Tag Archives: LED ZEPPELIN II

Train Hilariously Cover All of LED ZEPPELIN II

“Dear God, why?” That’s what I thought when I logged into Spotify last week and spotted Train’s new album DOES LED ZEPPELIN II. I’m still not 100% sure why the album appeared in my feed. I know it’s not because I’m a huge Train fan…maybe it’s because I love Zeppelin? Just so we’re all clear, the Train in question (who just released a top-to-bottom cover of the second Led Zeppelin album) is the San Francisco alt-rockers best known for their 2001 album DROPS OF JUPITER.

I can’t believe that I’m writing a post about this band. Train is one of those incredibly forgettable bands that came and went without anyone really noticing because of how bland they are.  “Drops of Jupiter” is one of those obnoxious ear-worms that infect you and cause you to embarrass yourself in the grocery check-out line when you start quietly singing it under your breath. The only thing more vanilla-boring than Train are The Fray (don’t get me started). The more I think about it, the more I realize how the late 1990’s/early 2000’s were a truly dismal time for Top 40 pop-rock.

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The album artwork is just as inspired as the music.

Anyway, this complete cover album is totally baffling to me on two levels. The first is: why does this exist? I don’t think I’m being (too) cheeky when I pose this question. What does it serve to make an album that covers a legendary album like LED ZEPPELIN II? This ties into my second “why?” in regards to this album: why would you release an album of covers that sounds exactly like the original? If I want to hear the second Zeppelin album, I can go and listen to it anytime I want. It still stands up today as one of the finest blues-inspired hard rock albums. If I want to hear another artist cover songs that love, I usually want said artist to bring something to the table. DOES LED ZEPPELIN II is so ridiculously slavish to the original (fantastic) recording, that it literally does not need to exist. There is no point. Sure, the production is a little cleaner, the guitar playing not quiet as tight, and the vocals a pale imitation of Robert Plants legendary performance…but the whole package sounds so much like Zeppelin that most casual listeners might actually mistake it for the original album.

I think that most of us would agree that an ideal cover presents a familiar (or unfamiliar) song in a new light. The best covers are more interpretive than mimicry. That’s why something like Gary Jules’ cover of the Tears For Fears song “Mad World” is so outstanding. Rather than reproduce the song verbatim, Jules took a great track and slowed it down turning a sad song into a wonderfully somber dirge. The same goes for Johnny Cash’s cover of the Nine Inch Nails song “Hurt.” When I think of both of those songs I almost never think about the original versions–that’s how good those two covers are.

Train had to have known that the kind of Gus Van Sant-devotion they were exhibiting on the Zeppelin project could only be viewed as an exercise in complete wankery. Surely the point of such a stunt is to show off that it could be done. I guess it is impressive that such a lame, mediocre band could record such an album…but the fact that they chose to record DOES LED ZEPPELIN II just goes to underscore why I find them so hilariously irrelevant. Hey Train, want to show smarmy bloggers like me that you’re not lame? Take the skill you used to create DOES LED ZEPPELIN II and make your own epic record.

 

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Dancing Days Are Here Again: Led Zeppelin Now on Spotify

This week one of the biggest bands in rock history was added to Spotify.  Yes, friends Led Zeppelin is available to stream!  I worry that I talk about Spotify a bit too much, but it’s been a godsend for me.  The ability to stream a wide swath of popular music has allowed me to dig deeper than I would if I had to go out and buy CD’s.  I never was a fan of illegally downloading music, though I did dabble with that in the past.

Spotify may not pay artists the way traditional album sales would, but I’d argue that the exposure the service gives band is worth it’s weight in gold.  I may have slowed down my consumption of records, but more importantly I’m a fan of more artists, from more genres than ever before.

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Led Zeppelin being on Spotify makes me happy for two reasons.  Firstly, I just moved and all my CD’s are packed away in boxes.  Meaning I’ve been living a horrible Zep-free life. Now I can hop on my computer, or smartphone, and instantly be in Led Zeppelin nirvana. Secondly, having the band’s entire catalogue available at my fingertips will finally allow me to explore the band’s last two albums.  I’m ashamed to admit it, but I’ve never heard 1976’s PRESENCE or 1979’s swan song (pun intended) IN THROUGH THE OUT DOOR.  Sure, I’ve heard a few cuts of each album on the radio, but I’ve never heard them all the way through.  It’s basically like I’ve got new Led Zeppelin to listen to!

A few years back, my local Best Buy had a mega-sale on Led Zeppelin albums and I snapped up everything up to PHYSICAL GRAFFITI.  Why did I stop there?  Well, even though the CD’s were dirt cheap, Mrs. Defending Axl Rose isn’t the biggest fan of my expansive CD collection…so I stopped where everyone said the band stopped being good. But as I sit here, typing this listening to IN THROUGH THE OUT DOOR, I can assuredly tell you that Led Zeppelin were good all the way to the bitter end.  Would I have had this epiphany without a streaming music service in my life?  Probably, though it would have taken me years to work my way back to Zeppelin.   If you’ve never fully explored the Led Zeppelin catalogue or if you’re an old-fan like me who haven’t listened to them in years, take some time and explore the band on Spotify.

My Top 10 Led Zeppelin Tracks (1969-1975)

1.  “Bron-Y-Aur Stomp” off LED ZEPPELIN III.  This is my all-time favorite Zeppelin song.  I love the homespun feel of this song, it’s like a campfire song…Led Zeppelin-style.

2. “Living Loving Maid [She’s Just  A Woman]” off LED ZEPPELIN II.  Repeat after me: love the riff.  Killer, killer riff.

3. “The Ocean” off HOUSES OF THE HOLY.  Have Robert Plant’s super-high vocals ever been higher?  Every time I go to a concert and look back on the swell of faces I think of Plant singing to his “ocean.”

4.  “Going To California” off LED ZEPPELIN IV.  The entire fourth LED ZEPPELIN album is amazing (everyone knows that) but if I had to pick one song that I love the most from that record it would be “Going to California.”  While the rest of the album rages, this song is the quite eye of the hurricane.  The song gets bonus points for being about Joni Mitchell.

5. “Kashmir” off PHYSICAL GRAFFITI.  A wonderfully weird, and powerfully heavy track.  It’s a shame that most kids know it as “that Puff Daddy song.”  *Shudder*

6.  “Communication Breakdown” off LED ZEPPELIN.   The first Led Zeppelin album is more blues-oriented than most people discovering the band after that fact might expect. But while Zeppelin might have pioneered hard rock/heavy metal, they really were just bluesmen.  “Communication Breakdown” is a wonderful fusion of blues and hard rock the band would later use to dominate the world.

7.  “Immigrant Song” off LED ZEPPELIN III.  Elves and hobbits are nice, but it’s when Zeppelin sing about Vikings that my heart soars.  Truly this song is the hammer of the gods.  

8. “Hey Hey What Can I Do” B-Side to “Immigrant Song.”  This is probably the least-known song on this list (and not currently available on Spotify) but man, do I love it.

9.  “D’yer Mak’er” off HOUSES OF THE HOLY.  Funky.  This song is funky.  It also features a great vocal performance from Page.  Took me many years to learn that this song pokes fun of the way British people say “Jamaica.”  Which of course explains the reggae-ish vibe the song has.

10.   “Moby Dick” off LED ZEPPELIN II.  Come to Led Zeppelin for the killer Jimmy Page riffs and the stellar Robert Plant vocals…stay for John Bonham’s drumming.  Why on Earth don’t more drummers try to sound like Bonham?  He’s the greatest rock drummer of all time.  Period.  The song starts with some fun guitar licks and then devolves into an extended drum solo.  The genesis of the tune is that it began as something used during the live shows to give the rest of the band a break.  “Moby Dick” on record is over 4 minutes long, but Bonham would sometimes play a ten minute version live.

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