Tag Archives: HOT CAKES

THE LAST OF OUR KIND by The Darkness

Let me get this out of the way: THE LAST OF OUR KIND is hands-down my favorite album to come out so far in 2015. Not that there’s been much really good rock music released this year. Still, even if there had a few more notable releases this year, I’m confident this album would still be a beacon of hope. The Darkness are back and better than they’ve ever been.If you like boisterous, 1970’s-style rock full of cocky-swagger that’s fun/catchy as hell…then The Darkness is your band. Many people, most people I’d wager, really only remember the band from their hit “I Believe In A Thing Called Love” from 2003’s PERMISSION TO LAND. To those people I say: get bigger record collections. Seriously. The band’s second album ONE WAY TICKET TO HELL…AND BACK was a staggeringly leap forward in my opinion. The songs were better, the hooks were way catchier than the first record, and lead singer Justin Hawkins amazing vocal prowess truly shined. The band then went through a period of darkness (pun intended) when Hawkins left the band and went into rehab.

This baby pilot has permission to land.

This baby pilot has permission to land.

But The Darkness returned in 2012 with their third album HOT CAKES. That record (you can read my review here) was another homerun for the band.  That they’ve never really let me down is both kind of amazing and little scary every time the band releases a new record. The turmoil surrounding them this go-round involved their drummer (I call this AC/DC Syndrome). First, long time drummer Ed Graham left the band in September 2014 and was replaced by Emily Dolan Davies (whom you can read about/ogle here). A lady drummer in The Darkness? How positively progressive! Alas, it wasn’t meant to be…and Emily left the band in April of this year citing a desire to work on “other projects.” So while Davies is on THE LAST OF OUR KIND, The Darkness have a new drummer in the form of Rufus Taylor. That’s right, the band that sound more than a little like Queen went out and got the son of Queen’s drummer to be in their band. So there was definitely some rock star shenanigans and/or drama surrounding the band while they were recording THE LAST OF OUR KIND. Does any of that make it onto the record? Nope, not in the slightest.

THE LAST OF OUR KIND opens with the sounds of the ocean and an old man reciting a poem about Vikings before the opening guitar riff of “Barbarian” hits. This is important because the album has a very strong Norse/Viking theme running throughout. Now while I wouldn’t go so far as to call THE LAST OF OUR KIND a concept album, there is a definite thread tying all the songs together. And that thread is kick-ass Norse warriors.“Barbarian” is pretty much The Darkness’ version of “The Immigrant Song.” Though whereas Led Zeppelin’s song is an ethereal chant, “Barbarian” is the rowing song of bloodthirsty men on their way to plunder foreign shores. While the first track conjures the spirit of the mighty Zep, the second track “Open Fire” definitely calls forth The Cult. It’s really just the guitar effect the band is using, but this has torpedoed many fans’ opinion of the song (which is the album’s second single). I’ll admit to being less-than-enthusiastic about the track the first few times I heard it, but it’s been growing on me (pun intended) the more I listen to it.

After this pic was snapped both the lady drummer AND the bird quit the band.

After this pic was snapped both the lady drummer AND the bird quit the band.

The album’s title track is probably the most Darkness-y track on the album. “The Last of Our Kind” is jam packed with Hawkin’s trademark faux-falsetto* and lyrical bravado. On the surface, the song is both a celebration and a lamentation about Norse warriors—but we all know that the song is also about The Darkness and their place in the modern rock scene. The track features some really great use of guitar harmonies that reminds me of Thin Lizzy. Not to let the ladies down, THE LAST OF OUR KIND also has a couple of really good love songs. For example,“Wheels of the Machine” which is a very cock-rock style love song featuring a lot of tough fire/burning imagery (tough love).  The song is notable for mentioning the object of Hawkins affections is named Sarah. This is important because the most kick-ass song on the entire record is “Sarah O’Sarah.” That song opens with some of the most propulsive guitar I’ve ever heard. I love big sloppy love songs and “Sarah O’Sarah” is pretty great. Lyrically it’s dopey (and again features lots of burning/fire references) but I like how vulnerable and straightforward the words are. Similarly, “Hammer & Tongs**” has a joyful we’re-back-together-and-that’s-how-it-should-be vibe that’s a refreshing change from most love songs in the arena rock genre/wheelhouse. Also, let me point out that this song again features really heavy usage of fire and burning imagery. Weird***.

Other tracks worth mentioning are the arena-ready anthem “Conquerors”  and “Mudslide.” The former closes out the album and features bass player Frankie Poullian on lead vocals.“Conquerors” surprised me and makes me wonder what great albums we’re missing out on from a Poullain-fronted band. Meanwhile, “Mudslide” which is the only track co-written by Emily Dolan Davies,  has a nice Bonham-esque quality (read: steady, thumping drums). Man, it’s a bummer that Davies ended up leaving the band.

THE LAST OF OUR KIND is definitely a throwback to a bygone era. Back when rock bands (and their album sales) were much, much bigger. Though they aren’t nearly as popular as they were at the height of PERMISSION TO LAND’s initial success, The Darkness continue to bravely churn out records that are top-to-bottom fantastic. I can’t remember the last time I actually purchased an album—after hearing THE LAST OF OUR KIND I immediately hopped online and bought a physical copy. I also can’t recall the last time a band put out a record that I could listen to multiple times without skipping a track. And that brings me to my only complaint/quibble about THE LAST OF OUR KIND: it’s way to short. With only ten songs and a total running time of 41 minutes, the album feels like it’s over too quickly. So while there’s no fat on the album and I praise it for not having any skip-able tracks, I do feel bummed every time the final song “Conquerors” comes to a close. I guess if I had to pick between a good album that’s long and great one that’s a bit on the short-side, I’d pick the short one every time. So, here I am in June with my pick for album of the year: THE LAST OF OUR KIND.

 

 

 

 

 

 
*The first draft of this review (yes, I know could you imagine how terrible these posts are BEFORE I edit them?) referred to Hawkins’ vocal style as a “falsetto.” This apparently isn’t true. Though I really don’t understand why it isn’t, here is a tweet from the man himself:

Feel free to explain this to me in the comments.

Feel free to explain this to me in the comments.

**Hammer & Tongs is a euphemism generally meaning “energetically, enthusiastically, or with great vehemence.” So there ya go, you learn something new every day.

***I really didn’t notice just how much fire/burning/flame imagery THE LAST OF OUR KIND had until I sat down to write this review. Seriously: “Open Fire,””Wheels of the Machine,” “Sarah O’Sarah,” and “Hammer & Tongs” all do this. It’s almost like a lyrical tic. 

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“Open Fire”: The Darkness Sound A Bit Like The Cult

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So I’m sitting here listening to the latest song from The Darkness, and all I’m hearing is The Cult. The English rockers, known more for sounding like Queen, have a new album coming this summer titled LAST OF OUR KIND. That’s not the big news. The big new is that they now have a lady drummer, which I must admit is kinda hott. That’s “hot” with two T’s. Her name is Emily Dolan Davies which is just about perfect, don’t you think?

Hott.

Hott.

I don’t mind this song, in fact I think I kinda like it, but that guitar tone has qualities that remind me of The Cult’s “She Sells Sanctuary.” The song’s a nice bit of English cock-rock, something that this world is sorely in need of if you ask me. I liked the band’s last album,  2012’s HOT CAKES, though I don’t think it made much of an impact…I didn’t hear anyone anywhere talk about it. Let’s hope that LAST OF OUR KIND brings the band a “I Believe In A Thing Called Love”-sized hit. It could happen.

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New Album Round-UP #1: HOT CAKES by The Darkness

I feel like I’ve really dropped the ball lately concerning all the new albums that have come out over the last month/month and a half.  I wish I could say I’ve fallen behind because I live such a fast-paced, exciting existence.  The truth is: I’m a fat, lazy, music blogger.  To be fair, there has been an unusual glut of awesome, noteworthy album releases these last few weeks, but is that an excuse? My backlog started innocently enough: one awesome release (the new Darkness album) came out last month and before I knew it another had come out…then this week Bob Dylan and ZZ Top both put out new albums.

So in order for me to clear my dockett of album reviews, I’m going to knock ’em all out at once!  Presenting the Great New Album Round-Up!

The Darkness are hoping this record will sell like…their first album, PERMISSION TO LAND. What did you think I was going to say?

HOT CAKES by The Darkness:  For many people, The Darkness are a bit of a joke band.  And while they most certainly do not take themselves seriously (at all), The Darkness are a seriously awesome rock band.  The music and lyrics are always 100% solid.  After the band’s second album the band broke up…well sorta.  Lead singer Justin Hawkins left the band and formed a new band, Hot Leg.  The rest of The Darkness tried to soldier on without Justin, but it didn’t work-out.  When I heard the band had gotten back together and recorded a new record (and that Justin had cleaned up his act) I got both excited and worried.  Excited because a new Darkness album would be fantastic, but worried because so much time had passed since the last album.  Would the band be able to deliver the grand-rock hooks and cheeky shenanigans?

Turns out The Darkness still got it! HOT CAKES is a fantastic and FUN rock record.  Remember having fun?  It seems like everyone wants to be so serious lately, which is fine…I guess…but sometimes all I want to do is rock.  And smile.  The Darkness have delivered an awesomely upbeat album for these gloomy days of late 2012. The album opens with “Every Inch of You.”  The song is about Justin’s desire to give his audience…everything.  Despite the (semi-gross) goofy-entendre,  I really feel like Justin & Company are sincere in wanting to give us fans as much bang for our buck as possible.

The song begins with Justin singing:

“Baby I was a loser 
Several years on the dole
An English man with a very high voice 
Doing rock and roll 

There are seas of sleeveless T-shirts 
And cues around the block 
And every man wanting so 
Wants to do 
Suck my cock”

That pretty much sets the tone for the record: cartoonishly over-the-top and loaded with falsetto.  No Darkness album would be complete without a few obligatory Queen-references, and HOT CAKES as a few very Queen-like songs.  The super-catchy, sing-a-long “Keep Me Hangin’ On” and the quieter ballad of hope “Living Each Day Blind”  both recall Freddie Mercury’s famous band.    More blatantly, however is “Forbidden Love” which, unlike the other two songs, actually sounds exactly like something Queen recorded.  I think you could actually play “Forbidden Love” to a causal rock fan and they might not realize it isn’t Queen.

So is this a rip-off, homage, or tribute?  I guess that’s for you to decide.  Me, I see them as a little of all three.  Does it bother me that The Darkness owe so much to Queen?  No.  The Darkness aren’t pretending they’ve invented the wheel with these songs, they know their place in the history of music.  That respect makes it ok (unlike say, Brandon Flowers from The Killers who refuses to accept that his band has become a Springstein-lite band since their second record…and insists that each new Killers record is the second coming).

Worth mentioning is the awesome Radiohead cover at the end of the album. The Darkness have really outdid themselves with this one.  The band has taken the somber “Street Spirit (Fade Out)” off of THE BENDS and reworked it into a hard-charing rocker.  I strongly urge you to check out Radiohead’s version if you aren’t super-familiar with it and then give the Darkness cover a listen.  It’s hilariously awesome and the epitome of everything I love about this funny, brash, rocking band.

Basically, if you were a fan of the last two Darkness records you will love HOT CAKES.  Unfortunately, I feel this record isn’t going to win them very many new fans.  Sure, the songs are just as good as they were before–but I feel like a band like The Darkness has a very limited amount of appeal.   I don’t agree with the people who dismiss them, but I can see where they are coming from.  HOT CAKES is a great release from an awesome band.  If you dug them before get HOT CAKES.

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My Top 5 Most-Anticipated Albums

2012 is nearly over can you believe it?  Seems like only yesterday I was writing about 2011 (The Year Of The Battling Gallagher Brothers). Time flies when you’re having fun.  Speaking of fun, there’s a bunch of really cool records that are coming out at the close of 2012.  In fact, there were so many really awesome records about to  “drop” that I actually had trouble narrowing it down to just five!

So how does an un-released record get on my “Most Anticipated” list?  Well, it has to be an album whose release date I’ve been eyeing for a while.  The record has to have an “official” release date DAY and MONTH…none of this “September 2012” nonsense where the record company can repeatedly move the street date.  And lastly, the record has to be something I plan on going out and BUYING the day it comes out–that means it’s an album I’m super-duper stoked about.

My Top 5 Most-Anticipated Albums:

1. HOT CAKES by The Darkness (August 21): I don’t have very long to wait for this one, and yet it feels like I’ve been waiting for seven years.  I guess that’s because I have been waiting for seven years!  I seem to be in the minority that believe 2005’s ONE WAY TICKET TO HELL…AND BACK! was better than the british-rocker’s debut PERMISSION TO LAND (otherwise known as the album that spawned “I Believe In A Thing Called Love”).  The band broke up, but like a phoenix from the flames, The Darkness have returned.  The new songs are growing on me and all the reviews I’ve read have been positive.  Here’s hoping for an amazing comeback.

HOT CAKES

2. CENTIPEDE HZ by Animal Collective (September 4): I’m a late-comer to the greatness that is Animal Collective, but I’ve been voraciously consuming their entire catalogue.  They seem to be one of those rare bands that seem to get more daring and more creative the bigger their audience gets.  I was completely and utterly blown away by their last album, MERRIWEATHER POST PAVILLION, with it’s luscious electro-freak-rock vibes.  I really can’t wait to see what the band pulls out of it’s freak bag.  And with song titles like “Monkey Riches” and “Applesauce” how can this be a bad record?

CENTIPEDE HZ

3. TEMPEST by Bob Dylan (September 11): Alright, I know what you’re thinking…Dylan, really? Well I think Bob’s last few records have been just as good as anything he put out in the 1960’s.  There.  I said it.  Well, maybe not CHRISTMAS IN THE HEART so much as MODERN TIMES.  MODERN TIMES was the album that made me truly fall in love with Dylan and give into the fact that he really is as good as they say he is. TEMPEST is rumored to be Dylan’s final album (the title of the album being an allusion to Shakespeare’s final play).  This one is sure to be really weird and epic, just like a good Dylan record should be.  There’s supposed to be a 14+ minute song about the Titanic on the  album, if that doesn’t get your juices flowing I don’t know what will.  Another song is going to pay tribute to fallen Beatle John Lennon, which should be sweet (although he’s been dead for 30 years, what’s been the hold-up, Bob?).  Love him or hate him, if this is his final album don’t you wanna experience it?

TEMPEST

4.  BATTLE BORN by The Killers (September 18): I know, I’m just as surprised as you are.  Who’d have thought that the HOT FUSS boys would still hold my interest four albums into their career.  Sure, the band hasn’t lived up to the hype that singer Brando Flowers notably likes to cultivate, but I’ve really enjoyed watching them slowly morph into Bruce Springsteen-like “heart-land” rockers.  The album is named after the motto on the Nevada State-flag and comes after the band enjoyed a bit of a hiatus…that’s about all I know.  They released a serviceable first single back in July titled “Runaways.”  It was just okay, I know I shouldn’t be as excited about this record as I am but I just can’t quit this band.

BATTLE BORN

5.  LONERISM by Tame Impala (October 9): Australian psychedelic-rockers Tame Impala have mercifully recorded a new album! I am super-excited about this because I am in dire need of awesomely-trippy, chilled-out tunes.  If you haven’t experienced the band’s first album INNERSPEAKER I urge you to get a pair of headphones (really good ones) and drift off with Tame Impala.  I was worried that the band might not be able to live up to their amazing first album, but if the new songs are any indication, LONERISM is going to be just as good as the first record.  Go treat yourself to the glory of “Apocalypse Dream.”  You deserve it.

LONERISM

Honorable Mentions:

911 by Trash Talk (October 9)

PUSH AND SHOVE by No Doubt (just for the train-wreck factor) (September 25)

JACK SELLS THE COW by Robert Pollard (September 18)

SHIELDS by Grizzly Bear (September 18)

FOUR by Bloc Party (August 21)

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