made my way to my seat. I was four rows from the field/pit area, directly center to the stage. When I arrived at my seat, there were only three people in my row, of course, one of them was sitting next to my seat. He was a pale, very thin, young rocker-kid who was constantly coughing (because he was hitting a vape pen, naturally). Two rows in front of me, a burly biker dude was already throwing up. That’s right, the opening act was only halfway done with his set (Sturgill Simpson, a kinda flat/boring alt-country blues guy) and this guy was already in the puking phase of his evening. This gentleman, whose girlfriend sat stoically next to him, threw up three more times. Near as I could tell, he was just throwing up on the ground next to his seat. Eventually, a pair of stadium employees (poor kids, who were probably making $7 an hour) came a silently mopped up his vomit. The dude didn’t even acknowledge them or say he was sorry. As soon as they were gone he started hitting a vape pen. I expected him to vanish during the show, either dragged off by the staff because he was staggering/falling over, but he was there the entire show.

 

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My vantage point. 

 

Once Sturgill Simpson was finished, we were treated to the best music of the evening: a mixtape of kick ass Ramones songs played over the stadium PA. Getting to hear The Ramones played at maximum volume in Mile High Stadium was so rad, it made me sad that we weren’t going to get to see them rather than GNR. Those songs play like gangbuster whilst sitting in a sticky plastic chair watching a biker try not heave while hitting a vape pen. Highlights included “Danny Says” and “Swallow My Pride” two songs that are definitely in my Top 20 favorite songs of all time. Eventually, The Ramones faded out and Guns N’ Roses took to the stage. This is where the evening started to fall apart. The band opened with “It’s So Easy” and from jump-street, Axl sounded like shit. I’ve been trying to put my finger on exactly what was so crappy about it and all I can think is that he had no spark, no enthusiasm. He also screeched way more than sang throughout most of the night. And it’s a damn shame because Axl once had the greatest range of any pop singer. But time and drugs/hard living have ravaged the voice that was Guns N’ Roses.

 

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The first of many dumb looking hats.

 

When I was a kid, I used to think that there were two people singing Axl’s parts, a dude with a really high voice and another with a deep, low voice. I actually thought that Slash was the dude with the really deep voice. But it was just Axl and his amazing range. Earlier this week, I flipped through the “Fat Axl” memes online, kinda dreading how bad Axl might look. I didn’t think he looked any fatter than any rich dude his age. However, Axl looked fucking ridiculous all night long. He always wore a bandana (which is okay, because he always did that) but atop that, he wore a series of stupid hats. Now look, I like hats too. My friend in St. Louis, Jake, has sold me many a dumb hat at the hat store where he works. The dumber a hat is, the more I want to wear it…in public. These giant leather monstrosities looked incredibly stupid and swapping them out between songs only emphasized just how desperate Axl is these days to keep his head covered. What are you hiding, Axl? I get that losing one’s hair (allegedly) is terrible for men, but here’s the thing: Axl is rich enough that he doesn’t have to get up and perform on stage these days. If you’re that paranoid about your hair, don’t do these shows. Or just wear the bandana. The vest/jacket that Axl wore throughout the night also changed, and while most of these were just terrible, the brown leather with fringe number he wore near the end of the night was truly egregious.

 

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Slash keeping it Slash-y.

 

For the most part, the song selections were about what you would expect from a reunited Guns N’ Roses in 2017. Mostly selections from their debut album (all the hits you can name) with selections from the USE YOUR ILLUSION albums sprinkled throughout. There were, however, more covers than I was expecting and that’s where the band exceeded (somewhat) my expectations. Of course they were going to cover the Wings/Paul McCartney classic “Live and Let Die,” but I wasn’t expected the touching Chris Cornell tribute cover of “Black Hole Sun” (which, if I’m being honest, fucking rocked) and brilliant instrumental cover of Pink Floyd’s “Wish You Were Here.” Speaking of instruments, Slash and bass player Duff McKagan were both aces. Despite having lived just as rough a life (or even rougher?) than Axl, these two are still able to hold their own on stage. And Slash looked even better than when I saw him open a few years ago for Aerosmith. Dude looks like he’s been hitting the gym, good for him. And speaking of McKagen, before I forget, I want to mention the single coolest part of this concert: every time the cameras focused on McKagen’s bass playing we got to see the Prince symbol. Yes, McKagen has the Purple One’s symbol proudly displayed on his guitar. I know that most of the people at the show probably didn’t like Prince, but the shout-out to a legit guitar hero, gone too soon, was awesome. This was the best thing that GNR did on stage that night–they had a small piece of Prince with them.

There were, predictably, only two songs from CHINESE DEMOCRACY: the titular track and the song “Better.” I really like “Better” so I was glad to hear them play it…until they started playing it. The overwrought production of Axl’s infamous album just isn’t replicable live on stage.  They did have a (very young) woman playing keyboards with them who provided occasional backing vocals, which she did on this song, that was also pretty cool. Hearing “Sweet Child O’ Mine” live with Axl singing the vocals (I saw Slash do this song with Myles Kennedy) was noteworthy, but really it sounded like someone else doing a cover. Axl sitting down at the piano for “November Rain” was a legit moment of badassery. At the tail-end of the Slash instrumental cover of “Wish You Were Here,” Axl launched into the ending piano riff of “Layla.” I forgot that Axl was a decent piano player, and the sappy MTV ballad actually sounded decent once he launched into “November Rain.” This was the closest we came to hearing old-school GNR.  Then the band went into the Chris Cornell cover and I started to think, “Maybe this concert was worth it after all.” The band finished that cover and immediately followed it up with the Dylan cover “Knockin’ On Heavens Door.” Despite the ridiculous cowboy getup, Axl did this song justice, too. But then they finished the night’s set with an ear-splittingly bad version of “Nightrain.”

I left while the crowd clapped and stamped their feet in order to demand an encore. Partly because I’d seen enough and partly because, like Axl, I too was getting old and couldn’t stay out all night. I told my wife the next day that seeing Guns N’ Roses live made me wish I’d died at 25, but after careful consideration, I don’t think that’s right. No, I don’t think it’s better to burn out than fade away or whatever other rock cliches you can conjure. I think that it is better to keep living, get old, and give up on staying young forever. Sure, an old man can be goofy compared to a virile young man, but a young man pretending to be young still is even goofier. I can’t be certain, but I don’t think “goofy” is what Axl is going for these days. To all the young bands playing out there today: grow, change, morph into something mature and when you’re 55+ don’t try to be 25.

 

 

Aside: If you’d told me at the start of the summer that the best show of Summer 2017 was going to be Metallica, I wouldn’t have believed you. But boy did Metallica beat GNR in every way. From the live performance, stage presence, pyrotechnics, hell…even the weird stuff they projected behind the better was better produced/not laughable (the GNR material was crappy 2000-era CGI guns and rose petals). 

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12 Days Until I See GnR Live, And I Still Haven’t Fully Reviewed CHINESE DEMOCRACY

I’m not going to start his post with the question, “Does anyone still read this blog?” Even though I really want to, I’m going to avoid the question, mostly because I think I know the answer (and does it really matter?). I’m less than two weeks out from seeing Axl and Slash play together on their Endless Money For All Eternity Tour and I thought it would be a good idea to write something before my emotionally charged concert review (summation?) post that will be coming post-GnR concert.

It’s a little bit funny (this feeling inside?) that my last post was on a Natalie Imbruglia covers album. I feel like many of the people who follow/randomly stumble upon this website don’t get that I’m not exactly the world’s biggest Guns N’ Roses fan and that the title of this website is a bit tongue in cheek. I’m also pretty sure that some of the people on Facebook that follow the Defending Axl Rose Facebook Page think I’m Axl. God bless, ’em, each and every one of them.

Anyway, I have tons of things that I’d like to write about: songs, albums, concerts, the like…but I’ve been mostly unable to get any writing done due to some life changes and the fact that my toddler doesn’t allow me to use my home computer (which I need to write these posts). I am pretty stoked to see GnR and wonder if they will be able to compete with the awesome spectacle that was Metallica. Time will tell. Part of me wants to look up setlists from previous shows on this tour, but I kinda want to be surprised. I do want to hear “Rocket Queen” and “My Michelle.” If you’ve seen them and they don’t play those, please don’t post a comment below telling me they don’t, let my disappointment come naturally.

mean to axl

This is super mean, but I can’t help but laugh each and every time I see it.

So that’s it for now, just a quick check-in. I’d like to review this country album and maybe talk about the latest Cheap Trick record. I don’t know exactly when I will get to those, but you can definitely count on a post-GnR concert write-up. I learned my lesson with Metallica and will consume less alcohol, so my notes/memory of the event should be better, thus resulting in a better post.

If you’re going to the Denver show, hit me up on Facebook or leave a comment and maybe we can meet up.

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Lemmy is dead and GnR Lives?

It’s been a crazy week in the world of rock and more than one person has asked me if/when I was going to write a post. I wish I had a good excuse for posting so infrequently, but I don’t really have one. I’m just a lazy bastard. But there were two really big news items this week, so here I am.

First, the legendary lead singer of Motorhead, Lemmy Kilmister, died this week. I wasn’t surprised by this as Motorhead had cancelled a couple of tour dates earlier this year due to Lemmy not feeling well. Like most Motorhead fans, when I heard the news I assumed Lemmy had succumbed to his addictions. Besides being a first rate hellraiser, Lemmy was what can only be described as a “power drinker.” The fact that the dude made it to 70 is really a miracle, if you ask me. When I learned it was cancer and not excess that claimed Lemmy, I was genuinely shocked. Now, did Lemmy’s boozing ways contribute to or even cause his cancer? Perhaps, but the fact remains he didn’t die of liver failure which was what I was expecting.

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Rest In Power, Lemmy.

I saw Motorhead once in the middle 2000’s in St. Louis. They played a killer show with Valient Thorr that to this day ranks in my top 10 concerts. Lemmy’s voice was gravelly and unmistakable; there was never any mistaking him for someone else. I’m not the biggest metal-head, but the metal bands I do like tend to have vocalists that sound unique. Lemmy sure was unique. He also looked like a rock ‘n roll warthog from hell. One of my favorite Lemmy memories was his cameo in 1990’s comedy AIRHEADS where he proclaims that he was “editor of the school magazine.”

His brief cameo is a fun moment made extra-meta because earlier in the movie Lemmy is mentioned by name in a pretty funny exchange with Harold Ramis:

I’ll also never forget the time in 2002 when it was reported that Lemmy was considering having his famous facial warts removed in order to sell them online. I’m not even sure how true that rumor was, but I distinctly remember it being in the news. Anyway, Motorhead is truly an excellent band and Lemmy was one of the last remaining metal gods, he will be missed.

Also this week, it was announced that the rumors were true: the original line-up of Guns N’ Roses were reuniting next year.  Although the only gig that’s been confirmed is a headlining gig at this year’s Coachella Festival in April, the word on the (proverbial) street is that GnR will be also be launching a massive 25 date stadium tour in 2016. This is a huge deal because as we all know, GnR has been steadily touring for the past 20 years but with only Axl Rose as the sole original member of the band.

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Coming to a town near you? 

Does it excite me that Axl and Slash have buried the hatchet and are going to tour? Of course it does! Now the big question: will I be interested in going to see the band play live? I saw Slash earlier this year open for Aerosmith and it was kinda…sad. Slash was perfectly fine, but it was obvious that he was yearning to return to the glory of Guns N’ Roses. The lead singer he’d recruited for his band was an obvious Axl-clone. And while it was an audience who’d shown up to see Steven Tyler and Company, the only reactions the band really got was from the GnR songs they played.

I liken a reunited Guns N’ Roses to the most recent STAR WARS movie. People are only excited about this because of the nostalgic feelings it creates inside them. Nobody really wants to see an older, bloated, graying rock band get up on stage and embarrass themselves. Well, maybe some people do, but I don’t. A reunited GnR would be a time warp to an earlier era in all GnR fans lives. An era that should probably be left in the past, if we were all being honest. I’m sure Slash and Axl could whip themselves into fine-ish form but the real question everyone should be asking is: to what end? Will this be a greatest hits cash-grab-mega-tour? I’d rather they get together and write new music and release an album than just travel across the country using Pro-Tools to mask the ravages of time and sell a couple thousand T-shirts. But that’s just me.

There a many reason I’m not going to Coachella–I’m about to be a father for the first time being just one of them–but I’d consider seeing them on tour if they came to my town. And the tickets were reasonable. And that’s the rub with reunions like this, isn’t it? These tickets are going to be insanely expensive so many long time fans are probably going to be shut out (another reason I’d prefer we just get another album).

Everyone seems to be lusting for the past everywhere I look (again, STAR WARS) and this GnR reunion just seems like another example of that trend. I’m really torn between stoked to potentially have the chance to see Guns N’ Roses live and a little disgusted that the only concerts people get excited about anymore are these Dinosaurs of Rock Reunion Showz. Don’t get me wrong, I am 100% a classic rock fan, but I wish there was a new band grabbing headlines (and dollars) like a reformed GnR.

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I Made Jack White’s Guacamole Because…Rock ‘n Roll!!!

When I first heard “Fell In Love With A Girl” way back in 2002, I had no idea that people would still be talking about Jack White in 2015. I liked the song well enough, but I wrongly predicted that White’s career (and impact on the music industry) would be as lengthy as The White Stripes breakthrough hit. I was thoroughly puzzled by White initially. I remember seeing White creepily perform “Dead Leaves and the Dirty Ground” on Saturday Night Live and writing The White Stripes off completely. Look, we at Defending Axl Rose can’t all be right 100% of the time. Sometimes things slip by me. And don’t forget, when The White Stripes came on the scene there was a lot of strange rumors about Meg being Jack’s wife-sister…so you can’t blame me for dismissing them.

I quickly corrected my view of The White Stripes when the band released ELEPHANT in 2003. When  Mojo magazine declared it the band’s “British” album, I quickly went out and bought it on CD and red-and-white colored vinyl. That’s right, I dropped $45 on the album before I’d even heard “Seven Nation Army.” ELEPHANT was rousing, epic rock album that blew me away and immediately made me a fan and follower of White. I still think he’s weird (sometimes a little too much for his own good), but he’s the closest thing my generation has to a true rock god.

Oh my God, do a Google image search for "Jack White Guac."

Oh my God, stop reading and go do a Google image search for “Jack White Guac.” Seriously.

I’m still heartbroken that The White Stripes are no more, if you want to know the truth. I like The Raconteurs and love The Dead Weather, but I miss those glory days of red-and-white albums. White’s solo records haven’t really done much for me, but to tell the truth I’ve never really given them much of listen. White has given me so much over the years, I really owe it to him to sit down someday and study both BLUNDERBUSS and LAZARETTO in depth before writing them completely off.

Anyway, like the rest of you, I have been breathlessly following Guacamole-Gate, the dip-themed scandal that has embroiled Jack White these past few weeks. For those of you living under a rock, here are the basics: Jack White played a concert at the University of Oklahoma earlier this month. The school’s newspaper used the Freedom of Information Act to acquire the contracts involved with the concert. These documents were published in the school paper and revealed the amount of money the school paid to have White perform, as well as White’s tour rider. While I was a bit surprised it only cost the school $80,000 to have Jack White perform, the press (small and large) have jumped on the tour rider which included a recipe for Jack’s guacamole.

Ah, tour riders. Do these things ever not make an artist look crazier than a bag of cats? The purpose of tour riders is to ensure that bands and their staff are comfortable while setting up and waiting to perform  a gig. Let’s face it: being a traveling musician is not fun and glamorous. Can you imagine sharing one bathroom with everyone in Metallica? Or splitting a meal with Wolfgang Van Halen*?  Then there’s the small army needed to setup and tear down even the most modest of stages. Tour riders ensure that these hardworking folks get all the brown M&M’s they so desperately need.

Speaking of brown M&M’s, the most famous rider in all of rock history is the Van Halen rider that specified that the band have a large dish of only the brown colored candies. This demand made the band  poster children for rock excess, but over the years Eddie Van Halen has claimed that his odd request was made out of safety! According to Eddie, the band used this request to judge how compliant venues were with all of their requests. If the brown M&M’s weren’t done right, the band reasoned, then maybe the super dangerous lighting rigs weren’t done correctly either. I hate to side with Eddie (because agreeing with him stokes his ego) but the dude has a point.

Jack White’s rider requested that the venue make a bowl of homemade guacamole and included details instructions on how to make it. These instructions are Van Halen-specific, going so far as to tell venues what sort of knife to use on the avocados (a butter knife, presumably to avoid smooshing the soft fruit). The recipe even includes instructs venues to use the avocado pits and lime juice to prevent the guacamole from browning.

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“Subject to budget and advance” naturally…

When the rider hit the interWebz, the music world was shaken to the core. So much ink was spilled over this non-story that earlier this week, Jack White issued a long, semi-rambling statement about this rider. Essentially, he was sick of being asked about the whole affair and chastised the student reports for making something out of nothing. White’s management group issued a statement saying that White and their other artists would be boycotting the University of Oklahoma because of this incident. Of course, White had nothing to do with that particular decision. He even went so far as to say that he’d forgiven the student reporters and holds no ill will towards Oklahoma.

For such a strange guy, White’s response to the so-called scandal was surprisingly down-to-earth. The only disappointing part of White’s statement, in my opinion, was the revelation that the guacamole recipe wasn’t actually Jack’s:

“Anything on the rider is for the band and the crew. This “guacamole recipe” is my hilarious tour managers inside joke with the local promoters, it’s his recipe, not mine. It’s just something to break up the boredom, seeing who can make it best. Though I wouldn’t know because I’ve never had it. I can’t even make kool aid let alone cook any real food enough to have a “recipe.” sorry, I don’t have that talent.”

Great. So first The White Stripes break up forever, and then I find out Jack White can’t even make the most basic of party dips. What’s next, Bono will never be able to play guitar again? I know I’ll never be a musical genius like Jack White, but if I realized that if I could make this guacamole then there would be one area where I’d have him beat! Thus, I decided to use the recipe to make his manager’s dip. I went to the store and acquired the ingredients necessary for this magical rock ‘n roll creation. Then I rolled up my sleeves, put on some White Stripes, and got to work.

When you follow the recipe, this what you end up with:

So how was it? Well, if you follow the directions to the letter, you end up with something less like a dip and more like avocado salad.

Sorry, Jack. That isn't how I like my guacamole.

Sorry, Jack. That isn’t how I like my guacamole.

I’ll be honest, I fully intended on following the recipe to the letter, but I couldn’t abide such hippy-dippy gauc. Also, I’m really lazy. It was so much easier to just shove everything into my food processor.So that’s what I did. The results, while not 100% Jack White approved, was still pretty stellar.

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The serrano peppers added just the right amount of heat. I love spicy foods and this dip didn’t let me down. I would like to add that if you plan on making this dip, be sure to have a hungry crew of guitar techs coming over–the recipe yielded a ton of guacamole.

Delicious!

Delicious!

 

*I bet you thought I’d gotten over making fun of Wolfgang. You thought wrong.

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DEFENDING AXL ROSE: Part 2 “Shackler’s Revenge”

Welcome to part two of a fourteen part series in which I go track-by-track through CHINESE DEMOCRACY. It’s been over two years since I did the first installment on the first song…but I’m back defending Axl Rose!

I’d heard several songs off CHINESE DEMOCRACY prior to the album’s official November 2008 release, but “Shackler’s Revenge” was the first officially-Axl-sanctioned track I heard. The song was previewed in the Harmonix rhythm game Rock Band 2, which came out a month before CHINESE DEMOCRACY was released. I remember playing the game for hours the day it came out trying to unlock the song. When I finally got a chance to play “Shackler’s Revenge” I was pretty disappointed. Unlike the rough leaked tracks I’d heard, “Shackler’s Revenge” had a gritty industrial feel. I was also taken aback by the song’s production, which was busier than most hard rock songs. This negative reaction was repeated when I bought the album a month later.

For the record: not my score, not my Xbox ID, and not screen cap.

For the record: not my score, not my Xbox ID, and not screen cap.

Five years and many listens later, I like “Shackler’s Revenge” much more than I did when I first heard it in Rock Band. That said, this track is probably the most over-stuffed/produced track on the album. Everything about “Shackler’s Revenge” is big. The song has the most credited writers of any song on the album (five in case you were wondering). The song has multiple guitar solos and multiple guitarists. And despite this largeness, the song is the second shortest track on the record, clocking in at three and a half-minutes in length.

The track is an epic, aggressive romp through burning fields of an apocalyptic hard rock landscape. The song might not have struck me as very Guns N’ Roses-like the first time I heard it, but “Shackler’s Revenge” actually has all the main ingredients of a great GNR song. The song features lead and backing vocals from Axl, where are layered on multiple tracks creating a creepy Axl-choir. “Shackler’s Revenge” is angry and defiant with an absolute killer chorus that seems to wag a finger at all of Axl’s doubters.

GNR’s songs are also known for their guitar and “Shackler’s Revenge” does not disappoint on this end. The song features interesting guitar work from the avant-garde guitarist Buckethead and the band’s other guitarist Bumblefoot. I’m not 100% sure which one of these guitarists did the solos, but they’re fantastically explosive. I also really like the dying Galaga machine-like quality of the guitar tone.

The song’s dark, apocalyptic nature recalls the band’s previous “Oh My God.” That track, which came out on the END OF DAYS soundtrack in 1999, almost seems like a proto-“Shackler’s Revenge.” Axl has publically stated that “Oh My God” was released unfinished due to time constraints relating to the release of the film End of Days. A comparison of the two tracks is a fascinating: both have an aggressive, industrial metal feel but whereas “Oh My God” seems to be an endless gushing rant, “Shackler’s Revenge” has a methodical, demonic groove. The more refined “Shackler’s Revenge” is a testament to Axl’s tireless perfectionism. I’m not a big fan of sub-genre that the song mines, but the song has grown on me over the years. That said, releasing “Shackler’s Revenge” as the album’s first single was probably a mistake. From a business perspective, it makes sense to release the shorter more dynamic track but for my money the album’s third track “Better” would have made a better single (pun intended.

But I’ll write more about that when in the next installment of my track-by-track review of CHINESE DEMOCRACY.

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The Most Embarrassing Record I Own

One of the best parts of starting this blog has been all the new friends I’ve made.  One of the first regular rock-blogs I bookmarked (after my own) was Every Record Tells A Story.  I’ve always been jealous of that name, because I think it’s so true.  Whereas I’m a neurotic, weekend-warrior, my friend over at ERTAS is the real-deal.  His posts are both plentiful and of the highest quality, which is a rare in the blog-o-sphere.

When a blogging award was justly bestowed upon his site, he singled out Defending Axl Rose as one of 5 he enjoys.  For me there could be no higher honor, because I really admire the work that he does over at Every Record Tells A Story.  For spreading the love around to me and my humble blog, I thank him.

The question was asked “What is the most embarrassing record you own?” and I didn’t have to think very hard OR very long to come up with a response.  Would you believe that the most embarrassing record I own is SGT. PEPPER’S LONELY HEARTS CLUB BAND?  No, not the good one…

Dear God, this record is a holy terror: the greatest songs of all-time bathed in the worst of the 70s.

The greatest songs of all-time splattered with the worst shit of the 70s.

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