Tag Archives: Gringo Star

FLOATING OUT TO SEE By Gringo Star

Atlanta-based rockers Gringo Star returned this year with their third album FLOATING OUT TO SEE.  The band endured a couple of serious changes since their last album, COUNT YER LUCKY STARS came out in 2011.  For starters, the band lost one member/songwriter.  Then the band decided to forgo the usual studio/label process and instead record and distribute FLOATING OUT TO SEE for themselves.  So much change was bound to be reflected in the band’s new music.  That said, FLOATING OUT TO SEE marks a dramatic change for the band.

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Perhaps change is the wrong word, call it instead an evolution. FLOATING OUT TO SEE takes the psychedelic elements found on COUNT YER LUCKY STARS and increases them greatly.  Gringo Star continues to be influenced by the British-invasion era rock bands, but sonically the band is more spacey and expansive on FLOATING OUT TO SEE.  Though Gringo Star still reminds me of The Kinks, on FLOATING OUT TO SEE its as though The Kinks are playing 20,000 leagues under the sea.  The production has a murky, dreamlike quality that married with the sometimes-surreal lyrics make FLOATING OUT TO SEE a wacked-out beach party.

From the chirpy evanescence of “Find A Love” to the gloomy “100 Miles,” FLOATING OUT TO SEE covers a lot of sonic ground in a very short amount of time.  The album’s concentrated quality does mean that it takes a few listens before the album gives up all its hooky-secrets.  That’s not necessarily a bad thing, but it does mean that FLOATING OUT TO SEE lacks the immediacy of its predecessor.  Tracks that do immediately stand out, however, are “Peephole” and “Going Way Out.”  The former feels like a classic Ray Davies track with its jangled tale of neighborhood paranoia.  Likewise, “Going Way Out” recalls the dreamy popscape of John Lennon’s “#9 Dream,” it’s a fantastic song that sounds even better in the dark with headphones.  In fact, I’d encourage you to listen to the album at least once with headphones.

The album overall has a very chill vibe.  But that’s not to say that FLOATING OUT TO SEE is totally laid back and tranquil.  The garage rocker “Taller” gallops and the edgier “Look For More” has a thumping, brash Tame Impala-like quality that I really dig.   Really the complaint one could lob against Gringo Star is that for an album with 13 tracks, it runs a tad short at just over 35 minutes.  Sometimes less is more, but I’d really have liked for FLOATING OUT SEE to last just a little longer.

Change can be a scary thing, but Gringo Star has weathered it nicely.  On FLOATING OUT TO SEE they’ve crafted a solid album during a period of what could only have been chaotic and uncertain.  Hopefully the band will continue to grow and get us another batch of exciting material sooner, rather than later.

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New Gringo Star 7″ Hints At The Shape of Things To Come

Atlanta indie rockers Gringo Star released two new songs last week.  You know what that means…there’s gonna be a new album next year! I’m excited   because I absolutely loved the band’s last record THANK YER LUCK Y STARS. I was a bit troubled to learn that the band lost a member and are now just a three-piece, however the new songs are really great.  Apparently the band’s been writing, recording, and producing all their new songs by themselves which is always intriguing.

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The two new songs, “Going Way Out” and “Taller” are just as catchy and murky as the songs on THANK YER LUCKY STARS.  I especially like “Going Way Out” which is a cross between a gloomy Dick Dale song and John Lennon’s “#9 Dream.”The band’s official website promises a new album in early 2013 and a tour!  Hopefully they’ll swing by St. Louis so I can properly check them out.

 

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“Mexican Coma” by Gringo Star

Check out this awesome song by Gringo Star, off their album COUNT YER LUCKY STARS:

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Gringo Star vs. Ringo Deathstarr

Last night I went on a Magical Mystery Tour deep within the bowels of Spotify.   I do this thing I call “band hopping” where I’ll listen to something and then let Spotify recommend something.  After I’m done listening to that I let it recommend something to me based on THAT song…pretty soon I’m completely and utterly lost.  I wish I could remember what led me to down the weird rabbit-hole of bands named in honor of ex-Beatle Ringo Starr, I bet the trajectory of songs was pretty interesting, but alas…I was in offline mode and my listens were not recorded.

But I digress.  The important thing is there are two really awesome rock bands with Ringo-inspired names.  The first of these bands that I happened upon was Atlanta-based Gringo Star.  What do you think of when you read that name?  I bet you think Gringo Star is a Beatles-inspired pop-rock band, right? I know that’s what I was thinking.  Turns out Gringo Star is a really cool rock band with some British-invasion influences, but mostly is a bit like the UK’s Supergrass.  The band’s latest album COUNT YER LUCKY STARS is a pretty tight collection of rock songs with a lot of “ooh’s” and “ahh’s.”**

I’m counting ’em…

The album opener “Shadow” invokes both the aforementioned Supergrass as well as Oasis, Blur, with just a hint of Dr. Dog (great harmonies).  The album is full of great songs, but I really like the spanish-influenced “Esmerelda” and the dreamy album-closer “Mexican Coma.”  That last song in particular sounds like it could have been a hit in 1966 by song little-know, post-Beatles invasion-era rock band.  I can almost see the vinyl copy of “Mexican Coma” by The Mudd Turtles or some such thing. It’s a really nice summer chill-out song, with a super-cool guitar solo.  But the song the changed my lust to love was “Got It,” which sounds like an early Kinks single.  It’s got a real nice, super-catchy hook that just digs into your brain and won’t let go.  Right now “Got It” is near the top of the list of best songs I’ve heard this summer (woah! It’s only June) .

From Gringo Star I ended up listening to a band called Ringo Deathstarr.  As far as jokey names go, Ringo Deathstarr beats Gringo Star hands-down.  Besides having the proper number of “R’s” in “Starr” the band’s name is also a freaking STAR WARS pun.

Super-washed out colours.

Now Ringo Deathstarr is a COMPLETELY different animal.  For one thing, their album COLOUR TRIP is more acid/reverb drenched than Gringo Star’s super-crisp rock.  Hailing from Texas, Ringo Deathstarr sounds a bit like The Flaming Lips by way of The Cure.  The band is a girl-and-guy “shoegaze” band that I have to reluctantly admit to being a sucker for. COLOUR TRIP opens with the spaced out “Imagine Hearts” which is a joyous bit of pop.  The album’s best track is “So High,” which sounds how a whacked-out day at the beach feels.  The gentle “Other Things” closes the album with bittersweet introspection.  It’s the kind of song that’s easy to get lost inside.  Some bands exist in space and other create it, and Ringo Deathstarr definitely create their own space–COLOUR TRIP is best enjoyed alone with headphones.  

Both bands (and albums) are pretty awesome, and despite sharing similarities in their name they’re pretty far apart sonically.  For me, Gringo Star has the better songs and Ringo Deathstarr has the better vibes.  Is that a cop-out? I guess, but it’s really like comparing apples to oranges.  Check ’em both out and tell me what you think.

FOOTNOTES:

**TANGENT: I think that modern music needs more “ooh’s” and “ahh’s.”  Go back and listen to music, from all genres, of the last 50 years and you’ll hear a ton of “ooh’s” and “ahh’s.”  But with only a few notable exceptions, COUNT YER LUCKY STARS being one of them, I can’t recall very many bands/albums today that use “ooh’s” and “ahh’s.”

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