Tag Archives: Desert Rock

NEW SKIN by CRX

Led by Nick Valensi, the lead guitarist of The Strokes, CRX’s debut album NEW SKIN is an interesting mix of Strokes-ish indie rock and a blend of influences ranging from throwback classic rock, shimmering pop, desert rock (!) and even metal. I didn’t have CRX on my radar until the official Strokes Facebook page mentioned that Nick’s album was releasing at the end of October. I knew that this was going to be an album for me when I saw that the first comment on the post bemoaned the fact that NEW SKIN had such a strong pop sound.

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At this point in time, The Strokes are a bit like the UN: a good idea in theory that doesn’t ever seem to pan out in the real world. Maybe that’s a bit harsh, but the last record produced by the band was really forgettable. It’s a shame, too, because they’re a talented bunch of lads. This has been proved time and again as the various band members have put out great solo records. Guitarist and keyboard player Albert Hammond Jr. has put a couple of jaw-droppingly good records over the years (seriously, go check them out) and lead singer Julian Casablancas put out an electronic-infused album a  few years ago that had a couple of great tracks I still listen to today. Valensi’s band CRX now joins the esteemed pantheon of Strokes-solo projects that  make me miss the glory days of the band.

When NEW SKIN opens, it sounds like The Strokes doing The Cars with a dash of Cheap Trick. Because I’m such a fan of power-pop I got really excited by the album’s first few tracks. In particular, the album’s opening track “Ways to Fake It” which, if I’m being honest, sounds like a lost cut off The Strokes FIRST IMPRESSIONS OF EARTH. Rather than mumble and moan like Casablancas, Valensi’s voice is refreshingly presented crystal clear and I think this is what saves the song from being a straight-up Strokes track. “Ways to Fake It” is the best track on the album and the perfect choice for a single to entice Strokes fans to listen to the rest of the album. The second track “Broken Bones”is a moody slow-burn with some great guitar work. I also really liked the loopy New Wave “Anything” and “Unnatural” which reminded me of early Queens of the Stone Age (of all things).

The second track “Broken Bones”is a moody slow-burn with some great guitar work. I also really liked the loopy New Wave “Anything” which reminded me of Albert Hammond Jr.’s first solo record YOURS TO KEEP. The out-of-left-field”Unnatural” also tickled my fancy, mostly because it reminded me of early Queens of the Stone Age (of all things). I wasn’t expecting the album to pivot as much as it did near the middle and end, but pivot it does. The last few tracks on the album lean heavily on hard rock and metal side of things. Particularly “On Edge” which definitely has a Motörhead vibe and the final track “Monkey Machine.” Despite these variations, CRX never really enters the metal genre proper the veneer of pop polish coats all of these songs. And this is my biggest criticism of NEW SKIN is that it plays things a little too safe, Valensi gets right up to the edge of doing stuff his fellow bandmates aren’t doing (either in The Strokes or solo) but doesn’t commit and cross that line. Valensi, who I think has a good voice, just isn’t up to the challenge of coloring outside the lines of the typical indie-rock vocal performance.

I think that NEW SKIN is a solid debut that I hope is the first of many records. I’d like to see the band explore more of their roots and influences a bit more and challenge themselves with a bit of experimentation. Hopefully by doing this CRX will be able to justify their existence as more than just a placeholder until Valensi’s other band gets back to work.

 

 

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