Author Archives: Jason Wendleton

Please Visit Trope And Dagger, Save My Ankles

Hey friends, could you all do me a favor and check out a post that I wrote over at Trope And Dagger?

What’s Trope and Dagger? It’s a really rad pop culture blog that my old dorm buddies Aaron Wilson and Andy Primm run. They write about TV, films, video games, and even post short fiction. These guys do a way better job of putting out great content on a regular basis and deserve your attention.

Today a post I wrote about the 1991 action-film Point Break went up. Would you do me a kindness and check it out? If this post doesn’t get at least 14 views I’m gonna cry and Andy will break my ankles. I need my ankles to not be broken. Fun fact: did you know that Flea from The Red Hot Chili Peppers plays a menacing surfer goon in Point Break? It’s true.

"Yo dwag, 14 views or Immagonna break this fools ankles..."

“Yo dwag, 14 views or Immagonna break this fools ankles…”

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Defending Shoegaze/Dreampop/Synthrock

I recently explored the growing world of streaming music and one thing that I found was that Pandora is the best at recommending new music. I pay for Spotify because I usually know what I want to hear, but when it comes to finding new artists, no one beats Pandora. Pandora’s music genome sounds a bit like a con until you compare it with similar recommendation features of competing streaming services. My beloved Spotify has an absolutely atrocious “radio” mode that winds up playing the same ten songs by roughly the same four to five artists. And usually these so-called recommendations are so oblivious that I’m rarely surprised by anything that gets played when I use this feature. I have access to a premium Pandora account where I work, and on Fridays when no one is around I like to pick an artist I’m currently grooving on and see what new stuff I can find.

Now I’ll freely admit that I’ve always been a sentimental fool. I like quiet, moody songs that are bittersweet. Dream pop. Chillwave. Shoegaze. Whatever you want to call it…I love this kind of music even though I don’t know much about this genre. One of my current favorites is the French pop singer Melody Prochet, who fronts the psychedelic dream pop band Melody’s Echo Chamber. I discovered Melody’s Echo Chamber via label mate Tame Impala, an Australian psychedelic band who kick all kinds of ass. Anyway, I took it upon myself to create a Pandora station based around Melody’s Echo Chamber. What happened? I fell down a rabbit hole of electronic-psychedelic-dream pop that melted my mind and made me fall in love.

One of the great things about myself, if I can take a moment to brag, is my ability to love a lot of different/conflicting things. Like, for example, I really love cock rock. Give me a hard-charging guitar riff and with some semi-sexist lyrics and I’m happy as a pig in shit. The more dunderheaded, the better. But I’m also a sensitive soul that likes to be lulled by a sweet melody and lush wall of quiet noise. This music that Pandora showed me was amazing in that it was both distorted and crystal clear. It was intimate and human, while at the same time adorned with the trappings of modern electronic music. This music was full of synthetic sounds and real emotion. It was like discovering a new color.

The branching spectrum of music Pandora showed me was absolutely breathtaking. It was like having a cool older brother with a kick ass record collection show me what’s what. I was certain that all the music I was hearing was brand new, but with a little research I found out that most of it was several years old. How on Earth had I missed the stunning pop of Hannah Georgas? Or the cool electro-funk of Walter Meego? What if I’d never decided to play around with Pandora and these amazing songs had remained unknown to me? This post is part advertisement for Pandora, which is an amazing service, but it’s also about stumbling out of one’s comfort zone. I love The Beatles, but you shouldn’t listen to them 100% of the time, this experience only reinforced that.

If you haven’t played around with Pandora in awhile go give it another shot. Let it show you things you didn’t even know you wanted to see. Or go visit a record shop and talk to that weird guy behind the counter. You know, the fat guy with Elvis sideburns who sweats all over you purchases and mumbles to himself. That guy knows stuff. Pick a genre you don’t normally listen to and give it shot. Or go on r/Music on Reddit and see what all the cool Internet kids are chatting about.

I feel like a kid on Christmas having discovered all these cool new bands! Here are a sampling of my favorites. If you have a chance, take a listen. And if you like this kind of music tell me about it in the comments. I want to find more of this mellow, dreamy, electronic music.

Currently in heavy rotation in my Shoegaze Playlist:

  1. You and I” by Washed Out. Washed Out famously provides the opening theme to Portlandia a hilarious sketch show on IFC. This song is hypnotic and mellow, I love it.

 

  1. “Happy Birthday Party” by Dom. This song totally feels like more upbeat, less drugged-out Animal Collective. This song should have been a monster hit with it’s rad hook and goofy-fun lyrics. It’s time to get gnarly, happy birthday party-party indeed…

  1. “Gasoline” by Alpine. A mix of dance and indie pop, Alpine are a really cool Australian band that have this weird knack for writing really fun songs that are catchy and fun as hell. These people should be household names.

  1. “Walk in the Park” by Beach Fossils. This is probably the only song on this list that I’d heard prior to falling into my shoegaze rabbit hole. This song is so ethereal and dark, but also really beautiful. I love this song.

  1. “Bullets” by Rebecca & Fiona. This is 100% pure dance music. Straight from Stockholm, Sweden, Rebecca & Fiona are these two really hot DJ’s who are making embarrassingly good dance music with sweet pop hooks. This song “Bullets” is rad and makes me want to dance. I never want to dance.

  1. “Standing on the Shore” by Empire of the Sun. I’ve been a fan of The Sleepy Jackson for many years but had no idea that Luke Steele was also the member of a synthpop band. Totally theatrical and totally glammed out, “Standing on the Shore” is a dreamy pop masterpiece. Weird? You bet. Over-the-top? Sure. Fun? You bet.

  1. “Robotic” by Hannah Georgas. This song is a real heartbreaker. There’s so much soul in her voice. This is one of those songs that feels old and worn in the first time you hear you it—like it’s been a part of your life this whole time. Sad and wistful hurts so good. I love it.

And in case you’re interested, here is my Shoegaze playlist on Spotify. There’s a ton more really cool songs and artists with more added every Friday:

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HIGHLY-UNSCIENTIFIC RESULTS: Do You Pay For Streaming Music?

At the end of last month I posted a poll asking if you paid for streaming music. Why was I curious about this? Well as a big-fat music geek, I pay for my music. I do so for a couple of reasons, the primary being that I don’t think it’s okay to steal if you can afford to pay–for anything. I also look at the sorry state of music today and know that the problem is money-related. The Internet has made it easy to discover new and exciting music, but it’s also eroded away the old Music Biz-model. Scrambling to adjust to the new paradigm, record companies doing just about everything but fostering artists and release better music. When an artists puts out something of quality I feel very responsible to pay for their music just to send the message of “this is good, please make more like this.” When the streaming music model first hit the scene I was against it. Up until two or three years ago I was a massive collector of physical media. The idea of owning but not really owning a band’s album or song was foreign to me. I’d dabbled in iTunes and eMusic, two services that cut out a physical copy but still gave you something, even it if is a digital fileIt quickly became apparent to me that a digital copy of an album was more or less just as ethereal as a copy I was only streaming. I simply wasn’t able to burn everything I (legally) downloaded onto CD, there was just too much. And boy did my hard drive fill up fast. So what did I do? I quit iTunes. I waved bon voyage to eMusic and got on the Spotify bandwagon.

Prior to Spotify, my only experience with music streaming was Pandora. I liked Pandora’s ability to recommend new music to me based on what I liked, but I didn’t care for the radio-like quality of the service. I’m the kind of listener who most times knows exactly what I want to hear, which is not really what Pandora’s all about. Spotify appealed to me because it was basically my iTunes…just with (nearly) everything I could ever want to hear. Spotify sneakily offered me a 90-day trial that hooked me. I now pay for premium Spotify in order to have the best sound quality, no commercials, and so I could have it on my iPhone. Recently Spotify changed their service to allow non-paying listeners the ability to listen to Spotify on their phones, which is a pretty big deal. The drawback to being a non-paying Spotify user is that you can’t pick what you hear beyond the artist. Only premium users are able to pick and choose what they hear, everyone who doesn’t pay is forever stuck on “shuffle.” There has been much debate on the amount of money streaming services pay artists. Most of what I’ve read indicates what I’ve suspected all along: a $9.99 streaming plan that gives customers access to 99.999% of all popular music is not a business model that rewards artists as well as traditional album sales. This bums me out and it appears to be the Achilles Heel of services like Spotify. Since they aren’t paying artists very fairly, many are “jumping ship” like Taylor Swift from Spotify or starting their own streaming services like Jay-Z. I don’t know exactly how I feel about this. On one hand, the chief reason I’m paying for Spotify is so I’m not picking anyone’s pocket…on the other I think it’s shitty you have play “I’m on Fire” 100,000,000,000,000,000 times for the Boss to make a nickel*.

What @$$hole wrote this insensitive poll?

What @$$hole wrote this insensitive poll?

As I stated, I don’t know very many hardcore music fans (a sad indicator of where the music industry is going or maybe just I’m bad at making friends) so I’m always a bit puzzled if I’m in the minority or majority when it comes to paying for streaming music…hence the poll. The results indicate that only 28 people could be bothered to read my shitty blog and take the poll. Of those 28 people, 16 people (57.14%) said that they do indeed pay for a streaming music service of some variety. There were 12 people (42.86%) who reported that they don’t. Then a bunch of cry-babies took umbrage with the phrasing of the poll answers. I wrote the poll answers with my tongue firmly planted in my cheek, but there were a few people who didn’t take it that way. They refused to participate because they didn’t like being called a “chump.” Similarly, some people were upset that the option of saying “no, I don’t pay for streaming music” also alluded to illegally downloading music (“No, this is 2015 and music is free online). I get it. People who are into music almost always want to pay for it and the stigma of being “a chump” looms over us all. Hell, one of the reasons I put the poll up in the first place was to see if I was out of touch (or whatever) because I was paying for a streaming music service. I don’t think I am…but not thanks to this highly-unscientific rock poll. No, the sheer number of streaming services is proof enough that the business model is making someone, somewhere money. You can’t make money without chumps–I mean customers–forking over cold hard currency. I’ve written in the past how Spotify saved me from a 5-10 CD a week habit. More than just the expense of buying all that shiny plastic, streaming music saves space in my home and has allowed me to discover so many great new bands and genres of music by simply letting me “try out” music with one flat fee. Having all the music I could want on my iPhone is great, too.

Really, the only negative I have with streaming music is the music rights issue. I can’t tell you how many times a band’s album or even entire discography has simply vanished overnight. I can’t quite tell the reason, but I imagine it’s because the service I’m using just up and lost the rights to carry the album/song/catalog. It’s a bummer when a song you love just evaporates, like it was never available to you. I also don’t like how certain services have certain bands. AC/DC and The Beatles are available on Pandora, but are nowhere to be found on my Spotify service. Bummer. If these two issues were somehow solved (which they won’t be) then I’d have no problems at all with streaming music services. I think that in a few years music streaming will 100% be the norm in regards to music consumption. I think Pandora or Spotify accounts will be bundled with Cable/High Speed Internet packages…and we’ll all live on the moon with our rocket sleds and robot dogs. What a glorious future it will be. *not an actual figure

“Open Fire”: The Darkness Sound A Bit Like The Cult

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So I’m sitting here listening to the latest song from The Darkness, and all I’m hearing is The Cult. The English rockers, known more for sounding like Queen, have a new album coming this summer titled LAST OF OUR KIND. That’s not the big news. The big new is that they now have a lady drummer, which I must admit is kinda hott. That’s “hot” with two T’s. Her name is Emily Dolan Davies which is just about perfect, don’t you think?

Hott.

Hott.

I don’t mind this song, in fact I think I kinda like it, but that guitar tone has qualities that remind me of The Cult’s “She Sells Sanctuary.” The song’s a nice bit of English cock-rock, something that this world is sorely in need of if you ask me. I liked the band’s last album,  2012’s HOT CAKES, though I don’t think it made much of an impact…I didn’t hear anyone anywhere talk about it. Let’s hope that LAST OF OUR KIND brings the band a “I Believe In A Thing Called Love”-sized hit. It could happen.

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UPDATE: CHINESE DEMOCRACY (Possibly) Worth More Than In 2013 & 2012

Back in December of 2013 I noticed that the price of Guns ‘n Roses latest album CHINESE DEMOCRACY had gone up. Comparing the list price against a (super depressing) tweet from 2012, I saw that the album has increased in price by $1.22. The price rose, like a phoenix from the flames, from a paltry $3.66 to a robust $4.88. This was terrible-ish news for people who had not yet purchased the CD (and have very limited budgets). I, on the other hand, saw this as great news because the thought of CHINESE DEMOCRACY costing less than $4.00 feels just wrong.

Go ahead and check-out that first album-price post, it’s much better written. In that post I point out that prices on Amazon are always in flux so this might not actually mean anything. I also noticed (when I was halfway through writing that post) that I wasn’t comparing the price of the album at the same time of the year (October 2012 vs. December 2013). I even think I suggested that I check on the price of the CD in December 2014 to try and be more scientific about studying this trend. Of course I forgot.

I was checking on the status of a separate non-GNR related order this morning and decided to check-in and see what the price of CHINESE DEMOCRACY was currently. To my utter chagrin, the price has skyrocketed from $4.88 to $4.92. That’s an increase of $0.04! If you’d have taken my advice and purchased 100,000 copies of CHINESE DEMOCRACY back in December of 2013 you’d have made a profit of $4,000! Holy cow, I feel like the next Warren Buffet.

So for reasons that are absolutely beyond me, the price of CHINESE DEMOCRACY has continued to slowly climb. Perhaps this current jump in price is related to the “Only 8 left in stock-order soon” note, which was absent from the listing the last time I checked on the price of this album. Could it be a low supply that is driving the price up? I guess. Maybe. Sure.

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$$$

If you don’t own a copy of this masterpiece now is the time to hop to it and buy this sucker. You don’t want to have to pay $5.00 for this thing, do you?

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Happy Easter (War Is Coming)

For all my egg-dyeing peeps out there (pun intended):

 

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HIGHLY-UNSCIENTIFIC ROCK POLL: Do You Pay For Streaming Music?

Sometimes there are questions too big for one man. Sometimes, in the search for ultimate truth, we must seek the guidance of others. And then there are times when one wants to increase traffic to one’s blog by actively seeking participation of one’s small readership by stoking the fires of eternal debate…

Music_Throwdown

It’s been a while since I’ve done one of these polls, but I think the time is right to do another one (i.e. I don’t know what else to write about). I pay for Spotify and use a premium Pandora account at work, and I feel that both are worth the money. But I’m really out of touch when it comes to what normal people do, so I’m curious: does anyone reading this blog pay for streaming music? Chime in.

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Van Halen Announce 2015 North American Tour–They’re Playing Where You Live

I’ve been out of it lately and I’ve been meaning to do some writing…well today Van Halen announced a pretty big North American tour and shook me from my malaise. I missed the band the last time they reunited and toured–so this news has me pretty stoked. Sure, Michael Anthony is still out of the band and he-who-shall-not-named is still playing bass (and fat), but this announcement has me reaching for my Visa card.

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Sure, I’m still trying to recover financially from buying a pair of Replacements tickets, but this is Van Halen. Van fucking Halen. One of THE last truly great, truly massive rock bands. I’m sure this won’t be their last tour, but this will probably be the last chance I’ll ever get to see them.

And look at all the chances Van Halen is giving me (and you) to see them this summer:

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And the dates keeps going! Too many dates for one screen grab!!!

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That’s pretty much every American city worth a damn, and then some. Hell, the band is even playing my hometown of Kansas City, Missouri and they only have one horse! Since moving to Denver a year ago, I’ve yearned for seeing a concert at Red Rocks (Morrison, Colorado) and this might be my chance to finally pull the trigger and visit that epic outdoor venue. But who will accompany me? Mrs. Defending Axl Rose ain’t the biggest Van Halen fan, and these tickets are gonna be expensive. I hate dragging her to stuff, but I really hate dragging her to concerts that cost $100 a pop. My fantasy list of people I’d like to see this show with would be: my Dad, Robin Renee, Gandhi, and maybe my 8th Grade Science lab partner who liked to scribble “Van Halen” on his trapper keeper (sorry dude, I have forgotten your name).

Alas, I’m broke as hell but I’m gonna fill out a home equity loan application tomorrow so I can buy tickets for this tour. I’ll keep you all posted. In the meantime, how about a little mood music?

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Blur Is Back With “Go Out”

It’s been over 10 since the last blur album. Think about that for a moment. Ten years is a long time. I never thought the band would return from the land of dead bands–but they have. Apparently Blur recorded a whole album in Hong Kong of all places, out of sheer boredom! Titled THE MAGIC WHIP, this miraculous album comes out at the end of April. The first single, “Go Out” has been released…and it’s pretty damn good!

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“Go Out” is a fairly typical brit-pop rocker with laid on a bed of weird, distorted guitar noise. The band has also released a strange, asian cooking show-themed music video for the song. Weird? You bet. Quintessentially Blur? Of course. Check it out, and try to remember, it’s not 1995.

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I Made Jack White’s Guacamole Because…Rock ‘n Roll!!!

When I first heard “Fell In Love With A Girl” way back in 2002, I had no idea that people would still be talking about Jack White in 2015. I liked the song well enough, but I wrongly predicted that White’s career (and impact on the music industry) would be as lengthy as The White Stripes breakthrough hit. I was thoroughly puzzled by White initially. I remember seeing White creepily perform “Dead Leaves and the Dirty Ground” on Saturday Night Live and writing The White Stripes off completely. Look, we at Defending Axl Rose can’t all be right 100% of the time. Sometimes things slip by me. And don’t forget, when The White Stripes came on the scene there was a lot of strange rumors about Meg being Jack’s wife-sister…so you can’t blame me for dismissing them.

I quickly corrected my view of The White Stripes when the band released ELEPHANT in 2003. When  Mojo magazine declared it the band’s “British” album, I quickly went out and bought it on CD and red-and-white colored vinyl. That’s right, I dropped $45 on the album before I’d even heard “Seven Nation Army.” ELEPHANT was rousing, epic rock album that blew me away and immediately made me a fan and follower of White. I still think he’s weird (sometimes a little too much for his own good), but he’s the closest thing my generation has to a true rock god.

Oh my God, do a Google image search for "Jack White Guac."

Oh my God, stop reading and go do a Google image search for “Jack White Guac.” Seriously.

I’m still heartbroken that The White Stripes are no more, if you want to know the truth. I like The Raconteurs and love The Dead Weather, but I miss those glory days of red-and-white albums. White’s solo records haven’t really done much for me, but to tell the truth I’ve never really given them much of listen. White has given me so much over the years, I really owe it to him to sit down someday and study both BLUNDERBUSS and LAZARETTO in depth before writing them completely off.

Anyway, like the rest of you, I have been breathlessly following Guacamole-Gate, the dip-themed scandal that has embroiled Jack White these past few weeks. For those of you living under a rock, here are the basics: Jack White played a concert at the University of Oklahoma earlier this month. The school’s newspaper used the Freedom of Information Act to acquire the contracts involved with the concert. These documents were published in the school paper and revealed the amount of money the school paid to have White perform, as well as White’s tour rider. While I was a bit surprised it only cost the school $80,000 to have Jack White perform, the press (small and large) have jumped on the tour rider which included a recipe for Jack’s guacamole.

Ah, tour riders. Do these things ever not make an artist look crazier than a bag of cats? The purpose of tour riders is to ensure that bands and their staff are comfortable while setting up and waiting to perform  a gig. Let’s face it: being a traveling musician is not fun and glamorous. Can you imagine sharing one bathroom with everyone in Metallica? Or splitting a meal with Wolfgang Van Halen*?  Then there’s the small army needed to setup and tear down even the most modest of stages. Tour riders ensure that these hardworking folks get all the brown M&M’s they so desperately need.

Speaking of brown M&M’s, the most famous rider in all of rock history is the Van Halen rider that specified that the band have a large dish of only the brown colored candies. This demand made the band  poster children for rock excess, but over the years Eddie Van Halen has claimed that his odd request was made out of safety! According to Eddie, the band used this request to judge how compliant venues were with all of their requests. If the brown M&M’s weren’t done right, the band reasoned, then maybe the super dangerous lighting rigs weren’t done correctly either. I hate to side with Eddie (because agreeing with him stokes his ego) but the dude has a point.

Jack White’s rider requested that the venue make a bowl of homemade guacamole and included details instructions on how to make it. These instructions are Van Halen-specific, going so far as to tell venues what sort of knife to use on the avocados (a butter knife, presumably to avoid smooshing the soft fruit). The recipe even includes instructs venues to use the avocado pits and lime juice to prevent the guacamole from browning.

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“Subject to budget and advance” naturally…

When the rider hit the interWebz, the music world was shaken to the core. So much ink was spilled over this non-story that earlier this week, Jack White issued a long, semi-rambling statement about this rider. Essentially, he was sick of being asked about the whole affair and chastised the student reports for making something out of nothing. White’s management group issued a statement saying that White and their other artists would be boycotting the University of Oklahoma because of this incident. Of course, White had nothing to do with that particular decision. He even went so far as to say that he’d forgiven the student reporters and holds no ill will towards Oklahoma.

For such a strange guy, White’s response to the so-called scandal was surprisingly down-to-earth. The only disappointing part of White’s statement, in my opinion, was the revelation that the guacamole recipe wasn’t actually Jack’s:

“Anything on the rider is for the band and the crew. This “guacamole recipe” is my hilarious tour managers inside joke with the local promoters, it’s his recipe, not mine. It’s just something to break up the boredom, seeing who can make it best. Though I wouldn’t know because I’ve never had it. I can’t even make kool aid let alone cook any real food enough to have a “recipe.” sorry, I don’t have that talent.”

Great. So first The White Stripes break up forever, and then I find out Jack White can’t even make the most basic of party dips. What’s next, Bono will never be able to play guitar again? I know I’ll never be a musical genius like Jack White, but if I realized that if I could make this guacamole then there would be one area where I’d have him beat! Thus, I decided to use the recipe to make his manager’s dip. I went to the store and acquired the ingredients necessary for this magical rock ‘n roll creation. Then I rolled up my sleeves, put on some White Stripes, and got to work.

When you follow the recipe, this what you end up with:

So how was it? Well, if you follow the directions to the letter, you end up with something less like a dip and more like avocado salad.

Sorry, Jack. That isn't how I like my guacamole.

Sorry, Jack. That isn’t how I like my guacamole.

I’ll be honest, I fully intended on following the recipe to the letter, but I couldn’t abide such hippy-dippy gauc. Also, I’m really lazy. It was so much easier to just shove everything into my food processor.So that’s what I did. The results, while not 100% Jack White approved, was still pretty stellar.

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The serrano peppers added just the right amount of heat. I love spicy foods and this dip didn’t let me down. I would like to add that if you plan on making this dip, be sure to have a hungry crew of guitar techs coming over–the recipe yielded a ton of guacamole.

Delicious!

Delicious!

 

*I bet you thought I’d gotten over making fun of Wolfgang. You thought wrong.

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