Imagine if Trent Reznor-penned a concept album about masculinity and recorded it with Muse as his backing band. That’s a fairly close description of what Wild Beasts album BOY KING sounds like. Whereas Reznor’s Nine Inch Nails records have a gritty, cold feeling to them Wild Beasts’ BOY KING has a crisp but cold feeling to them. NIN is chrome smeared with dirt while BOY KING is pink neon light reflected in a puddle of still rain water.
Unlike Reznor’s work, the precise tracks on BOY KING have a decidedly poppier, almost hip-hop-flavored feel to them. Certain songs, like “Get My Bang” even reminded me of Britpop bands like Stereophonics (remember them? They’re fantastic, but that’s a post for another day). For me, it’s the shimmering pop heart beating just under the grime that makes BOY KING an enjoyable listen, rather than a painful sit through. The band described the album’s third single “Celestial Creatures” via Twitter thusly: “Organic but digital, aggressive but tender, hallucinatory but clear-eyed.” I wouldn’t argue with that assessment, both of the song and of the totality of BOY KING which is rife with duality.
The album swings between a kind of exaggerated pop star bravado and a gentler (but creepy) kind of feminism. Lyrically, the songs are a mix of dark poetry and sexual innuendo, to the point where it becomes difficult to suss out what is sneering facade and what’s genuine. A good example is “Alpha Female,” a track that follows “Tough Guy” which is both a biting indictment of modern machismo. On the surface “Alpha Female” is a song about how men don’t know everything and how the song’s narrator isn’t going to hold his lady back. But the chorus “Alpha female, I’ll be right behind you” gets nastier and nastier every time it’s repeated.
There’s a real late 90’s U2-experimentalism on many of the tracks on BOY KING. Whether or not you think that’s a good thing or not is entirely up to you. There’s no denying that a track like “Eat Your Heart Out Adonis” sounds like something Bono could have crooned upon exiting a giant mechanical lemon. But whereas Bono and Co. played that phase of their careers a little too seriously, Wild Beasts appear to be in on the joke. Also, the guitar solo at the end of the song is warmer than anything The Edge’s cold, cold heart produced during that period.
BOY KING ends on a soft, gentle ballad a stark contrast to the album opener “Big Cat.” I absolutely love “Big Cat,” which might as well been titled “Alpha Male.” The song has a couple of double-entendre for sex and domination, and yet for all its big male bluster…the song is about comparing oneself to a big cat. That another name for cat is pussy can’t be overlooked amidst all the other sexual overtones. Just like the majority of BOY KING “Big Cat” has layers upon layers of complexity. And yet, it’s also just a damn fine pop album you can groove to.
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