Tag Archives: Concert

Countdown to YEEZUS: Ticket Secured, MY BEAUTIFUL DARK TWISTED FANTASY Re-visited, and Thoughts on a Live Kanye Performace

As promised, I’m going to write a few posts about my impending Kanye West concert. When I last wrote about this concert, I explained that a Denver show had been announced and that I was dusting off my credit card  so I could attend. Luckily for me, I didn’t really need to use the Defending Axl Rose Master Card! I was able to get a pretty good seat for $69. Since that time, I’ve kept an eye on the tickets and for the most part, the prices have remained stable and as of this posting tickets are still available.

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As long as there’s Kanye, there is hope.

During the fantastic World Series, which I watch every year, I muted my TV and revisited MY BEAUTIFUL DARK TWISTED FANTASY. Mr. West’s 2010 album has been severely underplayed in my household, which made me decide to revisit it. I was pleasantly surprised to find that the album holds up 6 years later. The singles “Power” and “Runaway” remain solid classics, but I was really blown away by the John Legend track “Blame Game.” I’m not sure why this poignant song failed to connect with me in previous listening sessions, but man is this an almost perfect song (the closing outro with comedian Chris Rock is probably the most cringe-inducing K. West album skit). The star-studded “Monster” also still holds up really well, though I must say the star-making performance from Niki Minaj bums me out when I hear now. Who could have guessed that her fierce performance on “Monster” would be an almost one-off thing and she’d become one of the most disappointing new rap artists of the 2010’s?

Listening to “Monster” got me thinking about what a Kanye West concert would be like. Despite being well-known as an egomaniac, Kanye’s albums are so brilliant because he doesn’t hog the spotlight on his releases. In fact, Kanye the album maker is generous with the limelight and often appears as second banana on the best tracks. How do I know that Kanye isn’t his troubling, problematic public persona? I listen to his albums and hear him give the best moments away to other, usually up-and-coming artists. The first time I heard Chance the Rapper was this summer when he stole the show on the opening track of THE LIFE OF PABLO. With so many of his best songs featuring A-list and AAA-list artists, how does a live Kanye performance work? Obviously a track like “Monster” doesn’t work unless Jay-Z, Rick Ross, Niki Manaj, and Bon Iver are in attendance and thus doesn’t get performed. But because so many of Kanye’s songs feature really great artists that I’m not sure Kanye can avoid doing a solo-only concert. I’m guessing that the verses done by guest rappers are just omitted, but as someone that’s never been to a rap concert before, I’m interested to see how it’s handled.

 

Look for a few more Kanye-centric posts to appear before my November 28th concert. I’m still trying to decide the best way to document the concert itself, so if you have any thoughts on the best way to do that chime-in below in the comments section.

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The Darkness at The Summit Music Hall 10/16/2015

I still remember hearing The Darkness for the first time 12 years ago. Their first, and best known single, “I Believe In A Thing Called Love” was all over the radio and the music video was a big deal at the time, too. Actually, I think that was the last time I saw a really cool music video on MTV.  The Darkness belong to a bygone era of rock music, which is probably why I love them so much. An era of huge hooks and killer guitar riffs. I’ve been following the band’s career through lineup switches, break-ups, and changes in facial hair…and in 12 years they’ve never let me down. Maybe that’s why I wasn’t worried about the band delivering the goods live. I’d read online that the band was great live, but I was still unprepared for just how good The Darkness are live.

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I got to the Summit Music Hall early, like I usually do, and my first impression was “Jesus, this place is small.” I realize that America is no longer a bastion of rock fans, but even I was shocked at what a tiny venue the band was playing. Overseas, The Darkness headline big music festivals and are a bit of rock royalty…here in my home State of Colorado they were just thin dudes in funny clothes playing a club show. I’m grateful that I got to see this band up-close and personal, but if there were any justice in the world we’d have been at the enormous Pepsi Center across town. My friend Dylan, also a huge Darkness fan, shared this sentiment upon seeing the size of the room the band was playing.

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Something weird happened to the opening band and a local band In The Whale filled-in. In The Whale was a noisy two-piece that reminded me of Death From Above 1979 with a dash of rockabilly. As is usually the case with two-piece bands, the sound they made was mostly noise. They had a couple of songs that weren’t awful, but at no point were my friends and I compelled to leave the bar area. When The Darkness hit the stage Dylan and I were ready to rock, primed with beer and free Strongbow (a sickeningly sweet-variant of hard cider). The band opened with “Barbarian” off their latest album LAST OF OUR KIND (you can read my review of that here). Front man Justin Hawkins strutted out onto the stage in a weird stripy catsuit-thingy. Shirtless and covered in tattoos, Hawkins had a Jagger-ish quality to his stage presence which kinda surprised me because I always mentally compare him to Freddie Mercury (for obvious reasons). Justin’s brother, lead guitarist Dan Hawkins, was downright normal by comparison with his mane of rocker curls and tight Thin Lizzy t-shirt. Bassist Frankie Poullain won hands down for most-interesting/I-can’t-stop-staring-at-you with his massive puff of frizzy hair, New Wave-ish business suit, and Hell’s Angels facial hair. Meanwhile the band’s current drummer, Rufus Tiger Taylor, did an adequate job but didn’t really stand out.

Look at that hair, glorious!

Look at that hair, glorious!

The band barreled though a set list of tracks skewing heavily towards the band’s first album PERMISSION TO LAND with key tracks from the other three albums sprinkled throughout. At the mid-point of the show, Justin invited a slightly middle age looking couple onto the stage because they were getting married the next day. Or so they claimed, I’m always skeptical of these kind of people. Justina and Co. got them comfy and then proceeded to serenade them with “Get Your Hands Off My Woman.” This was an amusing choice because, in case you aren’t aware, the song is peppered generously throughout with “motherfuckers.” I’m sure that glorious moment will be retold for decades to come by this happy couple, perhaps to coca-sipping grandchildren.

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Pretty much any Darkness song you’d want to hear the band played (though they did not play the one song I yearned to hear “Keep Me Hanging On” off the third album). Songs like the super-appropriate “Friday Night,” “One Way Ticket,” and “Love Is Only A Feeling” were all played with propulsive precision. Sometimes seeing your favorite band play your favorite tracks live is a bit underwhelming, but The Darkness’ charm and musicianship were high and at no time did I find myself thinking this is cool and all, but it sounded much better on the album. A roadie was constantly shuffling on stage to bring Justin a Gibson guitar, only to return once his guitar bit of the song was over so he could bop across the stage unencumbered. The spastic lead singer actually sat down for two songs to play keyboard, which I wasn’t expecting.

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Yes, the band played “I Believe In A Thing Called Love” and they didn’t save it for the encore, like I was expecting. I’ve heard this song more times than I can count, and to be honest, I would have been 100% fine not hearing it live. But it was rad hearing it live and feeling the crowd’s energy during this classic number. Usually when I leave a really good concert, I find myself in love with a song that I wasn’t as big a fan of prior to hearing it live. To this day, I absolutely love “Tumbling Dice” by the Rolling Stones, a song I had no real feelings for prior to witnessing the band play live on The Bigger Bang tour a decade ago. Well that Darkness song is “Love On The Rocks With No Ice,” which popped up during the encore. I am still catching myself humming this tune two days later!

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Also worth mentioning: the band played one NEW song about 2/3’s of the way through the show. It was a great song, though I didn’t catch the name of it at the time (ringing ears and all). A quick check online reveals this song to be titled “Rack of Glam.” If this track is any indication of what might be on the next album, then I think we have another great album on the horizon. Though there wasn’t as much stage banter as I’d have thought, there were a couple of great moments (besides dragging the couple on stage). The audience was really into crowd surfing, and near the end of the show, Justin surfed out into the audience and climbed up onto the balcony. Watching Justin dive back into the crowd mere feet away was definitely my top rock moment of 2015.

Up close and slightly personal.

Up close and slightly personal.

Bottom line: I’d see them again, right now if I could. It’s rare these days to see a band that’s able to be both awesome sounding and off-the-wall fun live. The Darkness put on one hell of a show…truly they are the last of their kind.

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I Miss Ticket Stubs

So here I sit, still reeling from the amazing El Monstero show I saw last Saturday…and I’m bummed out because I don’t have a ticket stub.  I got out my little box of old ticket stubs last night and took a stroll down memory lane.  Each little scrap of paper was a memory.   I know that saying this will instantly make me an old man, but: “Man, I miss ticket stubs.”  My El Monstero tickets, like most of my tickets nowadays, was a just a printed piece of paper.  It got all mangled and wadded up, so I threw it away.

Years from now, I will have no tangible link to this show.  That’s a bummer.

So many awesome memories.

Printing tickets at home is cool, when it is FREE (which isn’t offen enough for my tastes), but mostly I pine for the days of paper tickets.  Ticket stubs are such a cool keepsake, it’s a shame today’s youth are going to miss out on them.  Am I crazy?  Is this not that big of a deal? Tell me what you think in the comments section. 

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